Le corbeau noir

This is a confusing mystery with lots of darkness and bumbling around. George Zucco is really the only interesting character. He seems to be part of the criminal element, yet he seems to have dignity and integrity. When a group of mismatched people arrive at a hotel in an intense rainstorm, including a gangster, a corrupt politician, his daughter and her fiancée, and an escaped convict, the action gets going. There is also an embezzler with 50,000 dollars who plays the Casper Milquetoast type. His money leads to all kinds of shenanigans. There's also a sheriff played by Charles Middleton (Ming the Merciless), who is a bit of a buffoon. Throw in Glen Strange, former Frankenstein monster, and you have about as odd an assortment as you can imagine. The pacing is pretty bad. There is a lot of running around in the dark and people looking through windows. Still, it's Zucco's character that really captivates. The bad thing is, "What is his motivation?" He observes and comments. He is trafficking criminals to Canada, yet we don't get enough information to really understand him. It's pretty forgettable, but has some moments.

Almost an Old Dark House movie. On the qualifying side, it's a mystery, it has four murders, comic elements, a very serious thunderstorm, stranded motorists, people hiding in the shadows, & a big old dark boarding house. Close enough, I would say, but I didn't see any secret passageways & the film was made a bit late (1945) to qualify. Good dialog, intelligently written for its type, & most (but not all) of the acting is competent. George Zucco is especially good as the owner of the boarding house. 1940s Frankenstein fans, & Gunsmoke (TV) fans will greatly enjoy Glenn Strange's comic role as Zucco's assistant; he's funny & gets to do a little slapstick! Overall, quite an enjoyable film if you like this sort of thing (I do). It's hard to find this one, but it's worth looking for. I rate it 8/10.

This is a cheap B-movie made by a very small studio, PRC. It stars George Zucco--the King of low-budget suspense and horror films of the 1940s. While most every film he starred in for PRC and other poverty row studios were terribly written and had cheap sets and actors, he managed good performances. Plus, while often silly, these films really were a lot of fun.

"Black Raven" is one of his PRC films and once again his performance was pretty good. Apparently old George is a criminal known to the forces of the underworld as "The Raven". You'd think with such a cool name he'd be sort of like Blofeld or Dr. Evil, but this is a kinder, gentler sort of villain (to paraphrase George W.). While a crook, he's a decent sort of crook--with a strong sense of justice.

The weather is awful and bridges have washed away, so several travelers seek refuge George's inn (his legitimate cover). Some of them are crooks themselves (such as an embezzler who just happens to come there on his way across the border to Canada), a couple are running off to Canada to marry because her father is a jerk who won't give consent and, finally, the father arrives. Now talk about a coincidence--this father ALSO happens to be a judge AND George (among others) hates the guy. Eventually, there is a murder and the nice man who is running away with the lady is accused. Here's where it gets odd. The Raven KNOWS that the man is innocent and decides to try to help! Like I said, he's a kindler, gentler sort of crook! Overall, this is a very good film despite its poor pedigree. The plot is tight, the acting (in addition to Zucco) is very nice and it's a surprisingly good B-movie. Well worth seeing--even with a very unusual characterization by the Zucc-Meister!

Ever-delightful George Zucco, that great genre character-star of the Golden Age of Hollywood, is front and centre in this zippy, enjoyable PRC programmer. He plays Amos Bradford, the proprietor of an inn near the U.S. / Canada border whose side business is smuggling criminals across the border. A disparate group of individuals - a milquetoast embezzler (Byron Foulger), a racketeer (Noel Madison), a couple (Robert Livingston, Wanda McKay) attempting to elope, her big shot politician father (Robert Middlemass), and others - gather for an eventful night of murder (during a terrible rain storm, naturally) at Zuccos' establishment.

This is actually quite fun, and it does keep you on your toes regarding the mystery aspect of the story (written by Fred Myton); since there are a few shady types hanging around, and there is more than one motive for wanting the first victim out of the way, the viewer doesn't automatically focus on one character. A strong sense of humour also helps matters a lot, with Amos coming off as a very unflappable and sardonic man, who has a genuine interest in figuring out whodunit. Much of the comedy relief is provided by none other than Glenn Strange, who plays Amos' excitable, bumbling assistant, and he's pretty amusing. Overall, the cast is good. Also appearing are Charles Middleton as a humourless Sheriff and top character actor I. Stanford Jolley as the slimy prison escapee Whitey Cole.

"The Black Raven" has solid atmosphere, an excellent pace (clocking in at BARELY over an hour long), and a bittersweet wrap-up. It's good fun for any fan of thrillers and horror films from this era.

Seven out of 10.

One dark and stormy night, an escaped convict, an embezzler, a runaway daughter, her intended and her father, and a gangster take refuge in a remote inn called "The Black Raven" after the nickname of a second gangster who owns it; and murder ensues.

Standard fare with some predictability, however it's an entertaining one hour with loads of atmosphere, effective light and shadows and some good build-up. Flat in places, though, but not enough to mar the enjoyment. There's good performances from all, especially George Zucco. There's a diverse group of characters; one a hoodlum who is after the stolen money, runaway lovers and the father of the daughter determined to split them up, a clumsy Glenn Strange and a weedy embezzler.