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Bombardier

  • 1943
  • Approved
  • 1h 39min
NOTE IMDb
6,0/10
933
MA NOTE
Randolph Scott, Pat O'Brien, and Anne Shirley in Bombardier (1943)
Major "Chick" Davis is convinced that high-level bombing will win the next war. He convinces the powers-that-be to set up a bombardier school. He efficiently sets about training the USAAF's first generation of high-level bombardiers.
Lire trailer1:55
1 Video
20 photos
DrameGuerre

Ajouter une intrigue dans votre langueMajor "Chick" Davis is convinced that high-level bombing will win the next war. He convinces the powers-that-be to set up a bombardier school. He efficiently sets about training the USAAF's ... Tout lireMajor "Chick" Davis is convinced that high-level bombing will win the next war. He convinces the powers-that-be to set up a bombardier school. He efficiently sets about training the USAAF's first generation of high-level bombardiers.Major "Chick" Davis is convinced that high-level bombing will win the next war. He convinces the powers-that-be to set up a bombardier school. He efficiently sets about training the USAAF's first generation of high-level bombardiers.

  • Réalisation
    • Richard Wallace
    • Lambert Hillyer
  • Scénario
    • John Twist
    • Martin Rackin
  • Casting principal
    • Pat O'Brien
    • Randolph Scott
    • Anne Shirley
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,0/10
    933
    MA NOTE
    • Réalisation
      • Richard Wallace
      • Lambert Hillyer
    • Scénario
      • John Twist
      • Martin Rackin
    • Casting principal
      • Pat O'Brien
      • Randolph Scott
      • Anne Shirley
    • 21avis d'utilisateurs
    • 6avis des critiques
  • Voir les informations de production sur IMDbPro
    • Nommé pour 1 Oscar
      • 1 victoire et 1 nomination au total

    Vidéos1

    Official Trailer
    Trailer 1:55
    Official Trailer

    Photos20

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
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    + 15
    Voir l'affiche

    Rôles principaux57

    Modifier
    Pat O'Brien
    Pat O'Brien
    • Maj. Chick Davis
    Randolph Scott
    Randolph Scott
    • Capt. Buck Oliver
    Anne Shirley
    Anne Shirley
    • Burton Hughes
    Eddie Albert
    Eddie Albert
    • Tom Hughes
    Walter Reed
    Walter Reed
    • Jim Carter
    Robert Ryan
    Robert Ryan
    • Joe Connors
    Barton MacLane
    Barton MacLane
    • Sgt. Archie Dixon
    Leonard Strong
    Leonard Strong
    • Japanese Officer
    Richard Martin
    Richard Martin
    • Chito Rafferty
    Russell Wade
    Russell Wade
    • Paul Harris
    James Newill
    James Newill
    • Capt. Rand
    John Miljan
    John Miljan
    • Chaplain Charlie Craig
    Charles Russell
    Charles Russell
    • Instructor
    Eugene L. Eubank
    • General Eubank
    • (as Brigadier-General Eugene L. Eubank)
    Murray Alper
    Murray Alper
    • Little Boy - Spy
    • (non crédité)
    Stanley Andrews
    Stanley Andrews
    • Congressman
    • (non crédité)
    Joan Barclay
    Joan Barclay
    • Buck's Secretary
    • (non crédité)
    Hugh Beaumont
    Hugh Beaumont
    • Soldier
    • (non crédité)
    • Réalisation
      • Richard Wallace
      • Lambert Hillyer
    • Scénario
      • John Twist
      • Martin Rackin
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs21

    6,0933
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    Avis à la une

    6bkoganbing

    Knute Rockne Joins the Army Air Corps

    Pat O'Brien takes his Knute Rockne character and joins the Army Air Corps in Bombardier and he and Randolph Scott have a disagreement as far as air tactics go. Scott wants to do things as they do in the RAF where he's been an observer. Fly in low and drop bombs and avoid being shot at.

    O'Brien is more interested in technology. Develop and learn how to use an accurate bombsight so you can be up around 20,000 feet and only have to worry about enemy planes which presumably your fighter escort has to deal with.

    But since these guys are friends it's a good natured fight as both are in the business of training bombardiers. Among the familiar faces they train are Eddie Albert and Robert Ryan before both went in the service themselves.

