Pigs in a Polka

Pigs in a Polka (1943)

** 1/2 (out of 4)

This Looney Tunes short takes the Three Little Pigs story and sets it to classical music.

Yeah, the additional of classical music is really the only thing that separates this from the countless other versions of the story. The Disney version is without a doubt the best that has ever been done and this one here really can't compete with it. With that said, the idea of having the story set to classical music was a rather clever idea but I just don't think it really paid off in regards to entertainment. This is far from a bad movie but at the same time there's really nothing good here or anything that would make you want to watch this over the more traditional versions.

'Pigs In A Polka (1943)' is a 'Merrie Melodies' short set to the tune of 'Hungarian Dance no. 5' by Johannes Brahms, with each on-screen movement timed perfectly to the classic piece of music. Its story is that of the three little pigs, and it follows that well-established narrative pretty much to a tee. Although it's amusing to see the smooth animation speed up and slow down as dictated by the score, the film lacks strong comedic gags and feels a little bit standard when it comes to its slapstick. It's not bad, by any means, but it does feel a little bit lacking when compared to the zany freneticism usually associated with 'Merrie Melodies' and 'Looney Tunes'. It's a solid short overall, however, and its animation is consistently good.

I remember that I first heard Johannes Brahms's "Hungarian Dances" in "The Great Dictator", when Charlie Chaplin is shaving the guy to the tune of that song. For "Pigs in a Polka", the Termite Terrace crowd continues its tradition of mixing classical music with wacky images, and they do a great job with it. OK, so "Three Little Pigs" is one of the easiest stories to spoof (they later applied music to it again with "Three Little Bops"), but how can you not like how the cartoon came out here? Probably the most eye-opening aspect is how, far from being a triad of warm, cuddly brothers, the pigs have some conflicts. The smartest one - who built his house out of bricks - doesn't like how his siblings take an irresponsible attitude towards everything.

Among other things, we have to remember that these cartoons were not created for children. What they portray requires some knowledge of world history and culture. As it is, I've long considered it honorable that these cartoons could teach children about classical music (much like "What's Opera, Doc?" could).

All in all, a very enjoyable cartoon short.

"This is our interpretation of the familiar tale of 'The Big Bad Wolf And The Three Little Pigs.'" An announcer is telling this to an audience, of which we are privy. He adds this story "is set to the delightful music of Joann Brahm's 'Hungarian Dances.'"

So that's what we get: this fairy tale set to music. The announcer, butchering Brahms' name, is funny, but not a lot of other things are in here. In fact, that might be it. What you mainly have here is a cartoon in which the actions of the people, from walking to dancing and prancing to the wolf chasing the pigs all is set to the music.

Maybe it's just me, but I prefer humor in my cartoons. This was not something I'd watch again.

When Disney did the first The Three Little Pigs, I wonder if he knew he was starting a cottage industry at the very least and The Animators Lifetime Employment Act at most. I suspect more different animators have taken a turn at the Pigs than any other characters in the history of animation. There have been military takes (Blitz Wolf), Pigs as con artists (a meeting with Bugs Bunny) and musical takes, like this one. This is one of the better uses of classical music tied to animation (the best short to do so is Rhapsody in Rivets), with the action on screen fitted to the corresponding musical scoring. This was nominated for an Oscar and periodically plays on Cartoon Network. Recommended.