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Qui perd gagne

Titre original : Rings on Her Fingers
  • 1942
  • Approved
  • 1h 26min
NOTE IMDb
6,6/10
1,2 k
MA NOTE
Henry Fonda and Gene Tierney in Qui perd gagne (1942)
Screwball ComedyComedyCrimeRomance

Ajouter une intrigue dans votre langueTwo con artists take a shopgirl under their wing, but she disrupts their marrying-for-money scheme by falling for a mathematician.Two con artists take a shopgirl under their wing, but she disrupts their marrying-for-money scheme by falling for a mathematician.Two con artists take a shopgirl under their wing, but she disrupts their marrying-for-money scheme by falling for a mathematician.

  • Réalisation
    • Rouben Mamoulian
  • Scénario
    • Ken Englund
    • Robert Pirosh
    • Joseph Schrank
  • Casting principal
    • Henry Fonda
    • Gene Tierney
    • Laird Cregar
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,6/10
    1,2 k
    MA NOTE
    • Réalisation
      • Rouben Mamoulian
    • Scénario
      • Ken Englund
      • Robert Pirosh
      • Joseph Schrank
    • Casting principal
      • Henry Fonda
      • Gene Tierney
      • Laird Cregar
    • 22avis d'utilisateurs
    • 9avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos41

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    Rôles principaux60

    Modifier
    Henry Fonda
    Henry Fonda
    • John Wheeler
    Gene Tierney
    Gene Tierney
    • Susan Miller…
    Laird Cregar
    Laird Cregar
    • Warren Worthington
    Shepperd Strudwick
    Shepperd Strudwick
    • Tod Fenwick
    • (as John Shepperd)
    Spring Byington
    Spring Byington
    • Mrs. Maybelle Worthington
    Frank Orth
    Frank Orth
    • Kellogg
    Henry Stephenson
    Henry Stephenson
    • Colonel Harry Prentiss
    Marjorie Gateson
    Marjorie Gateson
    • Mrs. Fenwick
    George Lessey
    George Lessey
    • Fenwick Sr.
    Iris Adrian
    Iris Adrian
    • Peggy
    Harry Hayden
    • Conductor
    Gwendolyn Logan
    • Miss Calahan
    Eric Wilton
    • Butler
    William 'Billy' Benedict
    William 'Billy' Benedict
    • Newsboy
    • (as Billy Benedict)
    Sarah Edwards
    Sarah Edwards
    • Mrs. Clancy
    Thurston Hall
    Thurston Hall
    • Mr. Harvey Beasley
    Clara Blandick
    Clara Blandick
    • Mrs. Beasley
    Charles C. Wilson
    Charles C. Wilson
    • Captain Hurley
    • (as Charles Wilson)
    • Réalisation
      • Rouben Mamoulian
    • Scénario
      • Ken Englund
      • Robert Pirosh
      • Joseph Schrank
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs22

    6,61.1K
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    Avis à la une

    7richmleone-1

    Funny Fonda

    Having seen Henry Fonda in many of his serious films like 12 Angry Men and Grapes of Wrath, it was quite surprising to see how funny he can in Rings on Her Fingers. He has a nice chemistry with his co-star Gene Tierney as the girl that falls for him. She's involved with a gang of con-artists but can't resist accountant Fonda's sweet natured charm. The plot gets out of hand when Tierney wants to return the stolen money to Fonda. Spring Byington, as Tierney's "mother" is always a pleasant addition to any movie. Playing one of the con-artists, her acting is a little tougher than the usual flighty dowager we've seen her portray before. There are some good laughs along the way especially the chase scene at the airport terminal.It you want to see Henry Fonda in one of his rare comedies this movie is hard to beat.
    7ilprofessore-1

    A pleasant surprise

    In 1941, a year after Fonda made "Grapes of Wrath" for Twentieth Century Fox', the studio loaned him out to Paramount Pictures for Preston Sturges' hugely successful "Lady Eve." That film gave Fonda a rare chance to play comedy, and he is particularly believable and appealing as the naive millionaire. Fox's head of production, Daryl Zanuck, saw the tremendous box-office potential in casting his dramatic star in similar roles, and a year later produced this pleasant ripoff of Sturges' premise: what would happen if a con-artist (in "Eve" Stanwyck, in this film Gene Tierney) fell for the man she'd conned. Tierney is as always very lovely and considerably less wooden than normal in the part of the reformed crook, but it is Fonda with his All-American Boy good looks who steals the show. Rouben Mamoulian, usually not associated with this sort of fluff, does an excellent job of directing.
    7ricardojorgeramalho

    Romantic but Boring

    Somewhere between a romantic comedy and a screwball comedy, Rings on Her Fingers has its funny moments, but it also manages to occasionally fall into a boring moralism. Gene Tierney is magnificent, but she deserved a bolder role, other than that of a teenager in love.

    Henry Fonda also seems ill-suited for comedy. It has never been his specialty, and the few times he succeeded, it was mainly due to the talent of his occasional partner (see The Lady Eve with Barbara Stanwick). Here, neither Tierney nor Fonda can pull each other off. Laird Cregar and Spring Byington are much more entertaining in the supporting roles.

