Tortilla Flat
- 1942
- Tous publics
- 1h 45min
NOTE IMDb
6,2/10
2,1 k
MA NOTE
Ajouter une intrigue dans votre langueDanny, a poor northern Californian Mexican-American, inherits two houses from his grandfather and is quickly taken advantage of by his vagabond friends.Danny, a poor northern Californian Mexican-American, inherits two houses from his grandfather and is quickly taken advantage of by his vagabond friends.Danny, a poor northern Californian Mexican-American, inherits two houses from his grandfather and is quickly taken advantage of by his vagabond friends.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 1 Oscar
- 5 victoires et 1 nomination au total
Barbara Bedford
- Nun
- (non crédité)
Jack Carr
- Herman Scrivani
- (non crédité)
Avis à la une
I'm not sure of the appeal of this story either in the book or in the film. The group of paisanos that John Steinbeck created is as shiftless and lazy a group as you will find anywhere. Their leader Pilon played by Spencer Tracy works this whole bunch as ruthlessly as Abbott regularly did to Costello. And the Costello of this story is of all people John Garfield.
Garfield inherits a couple of houses courtesy of his late grandfather and Tracy and his friends move in to free load. Garfield also has his eye on Hedy Lamarr who works in a cannery and for a husband, much as she likes Garfield, doesn't want a shiftless loafer for a life partner. Garfield has to mend his ways before he's got any chance with her. Of course the prospect of kanoodling with Hedy Lamarr is enough to make any man straighten out, even get a haircut.
Tracy has no intention of changing his ways. He even tries to bilk simple hermit Frank Morgan out of his savings. Morgan, who's called the Pirate in this film, got an Oscar nomination for Supporting Actor and he's the best one in the film. Close to him is the always dependable Henry O'Neill as the local parish priest.
Tortilla Flat is about as opposite a story from The Grapes of Wrath that it's hard to believe they come from the same author, John Steinbeck. The Grapes of Wrath is about hard working Anglo farmers from Oklahoma who've lost everything and just want the chance to earn a living from the soil again. Tortilla Flat's paisanos have an attitude about work that is on the level of Maynard G. Krebs. They're a harbinger of hippies to come.
Tracy in his portrayal of Pilon dusts off some of the accent he used in Captains Courageous. But as good an actor as he is, he just can't make this viewer have any degree of empathy for his character. About as opposite as you can get from the simple hardworking Manuel Fidelio of Captains Courageous.
A lot of Latinos today find this film offensive and looking at it, I can't really blame them.
Garfield inherits a couple of houses courtesy of his late grandfather and Tracy and his friends move in to free load. Garfield also has his eye on Hedy Lamarr who works in a cannery and for a husband, much as she likes Garfield, doesn't want a shiftless loafer for a life partner. Garfield has to mend his ways before he's got any chance with her. Of course the prospect of kanoodling with Hedy Lamarr is enough to make any man straighten out, even get a haircut.
Tracy has no intention of changing his ways. He even tries to bilk simple hermit Frank Morgan out of his savings. Morgan, who's called the Pirate in this film, got an Oscar nomination for Supporting Actor and he's the best one in the film. Close to him is the always dependable Henry O'Neill as the local parish priest.
Tortilla Flat is about as opposite a story from The Grapes of Wrath that it's hard to believe they come from the same author, John Steinbeck. The Grapes of Wrath is about hard working Anglo farmers from Oklahoma who've lost everything and just want the chance to earn a living from the soil again. Tortilla Flat's paisanos have an attitude about work that is on the level of Maynard G. Krebs. They're a harbinger of hippies to come.
Tracy in his portrayal of Pilon dusts off some of the accent he used in Captains Courageous. But as good an actor as he is, he just can't make this viewer have any degree of empathy for his character. About as opposite as you can get from the simple hardworking Manuel Fidelio of Captains Courageous.
A lot of Latinos today find this film offensive and looking at it, I can't really blame them.
Greatly enjoyed this story written by John Steinbeck and a great cast of veteran actors who all gave outstanding performances. Daniel Alvarez, (John Garfield) is a poor young man who pals around with a bunch of lazy men who never seem to work and love to eat and drink wine. Daniel inherits two homes that his grandfather left him and one of his friends, Pilon, (Spencer Tracy) decides to take advantage of him and brings in all his friends to live in one of the houses. There is a great deal of trying to steal chickens and also obtaining free wine from local female ladies. Daniel meets up with a very pretty woman named Dolores Ramirez, (Hedy Lamarr) and they both become very good friends and lovers. There is also a man named The Pirate, (Frank Morgan) who lives like a tramp, but has plenty of money hidden in the woods. The Pirate is trying to save money to buy a silver golden stick for the Statue of St. Franicis in the local Catholic Church. Pilon wants to steal this money from the Pirate and then he starts experiencing different changes in his personality which creates a great ending to this story. Enjoy.
