Ajouter une intrigue dans votre languePrivate dick Mike Shayne is hired by wealthy Mrs. Murdock to retrieve a stolen rare coin she is convinced her daughter-in-law has stolen. Shayne uncovers a gang of counterfeiters and a surfe... Tout lirePrivate dick Mike Shayne is hired by wealthy Mrs. Murdock to retrieve a stolen rare coin she is convinced her daughter-in-law has stolen. Shayne uncovers a gang of counterfeiters and a surfeit of coins as he stumbles his way into and out of evidence and gangsters, and romance.Private dick Mike Shayne is hired by wealthy Mrs. Murdock to retrieve a stolen rare coin she is convinced her daughter-in-law has stolen. Shayne uncovers a gang of counterfeiters and a surfeit of coins as he stumbles his way into and out of evidence and gangsters, and romance.
- Réalisation
- Scénario
- Casting principal
- Spangler
- (non crédité)
- Marge
- (non crédité)
- Monaghan - Apartment Manager
- (non crédité)
- George Anson Phillips
- (non crédité)
- Maid
- (non crédité)
- Ina Smithers
- (non crédité)
- Nightclub Patron
- (non crédité)
- Rudolph - Headwaiter
- (non crédité)
- Mr. Hensch
- (non crédité)
Avis à la une
It's derived from THE HIGH WINDOW, and is the second movie made from a Raymond Chandler story -- the first was THE SAINT TAKES OVER, based on FAREWELL, MY LOVELY; Hollywood had noticed Chandler, liked him and how his work fit into their plots, but of course, knew much more about how do it than the third best crime fiction writer ever. Having purchased the story from Chandler, they remade it in 1947 with George Montgomery as THE BRASHER DOUBLOON.
It's a nice effort for Nolan's Mike Shayne to go out on. The settings range from a rich woman's home and a swanky nightclub to a transient's hotel a step above a flophouse, and director Herbert Leeds shows how Nolan uses his fees to fix himself up in a lovely cinematic manner: in the first scene, we see Shayne with his feet on the desk, eating. It's a shot showing the bottom of his shoes, which need resoling, while he eats his his meal straight from a can. In a later iteration of the shot, his shoes have been resoled and he's eating off of china.
Even tho this is a Michael Shayne movie, it's the first screen adaptation of Raymond Chandler's novel 'The High Window', which would be remade a few years later as 'The Brasher Doubloon' starring George Montgomery as Philip Marlowe. The plot is a maze, twisting and turning non-stop in its 60-minute runtime, as the always wise-cracking Nolan ('Lady In The Lake') goes from one clue/red herring to the next. You really need to pay attention or you'll miss things. This was the last of the Shayne movies starring Nolan and it does feel a bit rushed and less fun compared to the other ones. Having said that, it's still got its moments, and Nolan is always a blast as Shayne. But part of what made Nolan's Shayne movies so much fun was the continuous back&forth witty banter between him and the leading ladies (Mary Beth Hughes, Lynn Bari, Marjorie Weaver)... And this movie really lacks it as Angel's ('Lifeboat') character is nothing of the sort, and tough cookie Merrick ('Sensation Hunters') doesn't have quite enough screen time.
Director Herbert Leeds had already directed a few Shayne movies like 'The Man Who Wouldn't Die' so he knew how to direct these quick 'blink or you'll miss a clue' mysteries. DoP Charles G. Clarke ('Moontide', 'Violent Saturday') does a decent if unremarkable job. As mentioned, the movie does feel rushed, and while the crew obviously knew how to get the job done in a timely manner, it also shows. Not the best way for Nolan's Shayne to end, it's a slightly disappointing movie due to the high expectations created by the previous Shayne movies plus using a Chandler novel. A few years later Hugh Beaumont would take over as Michael Shayne for a new series of movies (which I've yet to see). Still good enough to watch for people interested in either Michael Shayne or Raymond Chandler.
Don't blink your eyes or you'll miss something; you have to be able to keep up with this one to truly enjoy it. Maybe some practice with other Lloyd Nolan movies will do the trick.
Nolan gets some great lines and utilizes them well. His tough guy might not be as memorable as Edward G. Robinson's, Humphrey Bogart's, or Dick Powell's, but he gets the job done. He is flanked by a b-movie cast, including the lovely Heather Angel, but don't see b-movie and think you'll be losing out on quality. You don't want your murder mysteries to be polished anyway; the dirtier, the better.
When the story begins, a crabby rich lady pays Michael Shayne to recover a lost rare coin, the Brasher doubloon. However, this is a ruse and soon the bodies are piling up around Shayne and he starts to realize that there is far more to the story than that....and the key is a very timid lady who lives with the oldster.
There are a few off-putting things in this film, such as a violent couple who fight like dogs (this is somehow supposed to be funny) and Shayne pretending to like an unattractive woman in order to manipulate her. These just felt out of place. Otherwise, it's a competent and enjoyable tale...and it really makes you wish the studio had made more. Sadly, the subsequent films were made elsewhere and didn't even star Nolan...and are less interesting.
Le saviez-vous
- AnecdotesThis is the seventh and last of the Michael Shayne mysteries produced by Fox with Lloyd Nolan as the Brett Halliday gumshoe.
- Citations
Mrs. Murdock: When I say 10 o'clock, I don't mean 9:50, not 9:59, I mean 10 o'clock!
Michael Shayne: Well, Mrs. Murdoch, you know what the book says about the early bird.
Mrs. Murdock: There are no worms here.
Michael Shayne: Well, you can't tell what you're liable to find in an old barn like this.
- ConnexionsFollowed by Murder Is My Business (1946)
- Bandes originales(I've Got a Gal In) Kalamazoo
(1942) (uncredited)
Lyrics by Mack Gordon
Music by Harry Warren
Heard in the Florence Apartments
Meilleurs choix
- How long is Time to Kill?Alimenté par Alexa
Détails
- Durée1 heure 1 minute
- Couleur
- Rapport de forme
- 1.37 : 1