    A story that had everything to be an excellent screwball comedy but, unfortunately, is nothing more than a not very inspired romantic comedy, despite the quality of the cast.
    7blanche-2

    A departure for Mamoulian

    Gene Tierney wants "Rings on Her Fingers" in this 1942 comedy starring Henry Fonda, Laird Cregar and Spring Byington. Tierney is a shopgirl drafted by Byington and Warren to help them con rich men out of their money. One of their marks is Fonda, with whom Tierney falls in love. Problems arise, and that's putting it mildly.

    Mamoulian loved scripts that contained characters with dual identities such as Dr. Jekyll and Mr. Hyde and The Mark of Zorro, so "Rings on Her Fingers" must have appealed to him. It has Tierney, a New York salesgirl posing as an heiress, Fonda, an accountant who at first gives the impression he's a rich man, Cregar, posing as a yacht owner, and Byington, posing as Tierney's wealthy mother.

    I liked this charming comedy, but I have to take issue with calling it screwball. It's played too straight. Fonda creates a wonderful character - a sincere, caring person who wants to live life in the present and not live as others - lock up their money and, in so doing, lock up their lives. His internalized approach to acting did not lend itself to comedy. Tierney is gorgeous, and a good actress, but comedy wasn't her thing. Picture the airport scenes with Irene Dunne and Cary Grant, and you get the point.

    Laird Cregar is wonderfully bombastic and funny as the conniver Warren - what a loss to filmdom that he died so young; and Spring Byington does a great job as his partner.

    Henry Fonda never forgave Darryl F. Zanuck for forcing him into a seven-year contract in order to do The Grapes of Wrath; though Mamoulian was a great director, I think Fonda probably felt misused here. Opposite a pro like Stanwyck, he fared in comedy much better. Tierney is lovely, though.

    Good film.
    6Lejink

    Take Hank to the bank

    Here's a light and frothy comedy with Henry Fonda repeating his "The Lady Eve" role as the rube being taken for his money by travelling confidence tricksters Laird Cregar and Spring Byington, plus their newly recruited honey-trapper Gene Tierney, fresh from the girdle section of a New York department store, lured by the exciting and seemingly glamorous life of wealth distribution, the dainty way Cregar describes the team's modus operandi of parting the rich from their money.

    The catch here is that Fonda this time isn't filthy rich at all, the boat-buying con he falls for relieves him of his hard-earned, mathematically calculated, life savings leaving him penniless, although his consolation is that he and his temptress Tierney fall hard for each other so much so that she surreptitiously tries to put things right for him. Naturally there's a reckoning to be had, which fortuitously comes about when Cregar & co. and their victim coincidentally end up under the same roof, to wit Fonda's millionaire bachelor buddy's place, who himself is set to be the next target for the travelling tricksters.

    While not hysterically funny, the film makes the most of its ever more unlikely situations and is nicely played by the four main leads. Fonda and Tierney combine well together as do Cregar and Byington. There are some amusing scenes, like when the young couple plod their way around a dance floor amongst some limbs-flying jitterbuggers, Fonda's "lucky" gambling streak at the casino and earlier when Fonda is distracted by Tierney in a bathing suit as he's trying to describe the dimensions of the boat he's seeking to buy.

    The ending seems a bit contrived bringing all the main characters together again with Fonda improbably stepping out of character to get his girl in the style of Cagney, but at least it all ends happily ever after as there's little doubt that even the thwarted Cregar and Byington will continue undiminished on their merry way, indeed, in my opinion, an extra finishing scene showing them hooking up with another aspirant young shop girl to do their bidding could easily have been tagged on to keep the circle unbroken.

    This wasn't the best screwball comedy I've seen and certainly Sturges and Hawks executed these farces a little more sharply and amusingly but this was still an engaging, pardon the pun, film to watch.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      When Laird Cregar asks who Gene Tierney, then serving in a shop, is, Spring Byington tartly remarks, "A shop-girl, of course. Who did you think she was--Brenda Frazier?" The very glamorous and wealthy Brenda Frazier was the most famous debutante of the 1930s.
    • Gaffes
      When John slides his roulette chips across the table to cash them in, other people's bets are corralled with them, yet no one complains.
    • Citations

      Susan Miller: Say, are you really millionaires?

      [Warren and Maybelle burst into laughter]

      Warren: Why?

      Susan Miller: Well, there seems to be something missing.

      Mrs. Maybelle Worthington: Just the millions, and they can't rule you out for a technicality.

      Warren: You see, nature played a little trick on us: we should have been born with blue blood, so we have devoted our entire life to correcting this... biological error.

      Susan Miller: What do you do? If you're not, what are you?

      Mrs. Maybelle Worthington: Well, we're sort of an excess profits tax. To criticize us would be unamerican.

      Warren: We are merely bees that take a little nectar from the flowers that have so much. And you too can have some.

    • Connexions
      Featured in AFI Life Achievement Award: A Tribute to Henry Fonda (1978)
    • Bandes originales
      Yo, Ho, Ho, and a Bottle of Rum
      (uncredited)

      Traditional

      Played and sung at the beginning

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    FAQ15

    • How long is Rings on Her Fingers?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 20 mars 1942 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Rings on Her Fingers
    • Lieux de tournage
      • Santa Catalina Island, Channel Islands, Californie, États-Unis
    • Société de production
      • Twentieth Century Fox
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 651 000 $US (estimé)
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 26 minutes
    • Couleur
      • Black and White
    • Rapport de forme
      • 1.37 : 1

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    Henry Fonda and Gene Tierney in Qui perd gagne (1942)
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    By what name was Qui perd gagne (1942) officially released in India in English?
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