This work turned out to be an unexpected disappointment. Heres a film from a major producer, with a respected Director and top flight cast, that just ambles along without doing any of the characters full justice.
No-one seems able to convince the viewer they are whom they play. Tracys accent is near laughable, and Garfield tends to drop in and out of his, as if he feels silly putting it on. Nearly every major character is unlikeable, with greed and drunkenness almost their only motivation. It seems the only one that succeeds is Frank Morgan as the towns humble hermit and friend to all lost dogs.
Static studio backgrounds give the film a cheapened look. The best thing about this one is Franz Waxmans melodic Music score.
Some will enjoy, but I feel most will be left wanting better. KenR............
No-one seems able to convince the viewer they are whom they play. Tracys accent is near laughable, and Garfield tends to drop in and out of his, as if he feels silly putting it on. Nearly every major character is unlikeable, with greed and drunkenness almost their only motivation. It seems the only one that succeeds is Frank Morgan as the towns humble hermit and friend to all lost dogs.
Static studio backgrounds give the film a cheapened look. The best thing about this one is Franz Waxmans melodic Music score.
Some will enjoy, but I feel most will be left wanting better. KenR............
This movie was made during the U.S. entry in WWII. Maybe that is why it leaves out the deaths that occur in the actual story of Steinbeck. The people in charge perhaps had the directive to make a light inspiring movie ("no heavy stuff, y'hear?"). I don't think it was in the spirit of the novel AT ALL. My low rating is based on the movie's lack of faithfulness to the novel AND the casting of Spencer Tracy in the role of Pilon. It was just not a good fit. Even if I could ignore the messing with Steinbeck's story, I could not watch Tracy's performance with any ease. It pretty much ruined the movie for me despite what I thought were pretty good performances by everyone else.
If you like comedies the whole family can see and enjoy. This is a movie for you. But it is more than a good comedy of life an wonderful characters in a poor Mexican community in Monterry California. First is the most improbable casting that worked so well. I can picture Spencer Tracy cast as most any character except for a Mexican passion, wise in somethings and dumb -- plain foolish -- in others. He managed the role wonderfully. Hedy Lamar -- a peasant girl looking for a man with a job who could make her a work at home mom with many babies. She pulled it off with a sizzle. Most of all it was a very thought provoking movie. If followed the ideas of the famous book by John Stienbeck most accurately. Showing how we tend to get into ruts in life and using the wonderful Northern California landscape to show some overlooked opportunities to live well. If you want to really get into this movie read the book first.
Le saviez-vous
- Anecdotes"NOT IN THE SCRIPT: A scene for 'Tortilla Flat' required five dogs to jump on Frank Morgan simultaneously while he was sitting in church. For a time it seemed like an impossibility until director Victor Fleming started hiding things in the beard Morgan wears for the role. Bits of meat, a rubber mouse, fish and bacon were tried. The meat did the trick. 'How do you feel,' Fleming asked Morgan when a good 'take' was finally made. 'With five dogs getting lunch out of my beard,' said Morgan, 'I feel like an automat'..." (Newspaper Enterprise Association, "Erskine Johnson's Hollywood," The San Bernardino Daily Sun, San Bernardino, California, Sunday 8 February 1942, Colume 48, page 16.)
- GaffesToward the end of the movie, Pilon is holding a "Creamery Butter" cardboard box containing the raffle tickets while a small boy on his father's shoulder is choosing a ticket. When the camera shifts to a different angle, there are differences in the cardboard box, such as a large sticker that was not on the box just seconds beforehand.
- Citations
Jose Maria Corcoran: What's the matter with him? Is he crazy?
Pilon: They say that a little love is like a little wine. Too much of either makes a man sick.
- Versions alternativesAlso shown in a computer-colorized version.
- ConnexionsFeatured in Personalities (1942)
- Bandes originalesAy, Ay, Paisano!
(1942) (uncredited)
Traditional
Adapted by Franz Waxman
Lyrics by Frank Loesser
Played during the opening and end credits and often as background music
Played on guitar by John Garfield and sung by him, Spencer Tracy, Akim Tamiroff and Sheldon Leonard
Reprised a cappella by Spencer Tracy
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- How long is Tortilla Flat?Alimenté par Alexa
Détails
- Durée1 heure 45 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
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