Tish

LOVE Marj Main (Ma Kettle and The Women)& Aline MacMahon...Aline STOLE the show, which ain't easy to do with M Main in the film... MacMahon should have won an award for this one, but the film itself has some problems... Lots of weird jumps forward in time, with time gaps & plot filled in by fast talking on the part of the 3 gal-pals. This film also dealt with some big issues for its time, with that naughty ol film production code in force at the time... it takes place during WW II, so that figures into the plot. There IS some sorrow, pain, and loss in this one, but it ends on KIND of a happy note, like any good WW II flick. Guy Kibbee is the ornery old cantankerous grandfatherly judge, who gets his come-uppance, as he usually did. Fun to watch, but keep those expectations in check. Some silly mis-understandings, similar to an episode of Three's Company. (But I do love anything with M Main or A. MacMahon.)

It's nice to see the three great characters actresses, but they are given very little to work with. Marjorie Main's is the only developed character, and she seems miscast in it. Fine production values, to be sure, but this film is a mess from beginning to end. The script desperately needed many more re-writes, as you can't tell who's supposed to be in love with whom. People that you think are supposed to be good do cruel things, and then you're supposed to turn around and find them good again. Terribly tragic events are used as contrived plot devices, and passed over by the characters with little more than an "oh, too bad" by the characters. Then to compound the tragedy of this comedy is the back story: Susan Peters, so young and beautiful in this film married Richard Quine who played her love interest. She was paralyzed in a gun accident a few years later, and after trying to recover her career by working in a wheelchair, she fell into depression and decline and died. She had divorced Quine. He had a successful but largely forgotten career as a director, until he also fell into depression and committed suicide.

Marjorie Main stars in this MGM B picture in the title role of Tish. As per usual it's one of those B films from MGM with their usual production values it has an A look about it. All but for the fact that none of MGM's big stars are in this.

She lives in a small town with her scapegrace of a nephew Lee Bowman and hangs out all day with her two generational pals, Aline McMahon and Zasu Pitts. When after a trip to Toronto she brings back the baby of the late Susan Peters who was sickly to begin with and who died in childbirth all kinds of talk of scandal ensues about the real parentage of the infant. Nobody's believing she's Marjorie's, especially not her nemesis town judge and town busybody Guy Kibbee.

The three women are the center of this film, it's like Lucy Ricardo with two Ethel Mertzes. There's also a nice little romantic quadrangle between Bowman, Peters, Richard Quine and Virginia Grey playing a big part of the plot.

This one is worth a look especially if you're a fan of any of the three women companions.

How a film with three hilarious ladies could miss the mark is beyond me. A few good lines but the plot is interspersed with serious romance and even a tragic subplot. The physical comedy situations don't work. They're just not funny.

A bitter disappointment for fans of these great comedienne.

Catch this oddity the next time TCM drags it out of the pit. This vehicle for the grand old warhorse Marjorie Main features some of the Golden Age's greatest character actors and the talented and beautiful (if ultimately tragic) Susan Peters. But the sub-sitcom setups, rotten writing, inferior direction and editing, and at least one perverse (if not sickening) plot turn make this an unintentionally creepy little "B" picture indeed.

"Tish" was no doubt a tryout for the dazzling Peters (who the same year would appear to far greater effect in "Random Harvest"), but given how short her film resume is, it's a shame that this thing has to feature so prominently on it.

If you need proof that MGM didn't turn out "Mutiny on the Bounty" and "Mrs. Miniver" twice a week, seek no more.