Un nommé Joe

This is one of the best love stories ever. It isn't a war story, war simply happens to be the setting. And I don't see how a movie can prevent nations from winning a war. The whole fact that Spencer Tracy's character loves Irene Dunne's so much that he will watch her marry another man is the most amazing testimony of love. I don't know how you can watch one of the final scenes; in which Tracy and Dunne are in the plane and he says that their love is too good to make her unhappy; and still call "A Guy Named Joe," a silly movie. Again, the war was simply a setting, because war in itself isn't very interesting, it is the human experience in war which creates a story.

The Fact that Spielberg enjoyed and admired it so much that he remade it also says a little for the film.

The question that faces (or scares) Americans ever since the debacle of Vietnam is: is patriotism dead here. Because of that national nightmare we have questioned every government foreign policy ever since. Naturally we should question them, but it sometimes seems that our questioning causes a national paralysis of will. Time will tell (and shortly) if the Iraqi - Afghani incursions will add to this paralysis.

It was not the case in 1943, when A GUY NAMED JOE was made by MGM. The film is about a hot shot air force pilot (Spencer Tracy) who is in a squadron commanded by James Gleason. Although they have a friendship, Gleason is constantly having problems about Tracy's independence from rules. Frequently they pay off in damaging the enemy, but they break safety rules. Gleason also sympathizes with Tracy's girlfriend (Irene Dunne) who wants Tracy to take a quieter job (like training fliers in the states). Just when Tracy is about to take such a job, he goes on a mission, and his plane is hit. After the crew bails out, Tracy (instead of ditching) flies the plane kamikaze style into a German aircraft carrier and sinks it (but he dies).

In the afterlife, Tracy is taken under the wing of the "General" (Lionel Barrymore), and is assigned to act like a conscience or guide to budding air force pilots. He is assigned to Van Johnson, and helps him get more confidence. Johnson is assigned to a war theater where Gleason's command is, and where Dunne is. Dunne is mourning Tracy, but their closest mutual friend (Ward Bond) gets her to go out to enjoy herself. She meets Johnson, and an affair begins. Tracy gets jealous as a result.

The film follows as Tracy and Dunne finally accept the truth about the ending of their physical contact. It moves to the point of tragedy here when Tracy finally releases Dunne from the harshness of the emotional chains that bind them, and that lead Dunne to do something atypical and foolhardy for the intelligent person she supposedly is. In the end she and Johnson find a new happiness together, while Tracy goes to his next "angel" assignment.

Fantasy is usually tied to one set of ideas or theme, but what is good World War II American propaganda became a study in tragic resignation. Fortunately the acting level of A GUY NAMED JOE was so high, that the fantasy transcended the historical period film and left us with a film of emotional loss and rebuilding. As such it is a fine movie.

One final point, on a historical level. Who is Lionel Barrymore supposed to be? He is only referred to as "the General" and he died before the war. He is highly respected as a great air figure. Tracy quickly recognizes him, and tells Barry Nelson he wanted to take him up in one of the new aircraft that had been built. So who is Barrymore supposedly?

The key is the model airplane on Barrymore's desk. It is a model of a Martin Bomber. That was the plane used in 1921 to sink two battleships in Chesapeake Bay, and to prove the theories of an air power pioneer that the future of warfare was not with dreadnoughts but with air planes. The "General" is supposed to be Brigadier General Billy Mitchell.

A jingost and agreeable tale about the angel of a dead WWII pilot guiding another young one . ¨A Guy Named Joe¨ stars Spencer Tracy and Irene Dunne, it was one of MGM's top grossers for 1944. A gal named Dorinda loved a guy named Joe. They couldn't hear him. They couldn't see him. But he was there when they needed him... Even after he was gone. It deals with a likeable WWII pilot (Spencer Tracy) in love for the beautiful Dorinda (Irene Dunne) . One day he is killed , as he finds himself returning as an invisible ghost who's presence is barely felt giving advice to his successor. As he is guiding another young pilot (Van Johnson) throughout aerial battles and also helping him to romance his girl , who's still devoted to hiis memory . Pete then finds that his successor is also falling in love with her . A guy - a gal - a pal - It's Swell!

