La croix de Lorraine

The film is hopelessly marred and scarred by its propaganda nature, which brands it with a character that debases it for history when the war once is over, which is a pity, for it's a great story with great actors, who all do their best, and there are some instances which are more realism than propaganda, especially towards the end, as the intrigue thickens, when prisoners start to escape.

It's Jean-Pierre Aumont's film, he is the most interesting character, as you never really know where you have him, as he constantly has to change footing according to what is happening around him, while finally his character emerges in full glory. Gene Kelly is also quite good as an impossible slugger who is completely quashed by Peter Lorre and his Germans, but his annihilation is not quite complete. You can't keep down Gene Kelly for long.

It's the boy in the end who introduces the cross of Lorraine and lifts the whole performance to a higher level. This is very far from one of the best war films, but it certainly has some good scenes worth seeing.

Directed by Tay Garnett, who was a Naval pilot in WWI, this war drama has substance. French soldiers, believing that WWII is over, unwittingly surrender to German forces and are placed in a POW camp. A terrific and realistic look at being held prisoner under the thumb of the Nazis. A very good collection of talent featuring: Jean-Pierre Aumont, Gene Kelly, Hume Cronyn, Sir Cedric Hardwicke, Peter Lorre, Wallace Ford and Richard Whorf.

Jean-Pierre Aumont, Gene Kelly, Peter Lorre, Hume Cronyn, and Cedric Hardwicke star in "The Cross of Lorraine," a 1943 propaganda film.

I mean a propaganda film in the best way. Propaganda films made by the U. S. during World War II were often intended to inspire and show the people back home that their sacrifices meant something.

The Cross of Lorraine, referencing Joan of Arc's standard, adopted by Charles de Gaulle during World War II to mean the Free France, tells the story of French soldiers who surrender to Nazis and are lied to, and taken to a prisoner of war camp. There they endure terrible conditions and for some, death.

Hume Cronyn portrays a sniveling collaborator whom the Germans use as an interpreter. Cedric Hardwicke is a priest, whom he portrays with great dignity and quiet courage. Gene Kelly plays a defiant soldier put into solitary confinement.

Jean-Pierre Aumont decides to cooperate with the Nazis on the surface only; he has another agenda. Aumont was older than God when he was still working in the '90s, and to see him as a young, gorgeous man, robust with incredible hair, is really something! The bravery of the French people is exhibited at the end of the film, when they make a decision to take action before the Nazis arrive at their town.

A really stirring film.

If you thought World War II Hollywood war movies were all sweetness and Casablanca fans, just wait till you see this gut-wrenching little propaganda piece, which must have come out the week the censors were all in Palm Springs. Perhaps the most realistic Hollywood portrayal of life as a prisoner of the Nazis until "Schindler's List," it's also quite intelligent and extraordinarily well-played by an excellent cast. You don't know the meaning of shock until you've seen Gene Kelly spit a huge gob of real sputum onto Peter Lorre's face--and then wait till you see what comes next. It's not Captain Renault and the roulette table, dearie.

Very effective American propaganda piece made in the beginning of the war and centered around a couple of handfuls of French soldiers capitulating at Marshall Pétain's order and being made prisoners of war in the German part of Alsace.

Director Tay Garnett was an acknowledged master of light and shadow, and not just in the cinematographic sense. Lots of issues are at stake here, and although all the characters are somewhat larger than life, the hesitant lawyer, wonderfully, luminously played by Jean-Pierre Aumont, and the cabdriver, acted by a young, doe-eyed Gene Kelly, both help to give human texture to the admittedly rather formulaic plotline, and neither is a hero in the textbook Hollywood sense. The most interesting conflict in the film would be how to deal with the Hume Cronyn character, a French soldier who sympathizes with the Nazis and serves as a translater / snitch in the POW camp. Should he be killed without a trial, or would that, even in wartime, be a violation of basic French principles of jurisprudence and democracy?

'The Cross of Lorraine' is a very, very good film and a far cry from American WW2 movies we see today, they are all much more banal and onesided.

The film was obviously inspired by Jean Renoir's ultimate antiwar movie, 'The Grand Illusion', and in its turn inspired Stuart Rosenberg's tough prison movie 'Cool Hand Luke'.