NOTE IMDb
6,6/10
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MA NOTE
Tom Merriam est troisième officier sous le capitaine Stone. Au début, les choses semblent bonnes, Stone voit Merriam comme une version plus jeune de lui-même et Merriam voit Stone comme le p... Tout lireTom Merriam est troisième officier sous le capitaine Stone. Au début, les choses semblent bonnes, Stone voit Merriam comme une version plus jeune de lui-même et Merriam voit Stone comme le premier adulte à le traiter comme un ami.Tom Merriam est troisième officier sous le capitaine Stone. Au début, les choses semblent bonnes, Stone voit Merriam comme une version plus jeune de lui-même et Merriam voit Stone comme le premier adulte à le traiter comme un ami.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 nominations au total
Robert Bice
- Raphael
- (non crédité)
Eddie Borden
- Crew Member
- (non crédité)
John Burford
- Crew Member
- (non crédité)
Tom Burton
- William Benson
- (non crédité)
Harry Clay
- Tom McCall
- (non crédité)
Alec Craig
- Blind Beggar
- (non crédité)
Boyd Davis
- Charles Roberts
- (non crédité)
George DeNormand
- John Corbin
- (non crédité)
Cliff Edwards
- Officer
- (non crédité)
Skelton Knaggs
- Finn
- (non crédité)
Mike Lally
- Crew Member
- (non crédité)
Sir Lancelot
- Billy Radd
- (non crédité)
Nolan Leary
- Stenographer
- (non crédité)
Avis à la une
I had never heard of this Val Lewton production till it recently showed up on television. Yet, as directed by Mark Robson, it is one of Lewton's very best.
Russell Wade as the young sailor who is menaced by mentally off-balance captain Richard Dix is handsome and very persuasive. What happened to this actor? I had never heard of him before, either.
The movie has a marvelously eerie, foreboding quality that is maintained throughout, from the blind soothsayer we see before Tom Merriam (Wade) boards the ship, through the sea chanteys, Caribbean songs, the heroic mute sailor.
I generally shy away from all-male casts but in this case, the claustrophobic nature of the plot would have been maintained better had it not been "opened out," albeit briefly, with the scene onshore involving the third billed admirer of Dix.
(Her friend, whom we see greeting Wade at the end in silhouette, is a plot device to imply a happy ending. This is OK because the damage to our nerves has already been done. Dix has already had several of his crew killed and has almost succeeded in doing away with Wade.)
Russell Wade as the young sailor who is menaced by mentally off-balance captain Richard Dix is handsome and very persuasive. What happened to this actor? I had never heard of him before, either.
The movie has a marvelously eerie, foreboding quality that is maintained throughout, from the blind soothsayer we see before Tom Merriam (Wade) boards the ship, through the sea chanteys, Caribbean songs, the heroic mute sailor.
I generally shy away from all-male casts but in this case, the claustrophobic nature of the plot would have been maintained better had it not been "opened out," albeit briefly, with the scene onshore involving the third billed admirer of Dix.
(Her friend, whom we see greeting Wade at the end in silhouette, is a plot device to imply a happy ending. This is OK because the damage to our nerves has already been done. Dix has already had several of his crew killed and has almost succeeded in doing away with Wade.)
The rarest of the Val Lewton horror films. Exceptional chiller about a much beloved Sea Captain (Richard Dix) slowly going mad. What makes the film stand out are a few key scenes- an anchor blindly swings above the deck, crushing portions of the boat while frightened sailors try to stop it- Dix locking a man in a room sized container for the anchor chain- Dix and a very unlikely hero having a bloody knife fight in the dark while unsuspecting sailors play Calypso music not far away. Not up there with Lewton's "Cat People", or "Seventh Victim", but a good horror classic nevertheless.
The title of this film is misleading as it implies a ghost story.....but of course, it isn't. In fact it isn't even a horror film in the general sense. It is more a psychological thriller, surrounding the personality of the ship's captain, played by that old war horse, Richard Dix. And he does a terrific job of letting the viewer glimpse the madness beneath his controlled exterior. His byword is "authority" and he goes to unbelievable lengths to assert that authority.
