L'Étrangleur

"Lady of Burlesque" takes an unusual combination of story, setting, and characters, and puts it together into a rather entertaining movie. The murder mystery plot, the cast, and the seedy backstage setting make for an interesting setup, with things moving at a good pace.

Barbara Stanwyck makes an interesting lead, as the burlesque star who has to try to track down a murderer while having some tart exchanges with her companions backstage. Michael O'Shea plays his stage comic role a bit too broadly at times, but he is often entertaining. Charles Dingle makes good use of his scenes as the police inspector, and he gives Stanwyck a good foil to play off of. Of the numerous other dancer characters, a couple of them are given some occasional good moments, although several of the others remain too indistinct from one another.

Almost the entire story is told in the theater and dressing rooms where the company is playing, and the script is generally resourceful in keeping things interesting within these narrow confines. The mystery in itself is not particularly complex, but it works as a setup for a number of interesting sequences. Overall, there's not anything remarkable, but it works well as light entertainment with some interesting character interaction.

Barbara Stanwyck managed to elevate nearly every film and television show she ever did. The earliest film I saw her in was "The Miracle Woman" from 1931. I just saw "Baby Face" and I own copies of "The Thorn Birds", "Stella Dallas" and this film. "Lady of Burlesque" is a wonderful, atmospheric depiction of an bygone era, complete with Stanwyck doing some amazing dance moves. Some people have criticized the music score as being second-rate, but that is what it SUPPOSED to be. Burlesque wasn't Ziegfeld. Men went to see the girls in various stages of undress, not hear Cole Porter or Irving Berlin. The music and the corny jokes were incidental to the "action" on stage, and it was not for nothing that Arthur Lange's musical score was nominated for an Acadamy Award. The mystery story is well-told and the atmosphere is added to by an excellent supporting cast, with Iris Adrian being a standout. After seeing this wonderfully entertaining film you will feel like you have been whisked back in time to an era long-gone.

Did the movies ever produce a trouper more versatile than Barbara Stanwyck, a seasoned pro who not only could do anything handed to her but did them all superlatively well? Her long career encompasses melodramas, weepers, screwball comedy, noir, even Westerns. In Lady of Burlesque she sings, breaks into a variety of dance steps, and even turns a cartwheel (and if a stunt double did it for her, the editing is virtuoso). She's far and away the best thing in the movie, which is saying a lot: Lady of Burlesque is a breakneck carnival ride of a movie.

It's based on The G-String Murders, a light mystery penned by society stripper Gypsy Rose Lee (her own story became legend in Gypsy, and her sister. Baby June, became actress June Havoc). But the mystery emerges late and, like the obligatory love angle, doesn't unduly detract from the movie's main business, which is a salty and affectionate reminiscence of the autumn of vaudeville's ne'er-do-well stepsister, burlesque, set, like all the best show-biz stories, backstage.

William Wellman gets things popping right off the bat, in a Ziegfeld-Follies like number in which one of the prancing chorines keeps trying to blow her Veronica-Lake locks out of her face. Then there's a fast seque into Stanwyck's `Take It Off The E-String (Play It On The G-String),' then upstairs to the horror of a dressing room where the big, pale girls gussy themselves up and rip one another up one side and down the other. Their smart, snapping mouths recall the bitchiest exchanges in Stage Door, another racy peek into stage life after the curtain's rung down (among the grind-house queens are Iris Adrian, Victoria Faust, Janis Carter and Stephanie Bachelor). Another dressing room houses the men – the comics with their wide pants and tiny hats (Pinky Lee among them); Wellman even throws in some of their hoary routines but counterpoints them against offstage action to offset their stale-popcorn fustiness.

Police raids and gangster boyfriends, professional jealousies and box-office worries play as much a role in the movie as a series of ecdysiasts strangled with their own beadwork. With Wellman at the helm and an enviable if not, apart from Stanwyck, especially starry cast, Lady of Burlesque delivers lots more than it promises.

That body - those legs - yes, it's Barbara Stanwyck, who is sensational in "Lady of Burlesque," a 1943 film based on Gypsy Rose Lee's novel "The G String Murders." The murder mystery aspect of this film (which is pretty lame) is just an excuse to give the audience a taste of life in a burlesque house - the crummy dressing rooms, the fights, the raids, the dumb on-stage humor, and underneath it all, a camaraderie and a closeness. The performances are all very chaste thanks to the censors. Stanwyck performs "Take It Off the E-String (Play It On the G-String)" and she's fantastic. It sounded like she was dubbed in the big parts of the song, but the lower register sounds a lot like her.

Stanwyck is Dixie Daisy, a newcomer to this burlesque house who's making a big splash with the customers and with one of the comics (Michael O'Shea). When one of the girls is murdered, and then another (strangled with a G string), it begins to look as if someone is trying to close the old opera house where the show plays.

Stanwyck is backed up by a lot of pros, including Iris Adrian, O'Shea, J. Edward Bromberg, and Pinky Lee. They're pros but she's a star - and it's her film from beginning to end. Somehow Stanwyck made it all look easy, slipping as easily into this role as she did into all the parts she played throughout her career. And it looks like she did her own dancing too.

"Lady of Burlesque" is a lot of fun, and Stanwyck - sexy, tough, and warm - is spectacular.

Gypsy Rose Lee wrote several mystery novels. The most famous is "The G-String Murders", from which "Lady of Burlesque" was adapted. The novel is delightful, as many have noted, opening a window onto a lost world of performances and the lives of those who peopled it. Director William Wellman and writer James Gunn combined their talents with Bernard Herbzrun's inspired art direction to produce a wonderfully-mounted B/W classic of images, characters and mystery here. Heading the cast are dynamic Barbara Stanwyck, Marion Martin, Pinky Lee, J. Edward Bromberg as the policeman on the case and Michael O'Shea as the brash but lovable comic who pursues Stanwyck. The storyline involved rivalries, pretensions and tensions among the ladies of a burlesque troupe; the plot is about respect and how the characters plan to obtain it. The entry of a murderer into the performers' insular and fascinating world of performing and being apart from a society which finds them amusing, exotic and unknowable makes this an interesting "island" vehicle, one used for examining and exampling human values, ideas and actions. The rooftop sequences are still stunning; I find that the human values retain their potency to move and to interest. Stanwyck is marvelous, O'Shea and Pinky Lee perfect. Marion Martin and Iris Adrian, as well as Bromberg, get everything out of their parts that is there, and then some. One-of-a-kind because of Miss Lee's authenticity. faithfully reproduced on screen with swift pace and intelligence. Highly recommended for its atmosphere and for much, much more.