Et la vie continue

I moved to Fresno, California in 1948 when I was 4. I was welcome at all the gardens to plug a melon. That meant to cut a triangle and then remove that piece to be sure the melon was ready. A scary old man showed me how to do that. Then I learned a person was not scary just because they were not known and old. Yes I grew up a few miles south of town. And everybody knew everybody else. I vividly recall Rhoeding Park where the hot and weary travelers stopped amidst the large trees to cool from the summers heat. Air Conditioning was new. It was called 'cooled by refrigeration'. Swamp coolers were the norm and created a lot of humidity. Days in the 100s were the normal occurrence. Many many groups of various nationalities picknicked there. This movie may seem unreal to someone from more recent times and other places. But it sure reminds me of my childhood home. Families were a lot closer then. I lived there 5 years after the movie was made and possibly 5-8 after it was set. I too waved at the Santa Fe and Southern Pacific trains. I rode a bicycle for miles from home. I didn't know bad people existed. All adults were friendly and helpful. I knew a man like the old telegrapher. Others problems were my problems. The Korean war took our beloved doctor that made housecalls and knew everyones first name. Mothers worried about their husband returning Children did not understand. I attended the Presbyterian Church. I miss those times. I miss the trust we had with strangers. I miss the safety we felt at night. I even miss the names like Zahigian and Kechaloian. It is a shame younger people feel this was not a real place and time. Roger

Way, way back in the 9th grade, in the early 60's, our principal canceled all our afternoon classes and had the entire 9th grade meet in the assembly room (lunchroom without the tables) so he could show us this movie on a 16 mm projector. That's how strongly he felt about this movie. He pointed out, afterwards, that this is a fable, about how life could be if...

After a few decades I bought the video and watched it - not from the viewpoint of comparing it to today's movies, but in the context of what my old principal told us. Just to see if the old impressions held up in light of today's jaded world. It did, and I was surprised at how thoroughly I enjoyed it.

Note that the name of the town is Ithica, that two of the main characters are named Homer and Ulysses, & that the story is introduced from a "heavenly voice from above". All mythological references.

It is showing us how life could be, maybe should be, even with life's tragedies. Not too often, even back then, do you see a family saying their prayers, then discussing them. And, yes, it'd be great if male macho rivalries were settled that easily. And it'd be great if non-relative adults would take the time to help young adults improve (without worrying about ulterior motives). It's all what-ifs, but great what ifs.

Mickey Rooney was never better, and most of the cast was excellent. I highly recommend this movie only if you are aware of what you are really watching. 4/5

I first saw this movie as an 11 year old in 1943 and have been haunted by it since. I know it is very sentimental, but I am glad that the movie makers in those days tried to inculcate basic human values, even though they may have been a bit unrealistic.

I consider Mickey Rooney a very fine actor, and I have always liked Van Johnson enormously. I liked Frank Morgan's role, having seen him in The Wizard of Oz, and listened to him as "Daddy" in the Baby Snooks radio program.

I first saw this film on TV as a child in the 1960s and thought it delightful and sad. All the characters learn about the values of life, family, honesty and love. Yes it's packed with whole-kernel corn but what's wrong with that? I enjoy a good film noir, screwball comedy or even classic horror film but every once in a while it is good to think about the hopes our grandparents had for a better world after WWII and why we fought that war.

So if you don't like the WALTONS style of family values, please skip it and take in a modern film calculated by accountants and marketing departments to separate your money from your pocket.

But if you like a good story packed with an ensemble of very talented actors delivering charming home-spun dialogue in a near dream like world of hope, check this out.

My favorite line is delivered by the stunningly beautiful Marsha Hunt (who is still a beauty today!) when she tries to convince handsome James Craig they are both really in love, "You do love me, don't you? Yes you do, you know you do." Of course he walks away with his head in the clouds, and in love. You will be too when you give this dated cookie a bite!

While the years may not have been entirely kind to "The Human Comedy," they have certainly been kinder than some of the comments I've seen here, the venom and churlish malice of which frankly astonish me.

In 1943, M-G-M commissioned author William Saroyan to develop a screen story about the World War II homefront. The result was this, which Howard Estabrook turned into a screenplay and Saroyan himself expanded into a novel -- which explains why the film was released before the book was published.

Yes, "The Human Comedy" is propaganda, but with a difference. Most of the propaganda of WWII arose from anger and grim determination, and films like "Air Force" and "Operation Tokyo" look excessive and embarrassing now that passions have cooled. The propaganda of "The Human Comedy" rises not from anger but from fear -- the fear that the crucible of war might be too harsh for the spirit of small-town America to survive.

To be honest, much of "The Human Comedy" also looks excessive and embarrassing now the fears have been alleviated. But few films struck such a chord in audiences of the time by showing them, if not as they were, then at least as they liked to picture themselves.

The film's appeal now is more than just as a historical curiosity, however. Despite the Andy Hardy sentimentality and Saroyan's blue-collar pseudo-poetry, "The Human Comedy" has much to recommend it if you can resist viewing it through the prism of our own time, with the war safely won these 50 years. It has, for example, one of Mickey Rooney's best and most restrained performances and a charming performance by Jackie "Butch" Jenkins as his baby brother -- he became a child star on the strength of this film, but was never this good again.

Frank Morgan, too, is first-rate as a sad old man taking pride in his work and refuge in his bottle; Morgan was an idiosyncratic actor, but he was capable of great depth and deserves to be known for something besides "The Wizard of Oz." Director Clarence Brown, now sadly neglected, shows once again his sure touch with Americana and his sensitive handling of child and teen actors.

"The Human Comedy" is a bit cloying, perhaps, but it's also a compassionate and generous-spirited film. It deserves to be regarded with the same generosity.