Russell Wade, with whom I am unfamiliar, plays the Third Officer, who sees through the captain in short order and vainly attempts to convince the crew of Dix's insanity......but to no avail. The only person who is aware of the problem is a mute played by probably one of the most unattractive and busiest character players in Hollywood, Skelton Knaggs and he becomes somewhat of a hero in the final few minutes of the film. Edith Barrett, who was used by Lewton in other films, makes a limited appearance as the captain's inamorata. Look for Lawrence Tierney, future Hollywood bad boy, as a target of the captain's revenge.
Val Lewton was the master of atmospheric films made on a limited budget and he doesn't miss with this one. It's a dandy!!
Russell Wade, with whom I am unfamiliar, plays the Third Officer, who sees through the captain in short order and vainly attempts to convince the crew of Dix's insanity......but to no avail. The only person who is aware of the problem is a mute played by probably one of the most unattractive and busiest character players in Hollywood, Skelton Knaggs and he becomes somewhat of a hero in the final few minutes of the film. Edith Barrett, who was used by Lewton in other films, makes a limited appearance as the captain's inamorata. Look for Lawrence Tierney, future Hollywood bad boy, as a target of the captain's revenge.
Val Lewton was the master of atmospheric films made on a limited budget and he doesn't miss with this one. It's a dandy!!
This Val Lewton produced film is not what one would likely expect from the title: a ghost story...so don't expect that going in. It isn't even really an Horror film per se although there are elements at work here which will prove horrific to many viewers. What it is instead is a seafaring adventure yarn about a Captain who's slowly going mad (and homicidal) due to his obsession with authority and only our heroic lead Tom Merriam, the 3rd Officer, seems to want to do anything about it. Everyone else seems to either not believe Merriam or dismisses what he tells them for fear of losing their jobs. Merriam however retains his values and ethics throughout the film even when they don't work out in his favor. While the film possesses the mood and style one expects from Lewton's films, the content and in some cases atmosphere is really not what one expects from the producer. Also events here do seem to wrap themselves up much too quickly. Still all in all there's enough good stuff here that this film is definitely worth seeking out.
Tom Merriam is a third mate on the Altair, a cargo ship headed by Captain Stone, who Merriam looks to as a father figure, since Stone has the experience and the full loyalty of the crew. Merriam's opinion of his commanding officer is changed after a series of events (including the death of a mate due the captain's interference) and Merriam believes that Stone is unfit to command the ship. A hearing at the ship's port has the crew and line agent side with Stone, and Merriam is relieved of his duties as third mate. While on shore, Merriam is knocked out for trying to stop a fight, and is put back on the Altair much to his and Stone's disapproval. Stone says Merriam is now a guest on the ship, but the crew shuns him and Merriam believes that Stone is going totally insane and plans to kill Merriam, who now has to find someone to believe him before its too late. Underrated (and for a long time, unseen) classic from the Lewton-RKO 9, with above average script, camera-work, cinematography, but highlighted by probably Dix's best performance as Stone, as a man who is insane try to fool himself and those around him by acting normal. Excellent moments of suspense (especially for me when Merriam notices the lock missing from his door) make this a film one to get a hold of. Rating, 8.
Le saviez-vous
- AnecdotesRKO had built an expensive ship set for their 1938 production Pacific Liner (1939). Val Lewton was given instructions to come up with a film that could use the still-existing set. According to Robert Wise, a longtime collaborator with Lewton, it was this set that gave Lewton the idea for the film. "He would find what we call a 'standing set,' and then tailor his script to the set, whatever it was. That's how he made The Ghost Ship. He walked onto a set and saw a tanker, then cooked up the idea for this ship with a murderous captain." One scholar has suggested that Lewton accepted the assignment in part because, as an amateur sailor himself, the ship captain's behavior mirrored Lewton's own views on how to manage a ship, but also because Lewton saw the plot as a way of criticizing his micro-managing superiors at RKO. The budget, as with all of Lewton's films, was set at $150,000.
- GaffesOne shot of the boat traveling toward camera shows the name of the boat on the bow is backwards. The backwards name reads Venture, indicating it's a shot reused from King Kong (1933) that has been horizontally flipped.
- ConnexionsEdited from King Kong (1933)
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- El buque siniestro
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 150 000 $US (estimé)
- Durée1 heure 9 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
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