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Dixie

  • 1943
  • Tous publics
  • 1h 29min
NOTE IMDb
6,0/10
185
MA NOTE
Bing Crosby, Dorothy Lamour, and Marjorie Reynolds in Dixie (1943)
Theatrical Trailer from Paramount
Lire trailer2:07
1 Video
28 photos
ComedyMusical

Ajouter une intrigue dans votre langueA young songwriter leaves his Kentucky home to try to make it in New Orleans. Eventually he winds up in New York, where he sells his songs to a music publisher, but refuses to sell his most ... Tout lireA young songwriter leaves his Kentucky home to try to make it in New Orleans. Eventually he winds up in New York, where he sells his songs to a music publisher, but refuses to sell his most treasured composition: "Dixie." The film is based on the life of Daniel Decatur Emmett, wh... Tout lireA young songwriter leaves his Kentucky home to try to make it in New Orleans. Eventually he winds up in New York, where he sells his songs to a music publisher, but refuses to sell his most treasured composition: "Dixie." The film is based on the life of Daniel Decatur Emmett, who wrote the classic song "Dixie."

  • Réalisation
    • A. Edward Sutherland
  • Scénario
    • William Rankin
    • Karl Tunberg
    • Darrell Ware
  • Casting principal
    • Bing Crosby
    • Dorothy Lamour
    • Billy De Wolfe
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,0/10
    185
    MA NOTE
    • Réalisation
      • A. Edward Sutherland
    • Scénario
      • William Rankin
      • Karl Tunberg
      • Darrell Ware
    • Casting principal
      • Bing Crosby
      • Dorothy Lamour
      • Billy De Wolfe
    • 15avis d'utilisateurs
    • 1avis de critique
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 victoire au total

    Vidéos1

    Dixie
    Trailer 2:07
    Dixie

    Photos28

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    Rôles principaux60

    Modifier
    Bing Crosby
    Bing Crosby
    • Daniel Decatur Emmett
    Dorothy Lamour
    Dorothy Lamour
    • Millie Cook
    Billy De Wolfe
    Billy De Wolfe
    • Mr. Bones
    Marjorie Reynolds
    Marjorie Reynolds
    • Jean Mason
    Lynne Overman
    Lynne Overman
    • Mr. Whitlock
    Eddie Foy Jr.
    Eddie Foy Jr.
    • Mr. Felham
    Raymond Walburn
    Raymond Walburn
    • Mr. Cook
    Grant Mitchell
    Grant Mitchell
    • Mr. Mason
    Clara Blandick
    Clara Blandick
    • Mrs. Mason
    Tom Herbert
    • Homer
    Olin Howland
    Olin Howland
    • Mr. Deveraux
    • (as Olin Howlin)
    Robert Warwick
    Robert Warwick
    • Mr. LaPlant
    Fortunio Bonanova
    Fortunio Bonanova
    • Waiter
    Brandon Hurst
    Brandon Hurst
    • Dignified Man in Audience
    George Anderson
    • Publisher
    • (non crédité)
    Stanley Andrews
    Stanley Andrews
    • Mr. Masters
    • (non crédité)
    Harry Barris
    Harry Barris
    • Drummer
    • (non crédité)
    • …
    Willie Best
    Willie Best
    • Steward
    • (non crédité)
    • Réalisation
      • A. Edward Sutherland
    • Scénario
      • William Rankin
      • Karl Tunberg
      • Darrell Ware
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs15

    6,0185
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    Avis à la une

    GManfred

    ... But How Did You Like The Movie ?

    Boy, that was a tough slog getting through all the history lessons and moral instruction regarding slavery. Yes, yes, it was a shameful period in America and minstrel shows were degrading, but most contributors forgot to evaluate "Dixie" - the movie, that is.

    Well, let me have a bash at it. When I think back on "Dixie", the first thing I think of is the ballad, "Sunday, Monday or Always", done to perfection by Bing at the beginning and at the end. Much of the rest of the movie is forgettable and uninspired. Paramount had assembled an excellent cast which is largely wasted in this fictitious biography of a forgotten songwriter. Maybe the biggest disappointment was the lack of spectacle and excitement in musical number after lifeless musical number, especially the last one. The choreography was almost non-existent and very understated, except for a dance by the largely wasted Eddie Foy, Jr. The script was desperately in need of a re-write - and what's with the fires? There were three separate fires in the course of "Dixie", one of which should have included Dorothy Lamour's thankless part.