    Bombardier is so very dated now, but still entertaining. The advances in technology are light years beyond what O'Brien and Scott are dealing with. Film buffs who are air historians might like it though.
    4dexter-10

    Summary: The man in command

    There is no question as to who is in command of the training of cadets in this film: Major Chick Davis (Pat O'Brien). O'Brien plays an officer who adheres to military discipline in the creation of a new kind of soldier from his cadets--the bombardier. But he is not so rigid as to be unfair or unfriendly. In fact, he even changes his opinion as to the value of women working in the military. He's tough when he has to be, yet at other times he is a clear mix of coach and pastor, roles he perfected in other films. His character is the foundation of the action around which everything revolves. O'Brien seems natural in the role, and plays it in fine fashion. Two things help this movie: O'Brien's performance and the spectacular special effects ending.
    8SimonJack

    So that's how they did it?

    This 1943 film by RKO is among several that Hollywood and/or the War Department put out during the early months and years of World War II. It's a mix of genres. The war action comes at the end. A docu-drama style tells the story of the bombardier school and training. Hollywood adds its usual touch of romance, but lightly. The drama is there – even in the training. And, of course, it's a propaganda film. Propaganda surely had its place in WWII – to help sustain public morale, build support for the U.S. cause and efforts, and give the public a picture of some of the troops, training, and campaigns.

    "Bombardier" tells and shows us the early days of training for this new position in the Army Air Forces – precursor of the U.S. Air Force. As such, it's a good educational piece for the public, then and now. The men who went into combat in different roles weren't tossed together and sent into combat. They were trained first. And for some fields, the training was highly specialized and detailed. This film shows very well that detail, study and science that went into the training of bombardiers. These men indeed played a critical role in destroying enemy armament production, fuel depots and major supplies – and in so doing, helped end the war much earlier than it would have otherwise concluded.

    Many have said it since the first attribution to Civil War Gen. William T. Sherman, that "War is hell!" But once a nation is in a war, it should do everything possible to end it as soon as possible.

    Many war movies have been made, especially about the two "great" world wars of the 20th century. They have variously focused on the action of troops in battles, assaults from the sea, naval engagements or air combat. Most give us a picture, however much Hollywood may "tweak" it, of the human conditions, relationships, and characters. Often times they include the strategic plans of real battle scenes. These are the things that most interest people, or "entertain" audiences for this genre. But films such as "Bombardier" add another value in educating and informing the public of what went into the readying of our nation for war, and our ability to win and end it as soon as possible.

    As an Army paratrooper veteran, I enjoy learning about the "how-to" that men and women learn in the different combat and support specialties of our armed services. People who approach war movies in a similar frame of mind will be much more likely to enjoy them. I highly recommend "Bombardier" as an informative, action-filled and historical war movie.
    6jamesrupert2014