Thi is an exhilarating, heart-satisfying emotional experience - you will long remember .A patriotic , sentimental Hollywood fantasy dealing with the spirit of a recently deceased expert pilot mentors a newer pilot while watching him fall in love with the girlfriend that he left behind . This classy film was remade as ¨Always¨ (1989) by Steven Spielberg . A clip from that film was featured in Poltergeist (1982), which was co-written by director Steven Spielberg. In ¨Always¨ Pete's angel's name is Hap , an early military aviation pioneer, trained at the Wright Brother's flying school, and the only five star general of the US Air Force, was "Hap" Arnold ; in the film this movie was based on , ¨A guy named Joe¨ (1943), Joe's angel was also a former pilot, this makes Hap's name more than a coincidence , originally, the character was supposed to be male . Spencer Tracy's sincerity is major asset as an airman who, after getting killed , looks after the fortunes of his fellows . The secondary cast of MGM reliables includes notorious stars such as : Van Johnson, Ward Bond, James Gleason, Lionel Barrymore , Barry Nelson , Henry O'Neill , Don DeFore , Addison Richards , and a very young Esther Williams without swimming pool in sight.

The motion picture was well directed by Victor Fleming . Victor worked for the Hollywood's main Majors , as in Paramount , Fleming's first major successes were Lord Jim (1925) , The Blind Goddess (1926) and Abie's Irish Rose (1928) , all of them Silent Pictures . The following year, he brought Clara Bow to fame in Mantrap, filmed the now-lost Spanish-American War epic The Rough Riders, and in 1927 he was Emil Jannings' first American director with The Way of All Flesh. Fleming's first all-sound film, The Virginian, established Gary Cooper's laconic character. At MGM, Fleming vaulted Clark Gable to stardom with Red Dust (1932) and began a string of fast-paced hits with Bombshell (1933), Treasure Island (1934), Reckless (1935) , Captains Courageous (1937) , A Star Is Born (1937) co-directed with William A Wellman and Test Pilot (1938). He also remade a large portion of The Great Waltz (1938) after the studio fired original director Julien Duvivier. Fleming took over The Wizard of Oz from Richard Thorpe in October 1938, but before he ended that picture, was asked to take over David Selznick's troubled production of Gone With the Wind from George Cukor. In the following decade, all Fleming's last pictures were big office hits and with the greatest stars , such as : Dr. Jekyll and Mr. Hyde (1941) with Spencer Tracy , Lana Turner , Joan of Arc (1948) with Ingrid Bergman , José Ferrer , Guy Named Joe (1943) , Adventure (1945) with Clark Gable , Greer Garson, Joan Blondell , among others.

As many viewers I saw "Always", actually several times, before I even learned about "A Guy Named Joe." It is factual that the later film was a remake of the earlier one, but being in more modern times a significant story difference was depicted. I have no reason to compare the two against each other, for each one is a fine film on its own.

Set in WW II England, "A Guy Named Joe" gets its title from a comment made by one of the British children waiting to talk to Pete after one of his bombing runs over Germany. He told one of the other children, "that's what all American soldiers are called, guys named Joe." There was no actual character named Joe in the film.

I had never seen Spencer Tracy in his prime, and he was quite a handsome actor. Now I understand why he was so popular. He plays Pete, the pilot who takes unapproved chances to get difficult jobs done. In "Always", Dryfuss as Pete does the same for putting out forest fires. In both films Pete dies during a heroic mission and in heaven is sent to help a novice pilot, who ends up romancing his old girlfriend, Drinda.

I understand that at least one viewer who was in WW II thinks this is not a very good or realistic film. Maybe not, but it is still entertaining, and for me interesting to see a film made the year before I was born. Worth seeking out, for anyone who also enjoyed "Always" to see where it came from. Two different films from two different times, both excellent.

Irene Dunne is what makes any movie she is in, superb! No female actor today, or for that matter in the 30s and 40s can compare to her wholesomeness, versatility, and talent! This movie was a lesson in many aspects of life. It was made during a time that these things were much needed but we can certainly apply the same selflessness to our daily lives today. It is funny and dramatic, fast moving and keeps your interest. Spencer Tracy is good, so was Van Johnson in that part! Ward Bond is always so good at anything he dose, he is such a great SUPPORTING actor he supports and complements, he always seems to be the character he is playing.

Yet, again I must say Irene Dunne is a Jewel, she does every character in such a believable manner you feel they could be your next door neighbor. Thank You Irene !