Tennessee Johnson

Unfortunately, I almost didn't make it through the first thirty minutes set in Tennessee, complete with a Marjorie Main variation of her "Ma Kettle" schtick. The town of Greeneville actually has some beautiful colonial architecture, is NOT near Nashville, and was not a backwoods mud pit in the mid-1800s - it is the second oldest town in the state, and was the capital of the former State of Franklin. (Johnson's home and tailor shop are standing today, as museums, and part of the National Park Service. A web site provides a history, and photos.) 30s/40s Hollywood would always "whitewash" history, except apparently, when it came to small towns in the South....then they'd falsely exaggerate the yahoo image for "atmosphere."

The final impeachment proceeding scenario is indeed rousing, but loses it's punch when one knows it is a fabrication. I usually prefer my history lessons to come from books or documentaries, although the latter can obviously be as biased as a narrative film.

"Senator" Johnson's final scene in the film occurred a mere six months before his death in East Tennessee. (Interestingly, the guest home in Carter County where he took ill, later became part of a roadside tourist trap in the 50s, but has recently been sold for relocation, and one hopes, restoration.)

Regardless, Heflin is great, as is the always reliable Barrymore. Worth a viewing, IF you learn the actual facts beforehand.

"The Senate of the United States, in 1868, sat as a High Court in judgment upon Andrew Johnson, who succeeded Abraham Lincoln as President. In the only great State trial in our history, President Johnson was charged with violation of a law which forbade him to dismiss a member of his Cabinet. In 1926, the Supreme Court pronounced this law unconstitutional - as Johnson had contended it was. The form of our medium compels certain dramatic liberties, but the principal facts of Johnson's own life are based on history. In the Spring of 1830 - in a Tennessee valley - our story begins," states the disclaiming prologue...

There, we meet film subject Van Heflin (as Andrew "Andy" Johnson), in a leg iron. The future President is a runaway apprentice (between free-man and slave, but significantly closer to free). Bound to a tailor, Mr. Heflin has learned the profession and goes about mending figurative fences with local townsfolk. He learns to read and write from attractive Ruth Hussey (as Eliza McCardle), who becomes Heflin's first lady. Reading "The Bill of Rights" gets Heflin interested in expanding US Constitutional rights to include non-property owning "white trash" like himself...

Becoming successful in politics, Heflin's Johnson goes against the Southern grain by supporting some of Abraham Lincoln's platform; they both want to keep the Union whole. After the Civil War, President Lincoln selects Johnson as his Vice-President to help heal war wounds and assist in Reconstruction. Johnson has problems after succession to the top office. Yes, there are "dramatic liberties" (lies, even) taken, as the opening states. Heflin is fine, and makes Johnson a sympathetic character. Lionel Barrymore (as Thaddeus "Tadd" Stevens) and popular "silent" film star William Farnum (as Senator Huyler) have pivotal roles.

****** Tennessee Johnson (12/42) William Dieterle ~ Van Heflin, Lionel Barrymore, Ruth Hussey, William Farnum

VAN HEFLIN as Andrew Johnson and RUTH HUSSEY as his wife both give earnest performances and the screenplay, while fictionalizing certain points for dramatic license, is a good one. But, as usual, history buffs are going to nitpick the inaccuracies to the point of dismissing the film as fiction. Not true. What it does do is make anyone who watches it want to consult the history books--and that's a good thing if you want to know the whole story behind Johnson being the first president in history against whom impeachment charges were made.

As his adversary in the impeachment process, LIONEL BARRYMORE delivers another one of his more restrained performances without overdoing the ham. He and Heflin share some pretty dramatically effective moments, both of them in fine form. Heflin takes the character of Johnson from his humble beginnings as a tailor to his marriage to Hussey and his gradual emergence as a spokesmen for the people of Tennessee. For the sake of running time, it skips most of the years leading up to the Civil War and Lincoln's assassination, compressing all of those events and managing to keep the screenplay a tightly knit focus on the impeachment process itself. Only quibble is it fails to make clear the strongest point of the impeachment.

