Quarante-huit heures

1942. That is the important date to bear in mind when watching this film. That was when the film was made, and when the UK cinema auidences watching it knew that all that separated them from invasion was a few miles of sea. Imagine the impact it must have had!! Plucky Brits, living in the rural English idyll, threatened by the Hun. Having witnessed their brave fight, the auidences must have come out of the flicks wanting to take on the German army on their own. The comparisons with 'The Eagle Has Landed' are easy to make, but just remember that date of 1942. The threat was real to the people watching it, unlike those watching 'The Eagle' for the very first time. Cracking afternoon entertainment, with a message of its time.

A splendid movie well acted and directed, the story grips you from the start,the film includes self sacrifice and treacherous behaviour.The pace of the movie is fantastic not a dull moment.There is one scene which shows that ordinary decent people when cornered can fight back with a fierce tenacity when their homeland is threatened.This movie is the inspiration behind the eagle has landed and i think it would be a hit if it was remade.

A still chilling story of german invasion to an ordinary sleepy english village sixty years ago. This brilliantly captured the very real possibility of what could have happened during the first years of world war 2. If you tend to stay away from "older" films because they're too distant and difficult to relate to I strongly recommend this, the characters are believable and the way the story is told is very realistic and not at all sentimental. There are some quite powerful scenes which are quite shocking and totally unexpected in a film this old. (9/10)

In WWII England a troop of surveyors are dispatched into a characteristically happy-go-lucky and scenic village, though really they are a select assemblage of German officers with orders to seize control of the township on the horizon of a covert German attack in a few days. Director Alberto Cavalcani is smart. Rather than this information creeping up on us like a twist, we grasp this from the start. When one of the villagers grows suspicious, we are in an enhanced state of tension. The Germans hijack the parish, a handful among which refuse to lose hope of alerting the unsuspecting free world around them.

Do not make the mistake of presuming that it is an insincere propaganda yarn, considering its era. This is in fact quite an electrifying tale of survival. If so many can overlook the propaganda of obsolete films like Battleship Potemkin, there is certainly room for this picture. It stands out, owing much to its unexpected flashes of violence that are sincerely exhilarating and often frank and uncompromising in terms of the drama. It is not gritty like most modern war films. The quaintly timeless English ambiance, and the consistent theme of it maintaining its spry morale, is a clever and natural juxtaposition to the taut aggression of the conflict, which is thus more well-defined. The relatively unfamiliar cast is plainly high- quality.

At its hub, yes, it's a work of propaganda exploiting a thriller story to enrapture its WWII-era British spectators. But mind you, it is based on a story by English writer and WWII MI6 spy Graham Greene. Nevertheless, the English were righteous in that war, remaining the only European country the Germans intended to occupy but never could. This piece grows to be as riveting as any other good movie, and what's more, its unexpected violence causes it to project with particular prominence.

Now I am a sucker for "what if" stories, and what better to have Germans occupying an English village during the war.

What we have in this gem of a film is a great story, we see the villagers pull together and overcome the foe in heroic fashion. We are not spared the horrors of war, I think particularly of the scene when the telephone operator having summoned the courage to kill her German captor is killed trying to contact someone for help, you don't see anything but because of that it is all the more powerful. You are on the edge of your seat hoping the eggs with the message on will get through. We see a lady driving in her car, singing to herself, we then cut to the home guard being mown down on the road, their bodies cleared just as the woman drives round the corner. The two scenes together make for a powerful contrast. Bloody good stuff.

The pace continues through the film at such a rate that you do find yourself on the edge of the seat, the acting is great, though some may find the clipped English accent a little annoying, I liked the fact that there are a number of different accents from cockney to Yorkshire all making the "in it together" message more powerful. When the villagers start to fight back we get to see some hero's, none more so than the lady at the manor house who to save the children throws herself onto a grenade, I remember seeing this scene for the first time and being very moved by it, and every time I watch it again it has the same effect.

As a piece of propaganda it must have worked like a dream as a film it is well made and acted, what more could you want. Even more impressive is that it has aged very little.