La guerre dans l'ombre

This propaganda film pits a British-born, German-educated, chemical engineer (Stevnson - Robert Donat) who speaks Rumanian, German and Russian fluently against Nazis in Eastern Europe. Captain Stevenson becomes an Iron Guard named Tartu (the real Tartu is dead) and heads off, with minimal briefing and no espionage experience, to upset a Nazi plot. Stevenson seeks to infiltrate a German chemical weapons plant but needs help from the local resistance to succeed. But how, posing as a Nazi, can he get the underground to trust him?

Although the basic premise is a tad ludicrous, the film is very carefully plotted and the characters are likable, well-written and well played. Donat, Glynnis Johns and Valerie Hobson are especially good. The cinematography, directing and editing are very standard for early-mid-20th century British film - very straightforward and focused on the story - little to no experimentation and very few pans. But the pace of the film complements - or at least compensates for - the theatrical camera work fairly well.

Recommended for Donat fans and those interested in WWII-era war films.

This excellent espionage film begins with newsreel footage of London being bombed in 1940. An unexploded bomb sits in the rubble, about to blow up whatever remains standing, including a bedridden child and his nurse. Robert Donat, as a British army captain, rushes in to defuse the bomb. What a wonderful way to begin a smart, engaging wartime thriller. Donat's army captain gets drafted to impersonate a German-speaking Rumaninan dandy, to infiltrate and destroy a German poison gas camp in Czechoslovakia. This is a side of the war, featuring Czech freedom fighters, that many people are unfamiliar with.

This is a great film that belongs up there with Hitchcock's "Foreign Correspondant."

My first hint that this movie was great was an early scene between Robert Donat and the actress who plays his mother, Mabel Terry-Lewis. It was so moving I busted out crying! Glynis Johns has a small but affecting and effective role.

The statements made about Czechoslovakia were even more poignant, now that we know the country's history.

The movie has a nice, fast pace that modern movie-goers will appreciate. Donat plays each of his secret identities with a confident, warm-hearted air.

I usually hate chase scenes but the only one in this film was truly exciting.

TCM advertised this movie as Sabotage Agent, so keep an eye out for it under that title. You won't be disappointed.

"The Adventures of Tartu" is a marvelously entertaining espionage picture which for some reason is seldom seen on TV nowadays. It clocks in at 103 minutes but the pacing is such that you are not aware of its length. It stars Robert Donat, one of England's best actors. He had an unforgettably mellifluous voice and is fondly remembered for, among others, "The Thirty Nine Steps". Not really remembered as an action hero, he portrayed an inner strength reminiscent of the kind Leslie Howard showed in some of his roles. Here, however, he is in fact a man of action, two-fisted and able to handle a pistol as well, sort of a James Bond-type character.

He gets good back-up acting support from some dependable character actors and shares billing with lovely Valerie Hobson, who seldom gave a bad performance, and with whom there is apparent chemistry, the kind that two pros can generate. Actually, it's hard to find fault with any aspect of this MGM/British production. I thought the dialogue was especially good.

There are a good handful of unheralded or forgotten movies made about WWII that are worth watching, among them "Manila Calling" (1942), and "Joan Of Paris" (also 1942). "Decision Before Dawn" is another but it was made after the war, in 1951. But "Tartu" is worth seeing regardless of genre because it succeeds on several levels.

Robert Donat gives a very spirited performance as a British spy fluent in languages who is assigned to sabotage a Nazi gas factory in Czechoslovakia. He's more action-oriented than usual in a role requiring a lot of physical action while keeping one step ahead of the Nazis.

His spying activities also include some romantic moments with lovely Valerie Hobson, a woman who openly flirts with Nazi officers while working with the Czech underground. She and Donat join forces eventually but some misunderstandings almost ruin their partnership. The clever plot takes a number of interesting twists as the story unfolds in a brisk and very compelling manner.

Photography is first rate as are the various sets, especially the unique looking laboratory with its glass elevator overlooking an elaborate looking set design. Donat is charming in the central role and gets solid support from an excellent British supporting cast. Especially good are Walter Rilla as an officer in love with Hobson and Glynis Johns in a small role as an ill-fated Czech loyalist.

Highly recommended as one of the best espionage yarns from the U.K. during the war years.