Laurel et Hardy chefs d'îlots

Yes, this is pretty anemic L & H, but as their '40s films go, I put it third behind THE BULLFIGHTERS and JITTERBUGS as their most tolerable (the fourth, THE BIG NOISE, has one of the best L & H fadeouts ever, but that's another entry).

Anyway, AIR WARDENS manages to eke out some effective comedic bits, especially some unexpectedly impressive pratfalls from an aging Laurel. The war time trappings can get tiresome, but at least there's neat payoff with one sight gag near the end. Edgar Kennedy is a big plus in this film, and though its flaws are many (why no background music?),it's hardly a catastrophe. That's a backhanded compliment, but I think accurate enough!

I tend to repeat this in all my reviews of the final eight 1940s films featuring the legendary comedy team of Laurel and Hardy, but the six pictures they made for 20th Century-Fox were generally underrated; the real sour lemons of all the latter-day Stan and Ollie movies from their twilight years were actually the two which were made by MGM --- the insufferable NOTHING BUT TROUBLE (1944), and then this one - AIR RAID WARDENS (1943). Here, Laurel and Hardy want desperately to aid the U.S.A. by contributing to the war effort, but nobody will have them. No matter what they attempt to accomplish, they keep putting their feet in everything and turn up mostly disastrous results. At least Edgar Kennedy is present this time as a good foil for L&H, and there are some funny spots now and then, but you can tell that this picture has more of a wholesome whitewash to it and doesn't really "feel" like a Laurel and Hardy comedy. It's at least average Stan and Ollie, though; and that's more than can be said for the film which was to follow. ** out of ****

This movie is a tome to all that is World War II, Real Patriotism, and of course our guys Laurel and Hardy........ The boys are grand, and whereas others may think that it was too "Deep" or not enough slapstick, I believe it shows the depth of skill that Stan and Ollie have. I must confess, I was a bit taken aback when seeing this the first time by Stanly's speech to the board of the Air Raid Wardens.... ,... between Stan's speech and Ollie's amazingly silent expressions,... I literally wept! I was simply stunned by the boys dramatic acting abilities... I recall Ollie as a bad guy in some silents, before Stan, and of course Stan also, but never had a clue as to the extent of their talent.

I have loved Stan and Ollie for years (I am actually a cousin of Rosina Lawrence..."mary roberts" in way out west) and I was in personal contact with John McCabe before his death... (I am from the Upper Peninsula of Michigan and just a few miles from Mackinac Island where John resided).

I know of what I speak, and I say IF YOU ARE A STAN AND OLLIE FAN WATCH THIS MOVIE!!!!

An unashamedly jingoistic Laurel and Hardy movie that sees them try to join the war effort. Watching loveable everymen Stan and Ollie put up signs saying "gone to fight the Japs" troubles me ideologically. Maybe I'm reading into it too much, but seeing such crass propaganda as Ollie saying, "There's a job to be done right here at home" fills me with a sense of dread. And it's weird hearing English Stan talking about "Our Country" and uttering such trite platitudes as "We'll do anything that Uncle Sam wants us to do, won't we, Ollie?"

What's most unsettling is that Stan and Ollie look so old and ill you no longer laugh at their slapstick but fear for their safety. Direction by Edward Sedgwick is quite nice in terms of angles and camera motion, but completely at odds with the material. More to the point, sometimes poor shots and editing made the old Laurel and Hardy films funnier. With more professional standards they seem like an anachronism. The tiredness of the two leads (Stan in particular, who liked to be more involved in the creative level) comes through, and it all has a jaded, rehashed feel. I laughed just four times in the film's 64m duration, and while I cannot imagine any L & H vehicle plumbing the depths of a * movie, this is easily the weakest of their work that I've seen so far.

There's a lifeless atmosphere throughout, and Stan and Ollie's rapport is virtually non-existent for once. Some bits, like Stan sleeping in a gas mask amuses, but the chemistry is almost entirely absent. If they'd made the film half the length yet with the same material it might have meant a pacier, snappier, product. In fact, it took me a while to put my finger on it, but what the picture misses more than anything else is incidental music, something that was synonymous with Laurel and Hardy. Their violent fight with an awkward houseowner – including ramming a pipe down his throat and smashing his head into a fusebox – does recapture some old glories, but it's too little. Most unsettling scene is the one where Stan can't write his own name. Laurel & Hardy are always dumb, but here it's supposed to be funny that they have learning difficulties? The climactic final pay-off is particularly notable for being nowhere near good enough. The film doesn't so much end, but slump to a halt.

Intriguingly, when Air Raid Wardens was released with Nothing But Trouble on one tape in 1993, the blurb on the back told you the ending. How thoughtful.

One of Laurel and Hardy's last films was this one for MGM where they play a couple of 4Fs who still want to do their bit for the USA at war with the Axis. After getting turned down by all the armed services, Stan and Ollie return to their small town and their bicycle shop to volunteer as air raid wardens. Their bicycle shop in fact has been taken over by Donald Meek who is running a radio repair shop, but Meek allows them back in as partners.

MGM did give the boys an excellent supporting cast a lot better than what they usually had with Hal Roach. Problem is that they looked a bit old and tired and both were having health problems at the time. Still they got a few good slapstick licks in, especially with Edgar Kennedy and Howard Freeman who was a great foil for them.

My favorite moment in the film was when after one foul up too many they get canned as air raid wardens and Stan who usually cried at the drop of a hat, was almost in real tears about it. Both he and Ollie really do want to do something for the war effort even if they know they're a pair of bumblers.

Ollie in fact was the most restrained I've seen him. The Laurel and Hardy shtick is that Stan is a dummy and he knows it, Ollie is dumb, but has delusions of grandeur. Here Ollie also tones down the usual pomposity we expect from him.

Of course they redeem themselves when they stumble on to a real group of Nazi spies. Among that cast of all American small town types are a pair of known character actors who are in fact spies and saboteurs.

But you'll just have to see Air Raid Wardens to find out who.