Les anges de miséricorde

I saw this film when it first came out. I liked it then and I like it now. Some argue that its a little too heavy on the patriotism. But if you remember it was made at a time when we weren't sure how the war would come out, the context keeps patriotism in perspective. Back then most everyone supported the war effort and the doubters kept their doubts to themselves. There were virtually no families without at least one member in the service and most of the non-service people worked in defense jobs. "So Proudly We Hail" was a timely film when it was made and 60+ years later its message is still relevant as an historical event.

Since both of my Philippine parents were born while World War II was on and my mom eventually became a nurse, I've long wanted to watch this war drama about American nurses as they struggled to keep their sanity during that conflict. Before I go to the leading ladies, I have to mention that one of the first people we see on screen is one Mary Treen, a player from my favorite film-It's a Wonderful Life, who is another of the medical staff who provides some of the narration of the first half. She's just as compelling as many of the rest of the supporting cast which includes Sonny Tufts as a goofy soldier who falls for Paulette Goddard, and George Reeves as an Army man who takes a shine to Claudette Colbert. It's largely Colbert and Goddard who provide the spirit and occasional heartbreak of the film as we watch them both praise and whine about how the war is going. But the one genuine surprise here is Veronica Lake, usually a glamor girl in her roles, who becomes sullen here because of a tragedy involving Pearl Harbor. So on that note, So Proudly We Hail! comes highly recommended.

Another fine film from AMC's 1998 "Veterans' Day Movie Marathon."

This one details (in flashbacks) the daily ordeals of a company of Red Cross nurses serving in Bataan and Corregidor during WWII. For a change, Paulette Goddard plays the nurse with most of the male admirers (Sonny Tufts in particular), with Veronica Lake showing up late in a decidedly unsexy role (about which I can't say much more than that, lest I ruin it for you). Both offer up career performances, if that's saying much. Their leader, durable talent Claudette Colbert, holds the troop together throughout, despite numerous tragedies. Helping to prop *her* up is her persistent suitor George Reeves (later of the TV series, "Superman"). Interesting for the fact that it was shot while the war was still raging ~ so there are a lot of decidedly non-PC references to "Japs" ~ but this is a real salute to the unsung women who served in "the big one." A must-rent.

4 Stars.

"So Proudly We Hail!" is an absolutely magnificent film in every way. This movie was NOT a propaganda film like so many made during that time were. There was no "rah-rah" attitude anywhere in this film. This is one of the first films that put women in the spotlight as true war heroes, and in the front lines. The movie was extremely important for women, and how women are viewed in films. This film centers around the true horrors that the courageous nurses who served in WWII at Corregidor went through. NOTHING at all was candy coated, so to speak. As you watch this film, and remember that it was made in 1943, you will be shocked at some of the content for that time period. Amazing performances by all, including the great Claudette Colbert, George Reeves (from Superman fame), Veronica Lake (In certainly her finest performance), and Paullette Goddard who was nominated for an Academy Award. The script for this film was written by using the stories from journals, and diaries of the actual nurses who served at Corregidor. Some of these nurses made it back, and some didn't. Some of the surviving nurses of Corregidor were also brought in during production as technical advisors to the film makers. A few of them were even used as extras. Issues of Life magazine, and photographers from Life magazine who were there, were brought in assure even more accuracy concerning uniforms, and surroundings. The fact that this movie was released while the war was still going on, is further testament to it's courageous stance in not candy coating the horrors of war. This is one of the few old WWII films that I would love to see remade. A remake of this film could be as huge as "Saving Private Ryan" As you watch the film, you will see what I mean. This film was well written, had outstanding acting, mature subject matter for the time period, and was an historical achievement for putting courageous women in the spotlight. All of these elements together, make for a classic film that is a MUST SEE for everyone. Why this film is not in the AFI Top 100 is a mystery to me.

Hollywood deserves a big hand of applause for making SO PROUDLY WE HAIL at a time when the U.S. was still involved in WW2 and our struggles to overcome the Japanese in the Pacific. It opened to popular acclaim at New York's Radio City Music Hall where it played to contented audiences who were both entertained and impressed by the war realism depicted as nurses undergo the rigors of work among the wounded.

It's still pretty impressive, although some of the flag-waving gets a little heavy and the suds flow pretty freely when the nurses discover romance. Claudette Colbert leads the pack of nurses with a nobility only Claudette could demonstrate--and sincerity. In lesser roles, Veronica Lake and Paulette Goddard acquit themselves well, with Goddard receiving a Supporting Actress nomination.

Sonny Tufts achieved instant popularity with his role as the bumbling Kansas and George Reeves had one of the best roles of his career as Colbert's love interest.

What makes the film remarkable for its time is the way it handles all of the action sequences--and there are plenty of them. The explosions don't look as if they're happening on a studio set but in the jungles and terrain of the story--and they're mighty effective in their realism, something even today's audiences can appreciate.

On the debit side, the story is a little overlong and the flashback technique might not appeal to everyone. Still, it has holding power and is an example of one of the finer films of the period to deal with the role of women during World War II.