Lady from Chungking

This is a stilted and rather creaky wartime film, made on a low budget and meant to boost morale, so it certainly won't be for everyone. It made for interesting viewing for me, however, because of the luminous presence of Anna May Wong, who didn't disappoint. It's fantastic that her character is the leader of the Chinese resistance to Japanese occupation which gave the film an unexpected aspect of feminism, and her performance is strong. Mae Clarke is wonderful here too. The story is skeletal and rather hokey, but there is power in the film being set in China given the atrocities that were taking place there, and Wong's speech at the end still inspires:

"You cannot kill me. You cannot kill China. Not even a million deaths could crush the soul of China, for the soul of China is eternal. When I die, a million will take my place, and nothing can stop them, neither hunger, nor torture, nor the firing squad. We shall live on until the enemy is driven back over scorched land and hurled into the sea. That time will come soon, for the armies of decency and liberty are on the march. China's destiny is victory. It will live because human freedom will not perish. Out of the ashes of ruin and the old hatreds, the force of peace will prevail, until the world is again sane and beautiful."

This turns out to be a very watchable programmer from PRC. Anna May Wong commands the screen throughout and Mae Clarke isn't bad either. The whole story is told in little more than an hour, as per most poverty row productions, and considering the budget, it looks rather convincing. These little studios gave some one-time big stars such as those in this film a chance to show that they still had it. The production is directed by poverty row ace William Nigh, who does a fairly good job here. This was obviously but one of dozens of WW2 propaganda films, but this still has the power to entertain. Available on DVD or streaming on YouTube.

The US does not have a cornered market on Jingoistic films during WW 2. The Chinese (and French) also had their share of Jingoistic films. This is one of them. All these films have one thing in common; they overemphasize the romantic notion that 90% of the occupied country (China, France etc) was ready to resist and stand up against the invader at a moment's notice. Unfortunately, this was not true. A small, courageous percentage of Chinese and French resisted the Japanese and Germans ACTIVELY. The vast majority of the populations of both China and France did not ACTIVELY resist; but PASSIVELY resisted. This film is well-made and has a good story line. The acting is top-notch, and even the blond airhead with the Mae West mannerisms does a decent job. But Anna May Wong was a legitimate first-rate actress and she steals the film. She is the first lady of Chinese Cinema and the predecessor of Gong Li, the second great wave actress from China. Yes, the film is anti-Japanese in every respect, as it well should be. This is why China and Japan will never be allies in Asia. Worth viewing.

Anna May Wong's regal beauty and charisma stands out like a diamond in a in a sea of rhinestones in Lady From Chungking, one of two wartime propaganda film she did for PRC Pictures. The film looks like it was shot on a western film location and has some western like aspects.

Anna's a patrician lady here who is doing a little espionage work for the Chinese Resistance. Once exposed to her charms Japanese general Harold Huber shows absolutely no resistance. Mata Hari had nothing on Anna May Wong.

This film's location is some backwater part of western China. Until Chiang Kai-Shek chose it as his capital in exile Chungking itself was as backwater a town as you could find. Huber's presence means that a Japanese army can't be far behind and Anna's mission is to find out what Huber is up to.

in the backwater is also Ludwig Donath as a German café owner with Mae Clarke who plays a singer in his dive. Clarke is an anachronism here. Her character is supposed to the daughter of a Russian father and an American mother and Clarke's never seen the USA. She may never have seen it, but she sure sounds it. She must have listened to a lot of radio broadcasts and seen a lot of movies, especially Joan Blondell movies.

Add a couple of downed Flying Tigers, Rick Vallin and Paul Bryar who is from, where else, Brooklyn and you have all the ingredients.

Anna May Wong gives this film an extra couple of notches, but it's still a Poverty Row PRC film and that's never a good sign.

A group of Chinese farmers are being worked by the occupying Japanese army during World War II, while secretly working their underground movement to end the oppression. Kwan Mei, whose family was killed by the invaders, is questioned by the Japanese concerning the whereabouts of an American flier that was shot down. General Kaimura is taken by Kwan Mei's beauty and becomes his mistress, but she uses this to her advantage in order to obtain information vital to the Allied war effort. When she learns of a Japanese troop train that is to arrive, it is up to her to lead her fellow Chinese and allies to intercept it, overcoming the obstacles of the Japanese army and her fellow farmers who believe she betrayed them to the enemy. Very good propaganda film from PRC, which should have been done at another studio so its message of sacrifice and camaraderie would have been heard by more. Wong is simply terrific in her role as the clever Kwan Mei and her message at the end of the film captures the essence of every person oppressed by an evil captor. The scenes with Clarke, Donath, and the American fliers really take away from the main essence of the film and just seem to pad the running time. Worth a look. Rating, 7.