Destination Tokyo

I saw it at age seven, and the impact on me was no different than on adults. We struck back at the sneaking enemy. We were on the road to revenge for Pearl Harbor. Aside from all that, here is what I think today. Cary Grant was the perfect hero for us. He was calm and determined. He was real. Then there was John Garfield who spoke for all of us when he branded Japan as a police state. Dane Clark was very good, if somewhat emotional And Charlie of the Angels, John Forsythe, made his debut and he too was good. There was some propaganda, but really not that much. The movie demonstrated the perfect resolve of the USA to destroy the "Japs" as we called them in wartime. It is still a good flick.

Have not seen this film in years and it was a great experience seeing this film and the great veteran actors who made this into a great WWII story. Cary Grant, (Capt. Cassidy) plays the commander who manages to take his submarine right into the backyard of the Japanese Nation. John Garfield, (Wolf) plays a great role who charms the crew with his tales of all the women he met along with a great deal of exaggeration. Alan Hale, (Cookie Wainwright) was a cook on the submarine and was able to give a great deal of comedy to his role as the chef. This film will keep you on the edge of your seat when the sub comes under fire from the Japanese Destroyer's while one of the crew is having surgery by a man who knows nothing about appendicitis. Dane Clark, (Tin Can) gave a great supporting role in this film and this film started a great career for Dane in Hollywood. Great film, don't miss it, you can see this film over and over.

Destination Tokyo (1943)

While not officially a propaganda film (it's not endorsed or paid for by the government), this is one of many films the studios put out to basically join the effort, putting their shoulder to the wheel. It's not a great film for our times mostly because it's overflowing with lessons, with the propagandistic style of persuading us the Japanese were bad and the U.S. soldiers, with all their wonderful flaws, were out to save us.

I say this first because it's a lot of baggage to wade through. The other side to this coin is an adventure war movie where Cary Grant is in charge of a submarine out for a special mission. It's well paced, generally well acted (the cast is filled with lesser actors along with the main three). John Garfield is an average sailor with a big role, and big ego that grates on some of the other sailors. But he tells ribald stories that they can't help listening to. The one older actor is the cook played by character actor Alan Hale, who is appropriately comic.

So, what you get is some very talented people explaining the current events, including lots of anti-Japanese chat. The interior shots in the sub are fairly realistic (though from what I read, an actual sub is far more cramped). The outside stuff varies a lot in quality. The shots of the sub underwater are painfully crude models in water tanks. Some of the landscapes are also invented in the studio and you can tell.

What carries it at all is a sense of danger and necessity. These men have to succeed to defeat evil. Remember (of course) the audience at the time had a very black and white view of the war, and of the enemies. They were anxious for confirmation that we were capable of such things, and that the enemy (Japan, but also Germany is discussed) is fundamentally wrong—they lack freedoms, the woman are simply alive to bear children, no free press, etc.

Why did I watch it? Cary Grant. I'm curious about his range, and his being corralled into this kind of vehicle. I'm guessing he was partly interested in helping the war effort, and partly under contract. And you know what? He's great. He plays it straight, and he's smart, confident, warm, complex. If you like Grant, you might like this movie just for that reason.

Another thing to say overall: it gets better as it goes. The set up in the first half is a bit obvious and sometimes stiff or slow. But there is a medical emergency which is pretty great, and then there is the general operation in Tokyo Harbor. It's all dramatic and well done by first-time director Delmar Daves. Yeah, it's got a lot of dated script to wade through, but the best of it is great war stuff best remembered for its context.

There were a lot of war pictures made during WWII, though this one stands out as being far better than average. Part of this is the excellent acting and direction and part of this must be the result in writing an unusual plot for a submarine movie. Instead of just blowing up Japanese ships, the crew is ordered to sneak into Tokyo Bay. The tension, as a result of this slow covert mission, is incredible. About the only negative I can think of for the film is that there are more shots of toy subs AND the sides of the back lot pool in it than usual. Most sub films, if you look carefully, were filmed in these pools and the sides of the pool can occasionally be seen. However, the number of times you see the shot is fake is higher than normal, so it reduces my rating slightly.

FYI--try watching OPERATION PACIFIC (1951) after you see this film. In this sub movie, the crew trades movies with another sub crew so they can be entertained on their long missions. They trade a cowboy flick and are given DESTINATION TOKYO. Later, one of the crew members remarks that he liked the film, but it was REALLY SHORT ON REALISM!! That's funny, huh?!

Great propaganda film for WWII. However, can anyone really believe that Cary Grant is from Oklahoma City? Since the Doolittle raid was in April of 1942, the movie has to begin on Christmas day 1941 - a little less that three weeks after the US got into the war. But the Captain says that this is their 5th tour. Cookie says that the previous Christmas (1940) they spent getting depth charged. Unless they decided to get into the war before it was declared. By the way, the actor who played Cookie is not the Alan Hale who went on to become the Skipper in Gilligan's Island. Alan Hale died in 1950. The Skipper was his son, Alan Hale, jr.