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Gene Tierney wants "Rings on Her Fingers" in this 1942 comedy starring Henry Fonda, Laird Cregar and Spring Byington. Tierney is a shopgirl drafted by Byington and Warren to help them con rich men out of their money. One of their marks is Fonda, with whom Tierney falls in love. Problems arise, and that's putting it mildly.

Mamoulian loved scripts that contained characters with dual identities such as Dr. Jekyll and Mr. Hyde and The Mark of Zorro, so "Rings on Her Fingers" must have appealed to him. It has Tierney, a New York salesgirl posing as an heiress, Fonda, an accountant who at first gives the impression he's a rich man, Cregar, posing as a yacht owner, and Byington, posing as Tierney's wealthy mother.

I liked this charming comedy, but I have to take issue with calling it screwball. It's played too straight. Fonda creates a wonderful character - a sincere, caring person who wants to live life in the present and not live as others - lock up their money and, in so doing, lock up their lives. His internalized approach to acting did not lend itself to comedy. Tierney is gorgeous, and a good actress, but comedy wasn't her thing. Picture the airport scenes with Irene Dunne and Cary Grant, and you get the point.

Laird Cregar is wonderfully bombastic and funny as the conniver Warren - what a loss to filmdom that he died so young; and Spring Byington does a great job as his partner.

Henry Fonda never forgave Darryl F. Zanuck for forcing him into a seven-year contract in order to do The Grapes of Wrath; though Mamoulian was a great director, I think Fonda probably felt misused here. Opposite a pro like Stanwyck, he fared in comedy much better. Tierney is lovely, though.

Good film.

According to the Citadel Film series book The Films Of Henry Fonda, Rings On Her Fingers was the third of a three picture deal that Rouben Mamoulian had with 20th Century Fox. The other two films done in this package were the Tyrone Power classics, The Mark Of Zorro and Blood And Sand. Would that this film were light years as good as those two were.

Not that it's bad, but it's strictly second rate Mamoulian and definitely second rate Fonda. This was the period in Fonda's career where he had signed a studio contract to get the role in The Grapes Of Wrath and Darryl Zanuck would be forcing him into things that were second rate. This part that Fonda has here was a ripoff of what he did on loan to Paramount for The Lady Eve.

Fonda is once again the naive pigeon of some con artists played by Spring Byington and Laird Cregar. They're using Gene Tierney who is lured by the chance of easy money into their nest as the come on in a confidence game. The three rook Fonda out of his life savings, selling him a sailboat they don't own. They think Fonda has millions to spare, but unlike in The Lady Eve, Fonda is a clerk on holiday.

But he doesn't know Tierney was part of the gag and the two fall for each other. That however interferes with Cregar and Byington's plans to marry Tierney off to a real millionaire, Sheppard Strudwick.

Rings On Her Fingers is not a bad film, but Fonda who was doing mostly classic roles in The Male Animal and The Lady Eve on loan, back at his home studio was given parts that Zanuck's favorites Tyrone Power and Don Ameche passed on. Fonda hated those years at Fox, hated them more because he wanted to go in the service and Zanuck pulled all kinds of strings to keep him home.

Fonda played naive characters since his debut in The Farmer Takes A Wife and throughout his career before his war service tried desperately to avoid the typecasting. After Mister Roberts no one thought to cast him that way again, but in his early years it was a struggle to avoid it.

Best scenes in Rings On Her Fingers involve Fonda and Tierney at a gambling casino run by Henry Stephenson where things are fixed for him to win. Of course Fonda thinks he's found a mathematical formula and his recklessness increases.

Laird Cregar is good in a most undefined role as a con man. What a loss he was at such a young age.

Rings On Her Fingers belongs in the lower tier of Henry Fonda films though it does have its moments.

I have not seen Henry Fonda in very many forgettable performances but Henry Fonda's performance in Rings on Her Fingers, is one of his clunkers. The film stars the beautiful Gene Tierney who is a wholesome hard working girl named Susan Miller (alias Linda Worthington) selling girdles, until two scammers wave a bunch of greenbacks in her face to join them in suckering foolish and gullible men out of their hard earned money. One of the men these three (3) con artists decide to con is a wealthy young man named John Wheeler played by Henry Fonda.