    I guess musicals were not Paramount's thing. Such matters were best left to Fox or MGM, or even Universal, which had a few pretty good underbudgetted musicals. Our present rating is a little rich for "Dixie" - I gave it five and upped it to six on the strength of the song "Sunday,Monday or Always", which was gorgeous.
    RosaCenturion

    Dixie

    In the movie Dixie (1943), it was apparent that at this civil war time entertainment there were different styles of dance emerging. During this time it became a popular diversion to spend evenings at a minstrel theater. Straying away from the traditional opera or ballet, minstrels offered a new sense of entertainment which promoted the class system. Fortunately our society today is accepting African Americans and prejudices are less prevalent. Subsequent to professional minstrelsy's decline in th 20th century, its appeal continued in the south. Though Minstrels proposed stereotypes, some good did result from this type of entertainment. These shows presented black performers the opportunity to build a foundation which later helped many of them to emerge as successful entertainers.

    Minstrel shows exposed a wide selection of audiences to this unique type of entertainment. With its combination of eccentric dancing and diverse music, people enjoyed the allure of the entertainment. Closely similar to tap dancing, it boasted innovative and bizarre movements' pairs wit flamboyant eye-catching costumes.

    This type of amusement contributed to later types of dancing and entertainment. As a big benchmark in the industry, without minstrels played a role in what dancing has evolved into presently. Without minstrels, who knows if the great such as Dizzy Gillespie, W.C Handy, and Bert Williams, would have been as successful as they were.
    torigemi3

    Dixie Review

    Dixie Historical Film Review A popular musical stage show of the early and mid 19th Century was minstrelsy. Minstrel shows a variety of comical skits in which both black as well as white people painted their faces black. The film Dixie, directed by A. Edward Sutherland was a story about the intertwining characters and their production of a Minstrel show, Though Minstrel shows content embodied racial hatred they were the first form of musical theatre that was American-born and bred. It was embraced by all colors despite its ignorant and obnoxious slander of African Americans.

    Minstrelsy had an initial structure normally broken into a three act performance. A dance sequence was first on stage. Singing songs and preparing the audience for the second part which included a coordinate speech said by "Mr. Interlocutor". This pun-filled speech in Dixie was said by Mr. Cook, played by Raymond Walburn, while he was in the center of the stage. The final act in the show was a song almost like one slaves would sing while working at the plantation.

    In the film the characters refer to African Americans as "darkies". To accomplish "blackface" performers would burned corks and painted their face black with the soot, and then extenuated their lips with red paint, with the objective to appear as black as possible. Minstrelsy typical distastefully portrayed African Americans as lazy and moronic people gallivanting around.

    Though enjoyed by audiences of all colors minstrelsy began to lose popularity with the gain of social rights against racism. In the 1930's it was considered suitable portrayal of black America by White America, with blind bigotry. The film Dixie did not have African American's performing in the Minstrel show they were all white. But during this era that was acceptable and considered comic relief.

    Despite the slander against African Americans culture and characteristics all races enjoyed the comedy of the Minstrel show. But the fact that audiences at that time did not speak up sooner concerning the physical appearance of the blackface actors and overall enacting of blacks, leaves one with a strong impression, truly displaying the horribly rude comments and acts going on in our society. However Dixie correctly followed the structure of minstrelsy and had an interesting plot, forcing the audience to quickly forget how inconsiderately racist the movie actually is. This helps us ultimately realize the awareness of whites view on black culture.
    xxitalianxx

    Dixie

    After viewing the 1943 classic Dixie, it was apparent that at this civil war time entertainment there were different styles of dance emerging. During this time it became a popular diversion to spend evenings at a minstrel theatre. Straying away from the traditional opera or ballet, minstrels offered a new sense of entertainment which promoted the class system. Fortunately our society today is accepting African American's and prejudices are less prevalent. Subsequent to professional minstrelsy's decline in the 20th century, its appeal continued in the south. Though minstrels proposed stereotypes, some good did result from this type of entertainment. These shows presented black performers the opportunity to build a foundation which later helped many of them to emerge as successful entertainers.

    Minstrel shows exposed a wide selection of audiences to this unique type of entertainment. With its combination of eccentric dancing and diverse music, people enjoyed the allure of the entertainment. Closely similar to tap dancing, it boasted innovative and bizarre movements' pairs with flamboyant eye-catching costumes.