    OK, if somewhat heavy handed, WW2 recruitment film disguised as entertainment

    Made in 1942, before the allies had the upper-hand in Europe, 'Bombardier' is part entertainment, part propaganda, and part recruiting film. The film follows the establishment of a Bombardier Training School, championed by Major "Chick" Davis (Pat O'Brien), a firm believer in high-altitude precision bombing and criticized by his buddy, Capt. "Buck" Oliver (Randolph Scott), a pilot-oriented proponent of low-level drops and dive-bombing. As the film opens with (the real) Brigadier General Eugene L. Eubank extolling the critical role of the bombardier in the ongoing war, there is little doubt which of the two offensive strategies is going to win out. Typical of the genre, the film follows a diverse group of trainees, from their arrival at the school to their baptisms in fire, with some romantic filler and dated comic-relief thrown in. Even by wartime standards, the film is pretty heavy handed. There is a particularly egregious sequence in which a trainee admits that he is uncomfortable with dropping high-explosives on targets where there may be non-combatants (including women) and that his mother had written him a letter expressing her concerns that he was training to be a murderer. The chaplain explains to him (and indirectly to the audience, which might include people of similar opinions to the fictional mother), that the bombardier is doing God's will by bombing the German military-industrial infrastructure. During the war Americans celebrated "Rosie the Riveter", who represented the women who worked in the factories thereby freeing-up men to fight, and as there would be no reason to believe that women in the Axis powers weren't doing the same, people must have accepted the fact that women could be killed when the factories were bombed (as were, as was later discovered, forced laborers). The film contains is lots of great aircraft footage, especially of the Douglas B-18 Bolo (which would have been obsolete when the film came out) and of the iconic B17 'Flying Fortress'. I particularly liked the well-done special-effects footage of Japanese fighters attacking a formation of five B17s, which bring the massive firepower of their dozens of .50 calibre machineguns to bear, annihilating the attacking fighters. This prodigious defensive firepower gave the plane its nickname but in reality was not sufficient to ward off attacks by faster and more nimble fighters (as the USAF found out at great cost over Germany in 1943). The rest of the special effects are hit and miss, there are some good pyrotechnic scenes as the bombs bullseye Japanese targets but the earlier B18 model work is substandard, even for the times. The cast is fine in what is essentially a propaganda picture, there are lots of gorgeous, soldier-loving, dames to entice young men in the audience to sign-up, and a thrilling but typically far-fetched heroic climax. OK for an unsubtle WW2 morale-booster/recruitment film (especially if you like planes) but not in the same league as the excellent "30 Seconds over Tokyo" (1944).
    9tcumming

    Flawed but still excellent

    I wasn't sure at first if I was watching a documentary, propaganda film or dramatic presentation. I guess given the time of production it was a mix of all three.

    Admittedly the dramatic plot was somewhat predictable. But you had a sense that there would be some interesting scenes as the movie went on. We were able to witness what appeared to be realistic training regimens and equipment.

    Where this movie came together for me was closer to the end. The scenes had a realism (at least as I perceived it) that I haven't encountered often before. You could place yourself in the action and imagine the thoughts of the young combatants. This was mixed in with the usual problems of portraying passable Japanese soldiers at a time when you might think real Japanese actors would be somewhat scarce.

    The movie is excellent as a source of the state of the American mindset in 1943 as the war waged with Japan. Also of interest was a dig at the Japanese with respect to the help the USA gave Japan in past years.

    Centres d’intérêt connexes

    Mahershala Ali and Alex R. Hibbert in Moonlight (2016)
    Drame
    Frères d'armes (2001)
    Guerre

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The American bomb sight mentioned throughout the movie was the Norden bomb sight whose secret was almost as closely guarded as the development of the atomic bomb. It used a mechanical computer and linkage to the plane's autopilot to achieve an accuracy of hitting with 75 feet of the target from an altitude of 12000 feet. All members of the bomber's crew were ordered to destroy the sight at all costs if the plane was going to crash. Many ships carried a hand grenade to place under the sight to assure total destruction. It was used as late as 1967 to drop sensors along the Ho Chi Minh trail in Viet Nam.
    • Gaffes
      The Douglas B18's, Beechcraft AT11's and B17 aircraft all sport national markings found from May 1942 until June 1943, yet a considerable part of this film takes place before Pearl Harbor.
    • Citations

      Burton Hughes: You're quite an entomologist.

      Sgt. Archie Dixon: Nope! But I know all about bugs.

    • Crédits fous
      Brigadier General Eugene L. Eubank is billed first because he is credited in the forward before any cast is mentioned, and he is not listed in the comprehensive end credits.
    • Versions alternatives
      Also available in a computer colorized version.
    • Connexions
      References Au revoir Mr. Chips! (1939)
    • Bandes originales
      Song of the Bombardiers
      (1942) (published title)

      On-screen title: "Song of the U. S. Bombardiers"

      Music by M.K. Jerome (as M. K. Jerome)

      Lyrics by Jack Scholl

      Played during the opening and closing credits and often in the score

      Sung by the audience at the magic show

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    Détails

    Modifier
    • Date de sortie
      • 14 mai 1943 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Ohne Rücksicht auf Verluste
    • Lieux de tournage
      • Kirtland Air Force Base, Albuquerque, Nouveau-Mexique, États-Unis
    • Société de production
      • RKO Radio Pictures
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 39min(99 min)
    • Couleur
      • Black and White
    • Rapport de forme
      • 1.37 : 1

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