The latter half of the film kind of reminded me of the many confusing and chaotic comedies that Abbott and Costello had so much success in making films in the same era of the 1940's decade. I guess I have a bit of a hard time appreciating Henry Fonda playing the sap who falls in love with his con artist girlfriend. When Gene Tierney whose alias is Linda Worthington is being chased by a private detective in the airport and the two men who both want to marry her are also present, Linda must stay on her toes to keep the two men apart from each other while either one is in her presence.

I just felt that this film could not decide if it wanted to be a crime film, or a comedy, romance or a drama? In the end it does not matter as it really is a forgettable film other than seeing the beautiful Gene Tierney in a bathing suit squirming around on a blanket trying to get Henry Fonda's attention.

I give it a 6 out of 10 rating

I stumbled across this movie on YouTube while trying to find something quick to watch that required little head thinking and I'm glad I did. It's a harmless, sometimes sweet, romantic comedy-crime story with a very good cast.

Two swindlers take Susan/Linda (Tierney), a girdle shop assistant who dreams of a life of glitz and glamour, under their wing and employ her for their money-grabbing schemes. Things get complicated when Susan/Linda falls for the small-time accountant John (Fonda) they are trying to con who parts with his life savings to impress her.

Fonda and Tierney's chemistry save this movie from becoming another unimaginative and dull comedy that relies on its star billing for top box office draws. Susan/Linda transforms herself from Brooklyn shop assistant to high society heiress with ease - cementing herself as the Grace Kelly of the 1940s. It is hard to believe she is only 21 years old in this movie. While he's no Cary Grant in the romantic comedy arena, Fonda plays the hapless and financially unsuccessful John perfectly who, like any man would, falls for Tierney in a heartbeat.

Although not a hit in its day and practically forgotten by today's audiences, "Rings on Her Fingers" is worth a watch for Fonda and Tierney's early comedic performances alone. They work well with the script and story they are dealt with.

Here's a light and frothy comedy with Henry Fonda repeating his "The Lady Eve" role as the rube being taken for his money by travelling confidence tricksters Laird Cregar and Spring Byington, plus their newly recruited honey-trapper Gene Tierney, fresh from the girdle section of a New York department store, lured by the exciting and seemingly glamorous life of wealth distribution, the dainty way Cregar describes the team's modus operandi of parting the rich from their money.

The catch here is that Fonda this time isn't filthy rich at all, the boat-buying con he falls for relieves him of his hard-earned, mathematically calculated, life savings leaving him penniless, although his consolation is that he and his temptress Tierney fall hard for each other so much so that she surreptitiously tries to put things right for him. Naturally there's a reckoning to be had, which fortuitously comes about when Cregar & co. and their victim coincidentally end up under the same roof, to wit Fonda's millionaire bachelor buddy's place, who himself is set to be the next target for the travelling tricksters.

While not hysterically funny, the film makes the most of its ever more unlikely situations and is nicely played by the four main leads. Fonda and Tierney combine well together as do Cregar and Byington. There are some amusing scenes, like when the young couple plod their way around a dance floor amongst some limbs-flying jitterbuggers, Fonda's "lucky" gambling streak at the casino and earlier when Fonda is distracted by Tierney in a bathing suit as he's trying to describe the dimensions of the boat he's seeking to buy.

The ending seems a bit contrived bringing all the main characters together again with Fonda improbably stepping out of character to get his girl in the style of Cagney, but at least it all ends happily ever after as there's little doubt that even the thwarted Cregar and Byington will continue undiminished on their merry way, indeed, in my opinion, an extra finishing scene showing them hooking up with another aspirant young shop girl to do their bidding could easily have been tagged on to keep the circle unbroken.

This wasn't the best screwball comedy I've seen and certainly Sturges and Hawks executed these farces a little more sharply and amusingly but this was still an engaging, pardon the pun, film to watch.