Prisonniers du passé

One of the most irretrievably romantic films ever made, Random Harvest is an absolute must for romantics of all ages. I'd agree that Ronald Colman is a bit too old for the early parts of the story, but that didn't stop him from giving a magnificent performance. And Greer Garson is every bit his match in a perfect role. However, if you possibly can, read James Hilton's amazing book first; the movie totally negates the important plot twist that makes the last page of the book such an incredibly emotional experience.

Normally, this kind of sentimental film does not appeal to me, but this work makes for an obvious exception. What a beautiful woman Greer Garson was, not just in appearance but also in poise and loveliness of personality with her warm and generous charm. This is a major achievement in movie-making, the likes we will never see again, and, believe me, that is tragic because as a society we are the worse for it as it states that something is lacking in us in general. Ronald Colman was the classic gentleman, a wonderful man whose acting brought out the best that is in all of us. This film was my mother's favorite and I can see why. This is truly a romantic film about two people torn apart by the mind, and yet with hope and faith the couple in love can never be separated forever if there is a will for one to protect the other from harm. What a wonderful and beautiful climax right at the end of the film when Greer Garson exclaims "Smithy" and Ronald Colman is bone-chilled as his mind recovers its memory of lost love when he replies with "Paula." Your heart should melt at this point and if it does not there is something seriously wrong with you as a human being.

...I rented this and now I'd like to own it. It's just plain wonderful.

Despite being endowed with a story by the redoubtable James Hilton, this film is carried by the sheer power of its two stars. Colman (as Smithy/Rainier) and Garson (as Paula/Margaret) are at their luminous best. While the story can seem a bit implausible with too much thought, it is presented with such great truth, sincerity, and momentum that the viewer is swept along effortlessly.

Like other Hilton books and their associated film translations (such as Lost Horizon and Goodbye, Mr. Chips), this movie has an exceptionally memorable and satisfying ending. I wanted to watch the ending over and over, but I'm glad that I resisted in this case - it helped me to retain the film in perspective.

The sad note is Susan Peters, who does a great job of essaying Rainier's young admirer. Peters was paralyzed in a hunting accident not long after this film, and her career and personal life never recovered.

If you've seen and liked the other Hilton adaptations mentioned above, as well as films such as Mrs. Miniver and The Talk of the Town, then you should not miss this. Close to a 10/10.

The weepie to end all weepies! The two leads are perfect, the plot twists and turns, and Hollywood 'England' has never looked more lovely.

I'm also fascinated by the opening, given that Coleman had been through WWI, and must have known people with bad shell-shock, even if he escaped it himself. (For a modern take, try Pat Barker's 'Regeneration' trilogy.)

I think one of the reasons this sort of film is so appealing, is because of it's now-dated attitudes to commitment and relationships - you just can't imagine this story (or for that matter Brief Encounter) working nowadays - the protagonists would have taken shortcuts.

But here's to the days when this was the way one behaved!

I've seen Random Harvest a number of times, but recently I watched it twice as part of TCM's Essentials series hosted by Sidney Pollack. This time I was inspired to read the James Hilton novel, Random Harvest, which I recommend to all lovers of the film. If you know the film, you won't get the little surprise at the end of the book -- you will know it already -- but it's still a most enjoyable and heartwarming read. You will see that Smithy/Charles Rainier is quite a young man at the beginning -- however, I did not find Ronald Colman too old in the role, he overcomes the age difference with his splendid performance. And he doesn't seem too old to play Charles Rainier, the prince of industry. I can't imagine another pair who could play the two romantic leads, Greer Garson is so radiant. And all of us who watch old films know that people did look more mature back then -- they looked like real adults! This is such a romantic film, everyone should see it. And Sidney Pollack was right not to remake it -- let well enough alone!