Spy Smasher

This is the finest serial ever made. Kane Richmond plays twin brothers battling Nazi agents in America. With expert casting, stunt work and direction this is Republic's finest hour in cliffhangers. The serial never drags and the camera work and doubling creating the illusion of twin is peerless.

10-year-old boys must have really gobbled this up when it was a brand-new serial back in 1942. Even now it has the power to involve and entertain with its narrative flow, frequent spurts of action, and that pounding musical introduction from Beethoven's Fifth. Best of all it has Kane Richmond, (born in Minneapolis in 1906), who has all the looks and manner you want in a serial hero. He also has amazingly tough skin. In Chapter One he's captured by the Nazis, bound against the wall of a Gestapo dungeon, and given a vigorous whipping across his bare chest -- but hardly seems to suffer so much as a paper-cut! Actually, this is one of those floggings where the whip is never shown touching its victim. Instead, the impression of a flogging is given by means of editing together various visual elements. In any case, this scene ranks 18th in the book, "Lash! The Hundred Great Scenes of Men Being Whipped in the Movies."

This 12-chapter action serial from Republic Pictures, based on the Fawcett comic book character, was directed by William Witney. Alan Armstrong (Kane Richmond), in the guise of masked hero Spy Smasher, battles Nazi bad guys in occupied France. He follows their trail back to the US, where a secret gang of Nazi villains, led by the Mask (Hans Schumm), plots a campaign of sabotage and terror. Alan enlists the aid of his twin brother Jack (also Richmond), as well as retired Admiral Corby (Sam Flint) and his plucky daughter Eve (Marguerite Chapman), to stop the German menace.

This largely forgotten costumed hero makes for a good serial, with some of the best stunt work put to film, supervised by the legendary Yakima Canutt. The serial is also exceedingly violent compared to others of the time, with lots of gun play, including by the hero, who isn't above machine-gunning a foe or running one over with a car. Speaking of vehicles, there's also a lot of nice action scenes involving car chases, high-speed boats, and Spy Smasher's custom motorcycle. Although the action is above-average, the script is weaker, with unmemorable characters and only a vague understanding of who's doing what and why. Still, this is one of the better serials, and is recommended to fans of such.

This is an extremely well made serial. The cast is capable and the script is fast paced. Each chapter seems to contain at least one unexpected plot twist. There are no resolutions to cliff hangers which consist of the hero standing up, brushing himself off and walking away after experiencing a cataclysmic explosion, crash, fire, cave in, etc. Highly recommended.

I do so love to watch professionals at work.

When you watch "Spy Smasher," you see a genre and a studio at the top of their form. Everything in this serial clicks and hums along like a well-oiled machine. The plot is exciting and as logical as it need be, the music fast and inspiring, the cliffhangers harrowing, and the acting professional and dead-on. It's Republic Studios at the height of their game, ancestor to the big action flicks of today, and sheer pleasure to watch.