Ajouter une intrigue dans votre langueStagecoach station manager and his outlaw brother defend station, passengers and cargo from Apache attack in dangerous territory, forcing unlikely allies to band together against the rampagi... Tout lireStagecoach station manager and his outlaw brother defend station, passengers and cargo from Apache attack in dangerous territory, forcing unlikely allies to band together against the rampaging indigenous warriors.Stagecoach station manager and his outlaw brother defend station, passengers and cargo from Apache attack in dangerous territory, forcing unlikely allies to band together against the rampaging indigenous warriors.
- Réalisation
- Scénario
- Casting principal
- Man in Stage Office
- (non crédité)
- Tall Man
- (non crédité)
- Man in Stage Office
- (non crédité)
Avis à la une
This is another stagecoach story with a group of men and women rapped in a stagecoach station with attacking Apaches. Among those trapped inside is Lloyd Nolan and it's him the Apaches want. His brother William Lundigan is the stationmaster. Will blood prove thicker than water?
Some of the plot elements and characters from Stagecoach you will immediately recognize. Apache Trail is not a classic like Stagecoach, but it's a competent and sturdy B western from that Tiffany of studios MGM.
This starts as a good solid B-western with a drive-by judging. I can almost accept Donna Reed as Latina. It ends with some good Indian killing action although it all looks very familiar. It turns out that I've already seen the action with another version called Apache War Smoke (1952). Nevertheless, the action is good and the rest is fine.
This is a pretty good (if somewhat set-bound) western, featuring a nice villain turn by Nolan (who really does pull off both his trademark everyman likability and hiss-able villainy) and a ridiculous hot-blooded Latina turn by Midwesterner Donna Reed. There's nothing especially different about this one -- but the careful, somewhat slow MGM pacing and the generally good level of acting keep the subplots moving along. If you like Westerns, you might miss the stunting and outdoor photography you might get in other films like this, but you'll probably like what you see.
All in all, this is not a bad way to spend an hour and a half.
Ernest Haycox's "Stage Station" was put together as Apache Trail and ended up being a better than average "B" Western. Set essentially at the Tonto Valley Station, story finds Nolan and Lundigan as polar opposite brothers caught in the middle of the Apache's ire on account of Nolan's dastardly ways. Also at the station are a roll call of familiar 1940s Western characters, gruff men of honour, some lovely women causing sexual friction and a token Indian guy working for the whites.
This small group of people will have to defend the Station (come Fort) against what seems like 300 Apache's; that is unless they agree to give up Nolan, who of course has "not" exactly endeared himself to the group during the siege. While there's naturally the "brother" angle hanging heavy in the air, something which almost detracts from the love triangle sub-plot as the "honest as apple pie" Reed (playing a Latino!) and "smoking hot but questionable in morals" Ayars conspire to put hero in waiting Lundigan in a choice situation.
The production is a mixture of poor rear projection and stage work with gorgeous exterior location work (Tucson, Arizona), while the acting is exactly what it is, a group of actors either contracted to the studio, working for food or hopefully taking the first steps on the ladder to better opportunities. The photography is very nice, but the poor racist bravado of the era is not, while Thorpe's staging of action is indicative of his career in how he makes a silk purse out of a sow's ear. Accept it for the time it was made and this is a decent and enjoyable film. It was loosely remade in 1952 as Apache War Smoke, suffice to say that even then, ten years later, the material still didn't advance to anything out of the ordinary. 6/10
Le saviez-vous
- AnecdotesRichard Rosson worked on the film as director from the pre-production stage starting December 1941 until early April 1942. After 31 days of shooting, he became ill and was replaced by Richard Thorpe, who received sole onscreen credit, despite working on the film for only two weeks.
- GaffesAlthough the attacking Indians are supposed to be Apaches, they are wearing the feathered headdresses and war bonnets more typical of those worn by tribes of the Great Plains such as the Sioux, rather than the tribes of the southwestern deserts like the Apaches. The only head gear Apaches usually wore were bandanas.
- Citations
Tom Folliard: [after rescuing Pike, who's tied up and been shot with an arrow by the Apaches] Hold still.
[cutting the rope around Pike]
'Pike' Skelton: What're tryin' to do, knife me, you soft-livin', spineless skunk!
Tom Folliard: Easy, scout, you've been hit pretty bad.
'Pike' Skelton: Dontcha think I know it, that ain't warm turtle soup fillin' mah boots, sabbath-breakin' varmits - I'll teach 'em, goin' around punchin' holes in people's clothes!
Tom Folliard: How'd they getcha?
'Pike' Skelton: I had a right-smart skirmish with 60 of 'em.
Tom Folliard: I only saw 6 bringin' ya in.
'Pike' Skelton: Them was the survivors.
[Tom pulls out the arrow]
'Pike' Skelton: OH!
[Pike grunts in pain]
Tom Folliard: You saved me there - talk - what riled 'em up?
'Pike' Skelton: How do I know, you got me away too soon, blast your maggoty hide... but I hear'd this much - it was a white man!
- ConnexionsVersion of Apache War Smoke (1952)
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Détails
- Durée1 heure 6 minutes
- Couleur
- Rapport de forme
- 1.37 : 1