    This type of amusement contributed to later types of dancing and entertainment. As a big benchmark in the industry, without minstrels played a role in what dancing has evolved into presently. Without minstrels, who knows if the great such as Dizzy Gillespie, W.C. Handy, and Bert Williams, would have been as successful as they were.
    themush01

    read my comment for my summary on this movie

    Dixie

    Throughout history there has been hardships for African Americans. Slavery, obtaining human rights, and discrimination are examples of the hard times that African Americans have gone through. Many movies that were made around the 1940's can be offensive to many African Americans because these hardships such as slavery and discrimination are portrayed within them. Within the comical musical Dixie directed by A Edward Sutherland, 1943, it lets its viewers see and recognize what the time period was really like.

    Although the movie was well directed, written and acted out, the truth of the time period shines through. Although this film was not made to be offensive, it is. Slavery and discrimination are shown through the song "Dixie," and by characters within the movie. When Daniel Emmett went and performed with his, at first three partners, they used makeup to paint their faces black and over exaggerate the size of their lips. They talked as if they were uneducated and didn't understand things. Also characters from the audience at first were insulted and appalled that "darkies" were performing on stage. This attitude is not make- believe. This was the reaction of people during this time period to African Americans.

    During this time period Minstrel entertainment was popular during the 19th century. White performers would mimic African Americans as a main attraction by coloring their faces and using makeup to make it look like they have big lips and eyes. Later African Americans did participate in there own form of festivities called the Pinkster celebrations in which black and white performers would gather and celebrate the change of the season. This would ultimately change into a primarily African American holiday that slaves and free blacks would catch up with family and friends. This gave them a chance to express and pass on their traditions and cultures.

    Dixie portrays the discrimination and slavery that was still going on during this time period. The racism of the audience and reference to slavery within the song "Dixie" all show how this can be offensive to a wide majority of viewers. Although these are within the film, overall the film does a good job at showing what the time period was like and had a good story.

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    Histoire

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    Le saviez-vous

    Modifier
    • Anecdotes
      One of over 700 Paramount productions, filmed between 1929 and 1949, which were sold to MCA/Universal in 1958 for television distribution, and have been owned and controlled by Universal ever since. Its earliest documented telecasts took place in Seattle Tuesday 3 March 1959 on KIRO (Channel 7), followed by Phoenix 3 June 1959 on KVAR (Channel 12), by Minneapolis 7 June 1959 on WTCN (Channel 11), and by Asheville 13 September 1959 on WLOS (Channel 13). At this time, color broadcasting was in its infancy, limited to only a small number of high rated programs, primarily on NBC and NBC affiliated stations, so these film showings were all still in B&W. Viewers were not offered the opportunity to see these films in their original Technicolor until several years later.
    • Gaffes
      The movie changes all sorts of historical facts: The movie makes Emmett a bachelor wooing "Jean Mason" who is confined to a wheelchair. The song Dixie was intended as a sort of dirge but is given a sprightly tempo only because the theater, in the deep south, has caught fire. In fact Emmett married Catherine Rives circa 1853 and remained married until her death in 1875, there is no indication that she was disabled. Dixie was first sung, and at its familiar tempo, in NYC on April 4, 1859, in a non-burning music hall. The movie has only the first verse sung over and over again because, frankly, the second and third verses are a bit "unenlightened" by modern standards. A couple of years later Emmett was appalled that the Confederacy had appropriated his song and he promptly wrote several songs for the Union Army.
    • Citations

      Daniel Decatur Emmett: He's quite a cuss all right. He's a fake, he's got no morals, no integrity, no loyalty, but he's very colorful.

      Millie Cook: I once heard a doctor say the same thing about scarlet fever.

    • Connexions
      Referenced in En route pour l'Alaska (1945)
    • Bandes originales
      Sunday, Monday or Always
      Lyrics by Johnny Burke

      Music by Jimmy Van Heusen

      Performed by Bing Crosby

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    Détails

    Modifier
    • Date de sortie
      • 4 décembre 1946 (France)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • El cantor del río
    • Lieux de tournage
      • Paramount Studios - 5555 Melrose Avenue, Hollywood, Los Angeles, Californie, États-Unis(Studio)
    • Société de production
      • Paramount Pictures
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 29 minutes
    • Rapport de forme
      • 1.37 : 1

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