Les cinq secrets du désert

I'm lucky to live very close to a wonderful video store which has an incredible stock of VHS films. I read a description of the film here at the data base and put it on my list. It blew me away from the very first moment. Sadly , I've been unable to show it to many people since it seems to exist on DVD only in a PAL version although it has made its way to Divx recently . I can only compare it to Casablanca and The Desert Fox in terms of plot and the quality of the writing and acting. It was a pleasure to watch this actor Tone who was a complete novelty for me walk the tightrope that this story truly is. His history seems to suggest he lived life as he wanted to without much regard for fame .For once I'm glad not to see Cary Grant in a film (I never thought I would say that!).

Shot in 1943, this movie gives you what you deserve : some sort of propaganda. But at that time, how many movies could afford to be so unrespectful ? Even if the allies are good and the axis forces evil, they are not depicted as a cliché. For example, Rommel, who was certainly the only "healthy" German general, is full of spirit, always has a good word and is well educated. Erich von Stroheim gives a nice shape to this character. In the meantime, Mouche, the little French maid, is tortured between Pétain and the image of allies. She remembers that "French soldiers were left behind by English ones in Dunkerque and captured or killed". What a stupifying sentence in 1943. But Billy Wilder is cunny enough to say what he had to say owing to his humour. And the screenplay is so clever that for anybody interested in the period (and even if you're not), this movie is worth seeing.

"We shall take that big fat cigar out of Mr. Churchill's mouth and make him say Heil." Erwin Rommel in Five graves to Cairo !

Billy Wilder was one of the best directors of his era, so it's no surprise that, in spite of a certain amount of wartime propaganda, 'Five Graves to Cairo' has a fizzy plot, a strain of black humour and a lightness of touch that sets it apart from the majority of films made at this time. It's also interesting as a film made while the war was still going on: far from demonising the enemy, it provides a generous portrait of Rommel, an unpleasant but human German army and a comedy Italian general for light relief. The plot also features a cynical Frenchwoman and a slightly racist realisation of an Egyptian: in some ways it's surprising to see how little this almost-fresh picture differs from those made later (if anything, since we discovered Auschwitz, it's been harder to make a film that shows that humanises the Nazis). 'Five Graves to Cairo' isn't Citizen Kane, and of course today this sort of thing would be done with much more violence, sex, and swearing: but that's a kind of recommendation in itself.

This film has one of the most arresting opening sequences ever made. A WW II tank seems to be aimlessly wandering across the desert. In fact, the crew is all dead but the accelerator is stuck. With a top-notch cast Billy Wilder spins a tale that takes off from that point. The German general (von Stroheim in one of his most telling roles) has been there before - as an archaeologist preparing for the desert campaign long before the war had begun. The notion that archaeologists make good spies (or, in this case, generals) seems to be a common misconception.

This 1943 World War II film is Billy Wilder's second directorial effort and it's a pretty good outing. According to a recent biography of Wilder, Cary Grant was offered the lead and turned it down, saying he didn't feel like going on location in the desert near Yuma, Arizona in August. The part then fell to Franchot Tone who gave a good account of himself as did Anne Baxter and Akim Tamiroff.

The film though really revolves around Von Stroheim and his portrayal of Erwin Rommel. In 1943 all that was known of Rommel was his military prowess in the desert. After the war we learned about his part in the plot to assassinate Hitler and the real story of his death. That's all covered in The Desert Fox and in James Mason's outstanding portrayal there.

What we get here is a portrayal of a cold, merciless, military machine Hun and no one did that better than Erich Von Stroheim. You watch this as did so many in the theaters in 1943 after the North African campaign was over and he became the man you love to hate.

Because of what later came out about Rommel this film became immediately dated. Yet it's still a curiosity and worth a look.