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IMDbPro

Time to Kill

  • 1942
  • Approved
  • 1h 1min
NOTE IMDb
6,4/10
388
MA NOTE
Paul Guilfoyle, Doris Merrick, and Lloyd Nolan in Time to Kill (1942)
Film NoirComedyCrimeDramaMystery

Ajouter une intrigue dans votre languePrivate dick Mike Shayne is hired by wealthy Mrs. Murdock to retrieve a stolen rare coin she is convinced her daughter-in-law has stolen. Shayne uncovers a gang of counterfeiters and a surfe... Tout lirePrivate dick Mike Shayne is hired by wealthy Mrs. Murdock to retrieve a stolen rare coin she is convinced her daughter-in-law has stolen. Shayne uncovers a gang of counterfeiters and a surfeit of coins as he stumbles his way into and out of evidence and gangsters, and romance.Private dick Mike Shayne is hired by wealthy Mrs. Murdock to retrieve a stolen rare coin she is convinced her daughter-in-law has stolen. Shayne uncovers a gang of counterfeiters and a surfeit of coins as he stumbles his way into and out of evidence and gangsters, and romance.

  • Réalisation
    • Herbert I. Leeds
  • Scénario
    • Clarence Upson Young
    • Raymond Chandler
    • Brett Halliday
  • Casting principal
    • Lloyd Nolan
    • Heather Angel
    • Doris Merrick
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,4/10
    388
    MA NOTE
    • Réalisation
      • Herbert I. Leeds
    • Scénario
      • Clarence Upson Young
      • Raymond Chandler
      • Brett Halliday
    • Casting principal
      • Lloyd Nolan
      • Heather Angel
      • Doris Merrick
    • 12avis d'utilisateurs
    • 6avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos8

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    + 3
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    Rôles principaux23

    Modifier
    Lloyd Nolan
    Lloyd Nolan
    • Michael Shayne
    Heather Angel
    Heather Angel
    • Myrle Davis
    Doris Merrick
    Doris Merrick
    • Linda Conquest Murdock
    Ralph Byrd
    Ralph Byrd
    • Lou Venter
    Richard Lane
    Richard Lane
    • Lt. Breeze
    Sheila Bromley
    Sheila Bromley
    • Lois Morny
    Morris Ankrum
    Morris Ankrum
    • Alexander Morny
    Ethel Griffies
    Ethel Griffies
    • Mrs. Murdock
    Eddie Hall
    Eddie Hall
    • Officer driving speeding police car
    Harry Carter
    Harry Carter
    • Spangler
    • (non crédité)
    Helen Flint
    Helen Flint
    • Marge
    • (non crédité)
    Paul Guilfoyle
    Paul Guilfoyle
    • Monaghan - Apartment Manager
    • (non crédité)
    Ted Hecht
    Ted Hecht
    • George Anson Phillips
    • (non crédité)
    Clara Horton
    Clara Horton
    • Maid
    • (non crédité)
    Phyllis Kennedy
    Phyllis Kennedy
    • Ina Smithers
    • (non crédité)
    Carl M. Leviness
    Carl M. Leviness
    • Nightclub Patron
    • (non crédité)
    LeRoy Mason
    LeRoy Mason
    • Rudolph - Headwaiter
    • (non crédité)
    William Pawley
    • Mr. Hensch
    • (non crédité)
    • Réalisation
      • Herbert I. Leeds
    • Scénario
      • Clarence Upson Young
      • Raymond Chandler
      • Brett Halliday
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs12

    6,4388
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    Avis à la une

    6boblipton

    The Last Lloyd Nolan Mike Shayne Movie Is A Good One

    Lloyd Nolan plays Michael Shayne in the last of his appearances in the 20th Century Fox B series. He's called in by Ethel Griffies. She wants him to find evidence to get her son out of his marriage to a showgirl. She also believes her daughter-in-law has stolen a Brasher doubloon, a rare coin from her late husband's collection. Nolan takes the case, which leads to a lot of corpses.

    It's derived from THE HIGH WINDOW, and is the second movie made from a Raymond Chandler story -- the first was THE SAINT TAKES OVER, based on FAREWELL, MY LOVELY; Hollywood had noticed Chandler, liked him and how his work fit into their plots, but of course, knew much more about how do it than the third best crime fiction writer ever. Having purchased the story from Chandler, they remade it in 1947 with George Montgomery as THE BRASHER DOUBLOON.

    It's a nice effort for Nolan's Mike Shayne to go out on. The settings range from a rich woman's home and a swanky nightclub to a transient's hotel a step above a flophouse, and director Herbert Leeds shows how Nolan uses his fees to fix himself up in a lovely cinematic manner: in the first scene, we see Shayne with his feet on the desk, eating. It's a shot showing the bottom of his shoes, which need resoling, while he eats his his meal straight from a can. In a later iteration of the shot, his shoes have been resoled and he's eating off of china.
    6XhcnoirX

    Slightly disappointing Michael Shayne/Raymond Chandler movie

    Lloyd 'Michael Shayne' Nolan is hired by Ethel Griffies to retrieve a valuable coin for her, the Brasher Doubloon, which she is convinced was stolen by chorus girl Doris Merrick, who is also involved with her son James Seay. What starts out as a routine assignment quickly becomes a puzzle for Nolan as he finds the coin, but then Griffies informs him she also found it back in her personal belongings! Something is not right, and it includes murder, blackmail, Griffies' fidgety secretary Heather Angel and a seemingly inconspicuous photo taken years earlier...

