L'île des péchés oubliés

Gale Sondergaard is the mistress of -- well, let's say it's a gambling house. It's a gambling house filled with girls. Sondergaard looks great and is fun in the role. Some of her employees are pretty and also act well. Veda Ann Borg, for one, is always good for some fun. Some of the girls are pretty. A few of the bit players, as was the case in the lesser studios, look like basset hounds with long hair.

John Carradine is kind of wasted in the role of the hero. He's fine but this was not his forte. Sidney Toler, so upstanding as Charlie Chan, is not nice here at all.

Edgar G. Ulmer does a fine job with this low-budget affair. I had never heard of it, and I thought I'd seen all his movies.

It's most fun when it stays within the genre, ruled over by Marlene Dietrich, of the good woman with a bad reputation working in a place with a terrible reputation. When it turns to adventure, it gets a little tiresome. But it's not a bad movie.

And Ulmer may have been the director who best, and most frequently, used classical and operatic music in his movies. Sure, some did when they were doing biopics of composers. But even here, we have an excellent score.

John Carradine and Frank Fenton drink a lot and get in fist fights, some over Gale Sondergaard who's a bar owner/madam (?) of a bunch of American bar girls/hookers(?) on a little south sea island. A scene at the beginning when Gale wakes up the girls fascinates me for some reason. Veda Ann Borg is very campy as a two-faced "native" girl. Gale -- that big kitty -- does a great acting job in this silly, fun mishmosh.

Had I known who the romantic leads are in this film I would have made it a point to see it years ago. How often do you get the opportunity to see Gale Sondergaard and John Carradine play characters better suited to Humprhey Bogart and Lauren Bacall? ISLE OF FORGOTTEN SINS is a thoroughly enjoyable South Seas adventure with Carradine and Sondergaard, cast completely against type, doing terrific work for low budget miracle worker Edgar G. Ulmer. Add Frank Fenton as Carradine's battling buddy, Sidney Toler as their jovial adversary, Rik Vallin as Toler's classical piano-playing second mate and Veda Ann Borg as a treacherous native girl, clever use of a puppet (!) for the deep sea diving scenes and a climactic monsoon -- what more do you need?

NOTE: The running time of this film is usually listed as 82 minutes. The video print I watched (from VCI Video) ran 76 minutes, and did not appear to be missing anything major.

This is really only fair, but it does have its moments, and it works all right as light entertainment. The story has plenty of adventure and intrigue, though it has a few too many leaps of logic as it tries to pack an awful lot into a relatively brief running time. Gale Sondergaard, John Carradine, and Sidney Toler give the cast some good leads, and they help keep things going despite some stretches of weak dialogue.

The main part of the story has Carradine, as a diver, and his partner/rival (Frank Fenton) matched in a deadly battle of wits with Toler and his accomplices. Sondergaard plays the owner of a disreputable haven for seafarers, who is close to Carradine's character. The story features a couple of interesting turns, and the approaching monsoon adds some extra drama.

Sondergaard gets a lot of screen time in the earlier scenes, but her character gradually fades into the background, and becomes a spectator for most of the last part. It's unfortunate, since she is easily the most accomplished performer in the cast. Carradine and Toler both give entertaining light performances, exaggerating their characters somewhat. The relationship between the two divers, with its conflicting rivalries and loyalties, could have been made a much more significant part of the movie. Fenton's screen presence isn't strong enough for him to be much of a complement to Carradine, and as a result some of their exchanges are not as sharp as they could have been.

The action sequences and the sense of danger are usually effective enough. Overall, it's a fairly solid B-feature, and would probably be worth seeing for most of those who like the genre.

Intriguing South Seas "epic" about a couple of roughs and their casino girlfriends that decide to steal gold they believe a customer to have on his private island. Trouble is that the customer tricks the two men et al so they will find treasure underwater only to be lifted after completion of said job. This little, low-budget film was directed by that once shining star Edger G. Ulmer - the director of 1934's The Black Cat. Like all of Ulmer's work, flashes of brilliance resonate throughout. Ulmer makes the most with a small budget. That being said, innovative use of struggling finance and truly imaginative uses of actors and camera angles do not necessarily make for a great film. Here they struggle to do just that - but come up somewhat short. Nonetheless, because of the talent here, Ulmer, John Carradine, Gale Sondergard, and Sidney Toler, and a quick, zippy pace, and some campy dialog, etc..- Isle of Forgotten Sins is better than one could or should expect. The leads of Carradine and love-interest Sondergard go against type, and while Carradine is always a thick slice of ham - he is always fun to watch. Toler, Charlie Chan himself, has a great time playing a heavy in the film. The girls that accompany the men are all knockouts. The story is where weakness - rising damp if you like - sets in. While the two chummy roughs fight between themselves over Sondergard and whatever else they can, neither is heroic in any real sense of the word. They are bad guys. Toler is a bad guy. So pulling for one over the other was difficult, especially since Toler seemed far more pleasant company. The other thing is that the low-budget really shows its depths when the "boys" dive trying to find the gold. The diver in the water is obviously a toy, gesticulating with its hand in the same motion over and over again. The scenes just look ridiculous. The boat and some of the exterior shots of the hotel, etc... look like miniatures too. The climatic ending also is rather excessive, but interesting.