VAN HEFLIN plays most of his role in appropriate age make-up (as does Hussey) and they're both terrific. In lesser roles, MARJORIE MAIN, REGIS TOOMEY and CHARLES DINGLE provide colorful support.

Summing up: May not be a complete history lesson, but it will certainly cause viewers to probe more deeply into the detailed background of historical interest. And it does serve to remind us what a fine actor Van Heflin was in a demanding role.

I doubt if a film made in 2004 or after about Andrew Johnson would be as kind as this 1943 film. Johnson did support the North in the Civil War (he was the only Southern Senator to remain in the U.S. Government during the war, and would be appointed Governor of that portion of Tennessee from 1863 - 64). Lincoln, in order to have a strong National ticket in her 1864 election chose Johnson (a Democrat)as his running mate. So Johnson became Vice President. And then John Wilkes Booth shot Lincoln, and Johnson became President.

Johnson was illiterate, until his wife taught him to read and write. He educated himself, and rose in the legal and political world of Tennessee (and then the nation). But he was a piece of "po' white trash", and remained so with all it's cultural baggage. He supported the North because he (rightly) distrusted the Southern plantation aristocracy (epitomized by Jefferson Davis). However - he hated slaves and free Black people. Hence his willingness to be soft on the South. Lincoln would have been soft too, but Lincoln had great gifts at managing his adversaries and probably could have arranged a compromise. Johnson was pig-headed. He antagonized the Radical Republicans controlling Congress. They waited for him to make a mistake, and he did (technically he violated the Tenure of Office Act, by firing Secretary of War Stanton without getting Congressional permission - this act was declared unconstitutional in the 1880s). Then followed his impeachment and the saving of his skin by seven Republican Senators who voted not to remove him. And those men all lost their Senatorial seats.

In 1943 Johnson was considered a hero, for saving the Executive Branch from becoming a rubber stamp for Congress. Actually, there was nothing to show that some Radical Republican President could not have restored power to the Executive Branch if Johnson had been removed. He gets high grades for his grit and courage, but his pig-headed stupidity and racism sink his historical rating.

Still Van Heflin, Lionel Barrymore, and the other actors (like Charles Dingle) make the film interesting and enjoyable enough. Good film making but mixed history. Two final points: Edmond Ross was in good health when he voted, but James W. Grimes of Iowa also voted for acquittal, and he had a paralytic stroke a few weeks earlier (he died within a year). Second: Andrew Johnson is the second Vice President of the name Johnson (and Lyndon Johnson the third Veep). The first was Martin Van Buren's Vice President, Richard Mentor Johnson of Kentucky, whose career as a politician might make a diverting comedy.

This highly fictionalized biopic from MGM and director William Dieterle charts the life of Andrew Johnson (Van Heflin) from his days as a near-illiterate tailor in Tennessee to his unlikely education at the hands of Eliza McCardle (Ruth Hussey) who would become his wife, to his entry into politics, eventually becoming Vice President under Abraham Lincoln, succeeding him after his assassination, only to become the first US President to face impeachment. Also featuring Morris Ankrum as Jefferson Davis.

The liberties taken by the screenwriters to make Johnson into a shining patriotic hero were so egregious to some that a protest movement formed against this movie, leading to picket lines and angry print editorials. Strangely enough, the most vocal opponents to the movie were Vincent Price and Zero Mostel! The movie is mostly malarkey, but so were so many "history lessons" coming out of Hollywood, so this one doesn't offend me that much. The purpose was to inspire and celebrate rather than inform or educate. If only it succeeded more at the former the lack of the latter wouldn't be so noticeable. The movie is clunky in its pacing, and can't decide what it really wants to say about its protagonists. Heflin and Hussey do as good a job as they were able given the material, but many of the supporting cast are wasted in nothing roles. The production design is nice, with detailed settings and nice costume work. Running about 105 minutes long, the movie really needed another 30 or so to add more depth and nuance to the players.