Ajouter une intrigue dans votre langueAfter Pearl Harbor, Alcatraz convicts Champ Larkin and Jimbo escape to a lighthouse island, taking hostages. A Nazi spy ring also targets the island, leading to a conflict between the convic... Tout lireAfter Pearl Harbor, Alcatraz convicts Champ Larkin and Jimbo escape to a lighthouse island, taking hostages. A Nazi spy ring also targets the island, leading to a conflict between the convicts' greed and patriotism.After Pearl Harbor, Alcatraz convicts Champ Larkin and Jimbo escape to a lighthouse island, taking hostages. A Nazi spy ring also targets the island, leading to a conflict between the convicts' greed and patriotism.
- Réalisation
- Scénario
- Casting principal
- Prison Guard
- (non crédité)
- Man in Plane Factory
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- Nick
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- Radio Operator
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- Second Pilot in Hangar
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- Submarine Officer
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- Second Radio Operator
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- Luther
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- Prison Warden
- (non crédité)
Avis à la une
Champ and Jimbo (Craig and Jenks) escape from Alcatraz, as the title says, and manage to get to a lighthouse. They walk into an interesting situation. One of the employees is on the side of the Nazis and feeding messages to the Germans about a submarine - it seems the Germans are trying to invade San Francisco. When they realize what's happening, the crooks and the people at the lighthouse band together, as the Nazis themselves show up.
Bonita Granville marvelously underplays, very different for her, and lets James Craig overplay, not only his role, but the narration as well, with every single line reading in the same snide voice and every character action indicated beforehand. Jenks is good as the sidekick, and it's great to see "Hogan's Heroes" star John Banner young and good-looking as one of the Nazis.
These films were important to the war effort, and this one demonstrates that even criminals were willing to put their own needs aside to fight their country. One of the Hollywood Ten, director Edward Dmytryk was responsible for "The Caine Mutiny," "Broken Lance," and "Crossfire," but also only mediocre such as "The Left Hand of God" and "Soldier of Fortune" and downright schlock such as "Where Love Has Gone" and "The Carpetbaggers." You never really knew what you were going to get with him. I'd say in this case, he did his best with what he had as far as story and cast. And it moves pretty quickly.
It's got lots of wartime propaganda and the plot about Nazi spies using a lighthouse as an operation for their espionage is hard to swallow, but it works as an adventure film with an interesting locale and some competent players.
JAMES CRAIG carries most of the film on his sturdy shoulders, a handsome and rugged leading man who never quite made it to major stardom. FRANK JENKS is "Jimbo", his sidekick, and the supporting cast includes BONITA GRANVILLE (in one of her more underplayed roles), GEORGE CLEVELAND and CLIFF EDWARDS, who does his bug-eyed comic relief with a little too much relish.
There's plenty of action along with the talky moments. Fortunately, the action far outweighs any sense the script makes and is well staged by director Dmytryk. Craig gives one of his livelier performances as the escaped convict with a yen for Granville.
Passes the time quickly and it's easy to get hooked into the spy aspect of the story, but it's nothing special.
Helping Craig straighten out and fly right is cute blonde Bonita Granville (as Anne Porter). Because she is the first woman he has seen in five years, Craig is aggressive with Ms. Granville. She returns Craig's forced kisses with a slap, but you know she really wants him. Cozier with escaped convicts is wide-eyed comic Cliff Edwards (as Stormy). Edward Dmytryk does well directing this quick, unassuming little film; with tasteful panning away, he suggests rather than shows Craig's beating and Granville being bound and whipped. Watch for "Hogan's Heroes" (Sgt. Schultz) rotund regular John Banner to appear thin and serious.
****** Seven Miles from Alcatraz (11/18/42) Edward Dmytryk ~ James Craig, Frank Jenks, Bonita Granville, Cliff Edwards
While much of this film is pretty silly and filled with very obvious propaganda, it's certainly understandable considering it was made during the early days of WWII for the United States. The story was meant to create a sense of patriotism in the audience as well as a tiny bit of paranoia concerning enemy agents. The idea of Germans being in San Francisco was pretty silly, as they would have been much more likely to attack on the East coast. Why not make them Japanese agents instead? Who knows. All I know is that you must judge the film, to some extent, on how well it meets these objectives--not just how entertaining the film is when you see it today. And, on this level the film is rousing--the sort of cheesy stuff the public loved. Technically speaking, this is a well-made B-movie--with slightly better acting and production values than you'd expect...but, of course, a silly story at times. Overall, fun but a bit dopey.
Le saviez-vous
- AnecdotesThe name on the crate the escapees were clinging to in San Francisco Bay is "H. Schlom". Herman Schlom is the film's producer.
- GaffesIn the film, Champ and Jimbo are depicted as being cellmates. At Alcatraz, the policy throughout the prison's entire twenty-nine year history was that each cell housed only one man. Nobody ever had a cellmate. After the 1946 Battle of Alcatraz rendered large portions of "C" Block uninhabitable, the affected convicts were either temporarily transferred to the unused and antiquated "A" Block or transferred to another prison entirely. This was solely due to maintain the one cell/one man rule.
- Citations
[first lines]
Champ Larkin: [voice over over shots of Alcatraz] You gotta admit, it's a pretty piece of masonry, that Alcatraz, but it never was a choice spot for a vacation, and this war soured the place but good. There it is, sticking up like a nose on your face right in the middle of San Francisco Harbor.
Champ Larkin: [voice over as the shot now switches to inmates inside] And there's us, sitting on top of the sweetest target on the west coast with no place to go if somebody decided to start dropping scrap iron. Eight hundred big time hoodlums waiting for it: pennies from heaven.
- ConnexionsReferenced in L'Amérique face à l'Holocauste: The Homeless, The Tempest-Tossed (1942-) (2022)
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- A siete millas de Alcatraz
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 134 549 $US (estimé)
- Durée1 heure 2 minutes
- Couleur
- Rapport de forme
- 1.37 : 1