    Even tho this is a Michael Shayne movie, it's the first screen adaptation of Raymond Chandler's novel 'The High Window', which would be remade a few years later as 'The Brasher Doubloon' starring George Montgomery as Philip Marlowe. The plot is a maze, twisting and turning non-stop in its 60-minute runtime, as the always wise-cracking Nolan ('Lady In The Lake') goes from one clue/red herring to the next. You really need to pay attention or you'll miss things. This was the last of the Shayne movies starring Nolan and it does feel a bit rushed and less fun compared to the other ones. Having said that, it's still got its moments, and Nolan is always a blast as Shayne. But part of what made Nolan's Shayne movies so much fun was the continuous back&forth witty banter between him and the leading ladies (Mary Beth Hughes, Lynn Bari, Marjorie Weaver)... And this movie really lacks it as Angel's ('Lifeboat') character is nothing of the sort, and tough cookie Merrick ('Sensation Hunters') doesn't have quite enough screen time.

    Director Herbert Leeds had already directed a few Shayne movies like 'The Man Who Wouldn't Die' so he knew how to direct these quick 'blink or you'll miss a clue' mysteries. DoP Charles G. Clarke ('Moontide', 'Violent Saturday') does a decent if unremarkable job. As mentioned, the movie does feel rushed, and while the crew obviously knew how to get the job done in a timely manner, it also shows. Not the best way for Nolan's Shayne to end, it's a slightly disappointing movie due to the high expectations created by the previous Shayne movies plus using a Chandler novel. A few years later Hugh Beaumont would take over as Michael Shayne for a new series of movies (which I've yet to see). Still good enough to watch for people interested in either Michael Shayne or Raymond Chandler.
    8Maleejandra

    Fast-Paced and Exciting

    Time to Kill is a fast-paced, thrilling Michael Shayne mystery adapted from a Raymond Chandler novel and sped up to fit just inside an hour. Mrs. Murdock hires Shayne to find her daughter-in-law, a chorus girl who stole a precious coin from her home. Murdock's son is an odd sort of fellow who appears now and then to create a sense that Shayne is being watched, not the sort of guy that could be trusted. When Shayne meets the daughter-in-law, aptly named Miss Conquest, he discovers a beautiful girl just as eager to get out of the Murdock family as Mrs. Murdock is to get her out. Something doesn't quite fit.

    Don't blink your eyes or you'll miss something; you have to be able to keep up with this one to truly enjoy it. Maybe some practice with other Lloyd Nolan movies will do the trick.

    Nolan gets some great lines and utilizes them well. His tough guy might not be as memorable as Edward G. Robinson's, Humphrey Bogart's, or Dick Powell's, but he gets the job done. He is flanked by a b-movie cast, including the lovely Heather Angel, but don't see b-movie and think you'll be losing out on quality. You don't want your murder mysteries to be polished anyway; the dirtier, the better.
    7ksf-2

    a chandler noir. the story is good.

    A Ray Chandler tale. In fact, it was remade in 1947 as the Brasher Doubloon. In this earlier version, Lloyd Nolan is Shayne, hired by an old widow to find a stolen coin and return it to the family. Co-stars Ethel Griffies, Heather Angel, Doris Merrick. The film is all washed out, with bad sound, jumps and cuts. Badly in need of restoration. And while looking for the coin, Shayne opens up a whole counterfeiting ring, and of course, the bodies are piling up. Can they solve the crimes before they run out of suspects? The story is quite good, in spite of the poor quality film. Directed by Herb Leeds. Died young at 54, suicide.
    7planktonrules

    Very good....but it's an odd case where I prefer the remake!!

    Back in the early 40s, Twentieth Century-Fox made seven Michael Shayne films starring Lloyd Nolan. Generally, they were very good B-movies....quite a bit better than the average B crime film of the day. Much of it was because Nolan was so good in the films...much because the studio put more money and better scripts into the movies. This is the final Michael Shayne film starring Nolan. And, if you care, this movie was remade in 1947 as "The Brasher Doubloon"...an excellent crime film....one that is actually a bit better than this original!

    When the story begins, a crabby rich lady pays Michael Shayne to recover a lost rare coin, the Brasher doubloon. However, this is a ruse and soon the bodies are piling up around Shayne and he starts to realize that there is far more to the story than that....and the key is a very timid lady who lives with the oldster.

    There are a few off-putting things in this film, such as a violent couple who fight like dogs (this is somehow supposed to be funny) and Shayne pretending to like an unattractive woman in order to manipulate her. These just felt out of place. Otherwise, it's a competent and enjoyable tale...and it really makes you wish the studio had made more. Sadly, the subsequent films were made elsewhere and didn't even star Nolan...and are less interesting.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      This is the seventh and last of the Michael Shayne mysteries produced by Fox with Lloyd Nolan as the Brett Halliday gumshoe.
    • Citations

      Mrs. Murdock: When I say 10 o'clock, I don't mean 9:50, not 9:59, I mean 10 o'clock!

      Michael Shayne: Well, Mrs. Murdoch, you know what the book says about the early bird.

      Mrs. Murdock: There are no worms here.

      Michael Shayne: Well, you can't tell what you're liable to find in an old barn like this.

    • Connexions
      Followed by Murder Is My Business (1946)
    • Bandes originales
      (I've Got a Gal In) Kalamazoo
      (1942) (uncredited)

      Lyrics by Mack Gordon

      Music by Harry Warren

      Heard in the Florence Apartments

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    FAQ13

    • How long is Time to Kill?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 22 janvier 1943 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Murder, Murder Everywhere
    • Lieux de tournage
      • 20th Century Fox Studios - 10201 Pico Blvd., Century City, Los Angeles, Californie, États-Unis(Studio)
    • Société de production
      • Twentieth Century Fox
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 1 minute
    • Couleur
      • Black and White
    • Rapport de forme
      • 1.37 : 1

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    Paul Guilfoyle, Doris Merrick, and Lloyd Nolan in Time to Kill (1942)
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