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Le foyer perdu

Titre original : Damals
  • 1943
  • 1h 34min
NOTE IMDb
6,3/10
142
MA NOTE
Le foyer perdu (1943)
CriminalitéDrame

Ajouter une intrigue dans votre langueWhen Jan thinks his wife Vera has betrayed him he abandons her. Working in a hospital Vera - to save a child - disobeys orders and is fired. She has become a celebrated singer in South Ameri... Tout lireWhen Jan thinks his wife Vera has betrayed him he abandons her. Working in a hospital Vera - to save a child - disobeys orders and is fired. She has become a celebrated singer in South America when her past catches up with her.When Jan thinks his wife Vera has betrayed him he abandons her. Working in a hospital Vera - to save a child - disobeys orders and is fired. She has become a celebrated singer in South America when her past catches up with her.

  • Réalisation
    • Rolf Hansen
  • Scénario
    • Bert Roth
    • Peter Groll
    • Rolf Hansen
  • Casting principal
    • Zarah Leander
    • Hans Stüwe
    • Rossano Brazzi
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,3/10
    142
    MA NOTE
    • Réalisation
      • Rolf Hansen
    • Scénario
      • Bert Roth
      • Peter Groll
      • Rolf Hansen
    • Casting principal
      • Zarah Leander
      • Hans Stüwe
      • Rossano Brazzi
    • 4avis d'utilisateurs
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos10

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    + 4
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    Rôles principaux50

    Modifier
    Zarah Leander
    Zarah Leander
    • Vera Meiners aka Gloria O'Connor
    Hans Stüwe
    Hans Stüwe
    • Jan Meiners, Reichsanwalt
    Rossano Brazzi
    Rossano Brazzi
    • Pablo, Radrennfahrer und Clown
    Jutta von Alpen
    Jutta von Alpen
    • Brigitte Meiners
    • (as Jutta v. Alpen)
    Hilde Körber
    Hilde Körber
    • Frau Gaspard, Mutter des operierten Kindes
    Elisabeth Markus
    • Dr. Gloria O'Connor
    Hermann Bräuer
    • Batejo, Manager
    Hans Brausewetter
    Hans Brausewetter
    • Corbeau, Friseur
    Otto Graf
    • Dr. Lugeon, Chirurg
    Karl Haubenreißer
    • Mendoza
    Emil Heß
    • Alvarez, Veras Verteidiger
    Herbert Hübner
    Herbert Hübner
    • Professor Rigaud, Klinikleiter
    Victor Janson
    Victor Janson
    • Kabarettdirektor
    • (as Viktor Janson)
    Karl Martell
    Karl Martell
    • Frank Douglas, Versicherungsagent
    Giacomo Moschini
    • Fernandez, Marktbudenbesitzer
    Alfred Schieske
    Alfred Schieske
    • Bassist
    Erich Ziegel
    • Sanitätsrat Petersen
    Curt Ackermann
    • Etagenkellner im Hotel
    • (non crédité)
    • Réalisation
      • Rolf Hansen
    • Scénario
      • Bert Roth
      • Peter Groll
      • Rolf Hansen
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs4

    6,3142
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    10

    Avis à la une

    7sb-47-608737

    Mother of Soaps?

    This may be one of the earliest of the Soaps that I have seen, along with a few other movies, all of Zarah Leander e.g. Zu Neuen Ufern. This plot-model is now ubiquitous in the small box- strong and pure woman, ninny man as her opposite lead. The woman could be pure white, but the man is always quite a bit of grey, may not be in character/ hair color, but the green of unfounded jealousy makes him so. Of now, it is deja-vu, but might not have been so then. And then Zarah Leander is there so that itself gets a couple of extra stars. One of the reviewers probably didn't get the plot properly, so let me correct that too.

    First of all the Heroine wasn't a retired doctor, but studying to be a doctor, happily married to a lawyer (the green-man) with a beautiful kid. She does get a letter from her ex-beau.

    I don't know how the Black-mailer concept came in, he isn't. He is a philanderer, but is infatuated with the heroine, though she isn't, at least any more. And infatuated, he may be, but he isn't going to commit for a permanent relationship.

    Once he, unintentionally, causes the break-up of her marriage, she goes through several self-sacrificing roles - first as an intern, after getting the medical degree, which gets revoked due to her insubordination, then night-club singer, and then, thanks to chance-meeting with the ex-beau again, back to her profession, at least almost (as nurse) and with a luck, she got a chance to impersonate a doctor.

    There were only two skills, singing and medical, and both, in the beginning itself had been shown in her possession, so it was not so preposterous that one would wonder - how could she...? As I am forced to do, in most of the soaps. The man kept in touch, despite cold shoulder from the heroine, till the justice caught up with all of the members family and the friend. He did keep his philandering ways, but to the heroine, he had been of beneficial effect, despite the semi-rebuffs.

    The reviewer mentioned concentration camp - no it was a quarantine and that has nothing to do with the SS. At those times, to prevent infectious diseases, this was an universal feature, now of course there is no chance, due to air travel, else probably the spread of infections would have been less. Anyway, what has been shown was a normal quarantine scene, and has nothing to do with Germany or SS or Hitler. Similar quarantine areas - as closely guarded as jails used to be at every international sea-port.

    Nothing new, in today's time, but for Zarah, who can in most of the cases keep one on the seat till the end.

    Since most of the story is through vignettes of flash-backs, the usual errors that almost all the directors make is there. The characters whose flash-back is on, isn't supposed to know of the things that happened, especially dialogues, when they were not there. But to avoid these and keep the story from missing vital information needs a genius, and those are rare and hence I will not harp on that angle. But way of story telling has been good.
    9Charles Herrin

    Zarah Leander's greatest film.

    This is the best film Zarah Leander ever made. It is free of Nazi propaganda unlike Heimat and Grosse Lieb. Frau Leander is allowed to use all of her talents including singing and dancing. It is a shame that this was her last film for several years. She would have been wonderful in "The Merry Widow".

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Zarah Leander's last film shot in Nazi Germany.
    • Connexions
      Featured in Im Schatten der Träume (2024)
    • Bandes originales
      Bitte an die Nacht
      Music by Ralph Benatzky

      Lyrics by Ralph Benatzky

      Performed by Zarah Leander

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    Détails

    Modifier
    • Date de sortie
      • 8 septembre 1943 (France)
    • Pays d’origine
      • Allemagne
    • Langue
      • Allemand
    • Aussi connu sous le nom de
      • At That Time
    • Lieux de tournage
      • Carl Froelich-Studio, Berlin-Tempelhof, Allemagne(Studio)
    • Société de production
      • Universum Film (UFA)
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 34min(94 min)
    • Couleur
      • Black and White
    • Mixage
      • Mono
    • Rapport de forme
      • 1.37 : 1

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