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Prelude to War

  • 1942
  • 12
  • 52min
NOTE IMDb
7,0/10
2,5 k
MA NOTE
Prelude to War (1942)
DocumentaireGuerre

La propagande officielle américaine pendant la Seconde Guerre mondiale exposant les principaux ennemis des Alliés et pourquoi ils doivent être combattus.La propagande officielle américaine pendant la Seconde Guerre mondiale exposant les principaux ennemis des Alliés et pourquoi ils doivent être combattus.La propagande officielle américaine pendant la Seconde Guerre mondiale exposant les principaux ennemis des Alliés et pourquoi ils doivent être combattus.

  • Réalisation
    • Frank Capra
    • Anatole Litvak
  • Scénario
    • Julius J. Epstein
    • Robert Heller
    • Williband Hentschel
  • Casting principal
    • Walter Huston
    • Victor Bulwer-Lytton
    • Kai-Shek Chiang
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,0/10
    2,5 k
    MA NOTE
    • Réalisation
      • Frank Capra
      • Anatole Litvak
    • Scénario
      • Julius J. Epstein
      • Robert Heller
      • Williband Hentschel
    • Casting principal
      • Walter Huston
      • Victor Bulwer-Lytton
      • Kai-Shek Chiang
    • 26avis d'utilisateurs
    • 4avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Récompensé par 1 Oscar
      • 5 victoires au total

    Photos

    Rôles principaux40

    Modifier
    Walter Huston
    Walter Huston
    • Narrator
    • (voix)
    • (non crédité)
    Victor Bulwer-Lytton
    • Self
    • (images d'archives)
    • (as Lord Lytton)
    Kai-Shek Chiang
    • Self
    • (images d'archives)
    • (as General Chaing Kai-Shek)
    Walter Darré
    • Self
    • (images d'archives)
    • (as Darré)
    Otto Dietrich
    • Self
    • (images d'archives)
    • (as Dietrich)
    Hans Frank
    Hans Frank
    • Self
    • (images d'archives)
    • (as Frank)
    Joseph Goebbels
    Joseph Goebbels
    • Self
    • (images d'archives)
    • (as Doctor Goebbels)
    Hermann Göring
    Hermann Göring
    • Self
    • (images d'archives)
    • (as Goring)
    Rudolf Hess
    Rudolf Hess
    • Self
    • (images d'archives)
    • (as Hess)
    Adolf Hitler
    Adolf Hitler
    • Self
    • (images d'archives)
    • (as Hitler)
    Saburo Kurusu
    • Self
    • (images d'archives)
    • (as Kurusu)
    Robert Ley
    • Self
    • (images d'archives)
    • (as Ley)
    Yôsuke Matsuoka
    • Self
    • (images d'archives)
    • (as Yosuke Matsuoka)
    Frank McCoy
    • Self
    • (images d'archives)
    Benito Mussolini
    Benito Mussolini
    • Self
    • (images d'archives)
    Puyi
    • Self
    • (images d'archives)
    • (as Henry Pu-yi)
    Fritz Reinhardt
    • Self
    • (images d'archives)
    • (as Reinhardt)
    Alfred Rosenberg
    Alfred Rosenberg
    • Self
    • (images d'archives)
    • (as Doctor Alfred Rosenberg)
    • Réalisation
      • Frank Capra
      • Anatole Litvak
    • Scénario
      • Julius J. Epstein
      • Robert Heller
      • Williband Hentschel
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs26

    7,02.5K
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    Avis à la une

    7gavin6942

    Propaganda!

    The official World War II US Government film statement defining the various enemies of the Allies and why they must be fought.

    In the two decades following World War I and the failure of the League of Nations, a spirit of isolationism became prevalent throughout the United States that persisted up to the attack on Pearl Harbor. The government needed to combat this feeling, and thus the birth of the modern American propaganda film.

    The film examines the differences between the U.S. and the fascist states of Benito Mussolini, Adolf Hitler and Yamamoto, portraying the latter countries working together as gangsters to conquer the world. In order to do this, Capra made use of footage from "Triumph of the Will", but with different narration designed to support the Allied cause.

    Although the goal was to get Americans unified for the war effort, it actually does this in a very welcoming way. Early on we see an appeal to people of different faiths -- including Muslims and Confucians -- that would seem very out of place today (2016). So, although this was a pro-war film, it was also very much a pro-melting pot film in its own way.
    8rvosa

    Very good to get an idea of perceptions at that time

    The series "Why we fight" was US government propaganda to explain to American soldiers, and later the public, why the US was involved in WWII. It is very interesting to watch, and a good way to learn what Americans thought (or were supposed to think) at the time - but on its own this series does not provide an accurate account of the war.

    Obviously, this was made before political correctness existed, and you can tell: there is talk of 'Japs', the Holocaust is largely ignored. Also, the movie is necessarily ambivalent about the Russian role, who were allies at the time. For example, the Molotov-Von Ribbentrop pact (especially the annex about the division of Eastern Europe) goes virtually unmentioned, and the Red Army's reasons for showing up in Eastern Poland are nebulous.

    On the other hand, the movies are quite detailed about the people involved, the various Nazi leaders and so on - who would have been household names at the time, but would probably be left out of present day WWII documentaries. Also interesting is that one of the reasons, apparently, why Nazism must be fought was their union busting - surely a reflection of the post-Depression Roosevelt era.

    All in all, well worth watching. I rate this highly both because it is essential viewing as an historical document, and because it is very well done propaganda (Frank Capra, animations by Disney)! Note that the US government has placed these movies in the public space, which means that perfectly legal, digital versions can be found on the internet.
    RussianPantyHog

    "If you ever meet them, don't hesitate".

    So says Walter Huston, speaking about Mussolini, Hirohito & Hitler. Prelude To War is the 1st in 7 information films collectively known as the Why We Fight series. Each film is a masterpiece and still, 60 years later, the benchmark of documentary film-making. This particular film shows how the Axis powers (Germany, Italy & Japan) destroyed freedom in their own countries and then set out to poison their youth and conquer the world. It shows why we MUST fight. I don't say "we" lightly. The movie is SO powerful that by the end I actually felt myself involved in the struggle. The film is beautifully narrated by 2 very unique voices who each bring a distinctive style and message. Walter Huston is the voice of experience, and Anthony Veiller's no-nonsense New York accent adds a sense of real urgency to what must be done. The various 'footage' clips are painstakingly collected to back up the narration and they really are chilling; particularly the shots of small children utterly brainwashed by the vicious poison of militarism. WE all know that good triumphed over evil, but it certainly was touch and go back then and this movie played a major role in showing American soldiers "Why We Fight". God bless them for their sacrifice. I bought the entire series on DVD and they are essential viewing.
    8st-shot

    Capra assembles powerful argument for getting involved.

    The first an probably the best of the US Government's Why We Fight Series due to its overview of Democracy's three enemies Nazi Germany, Fascist Italy and Imperial Japan as opposed to concentrating on one theatre of War in subsequent series entries. Hitler, Hirohito and Mussolini need little makeover to demonize as their words and actions vividly captured and powerfully edited show a world on the brink of annihilation as the three war machines ratchet things up in the thirties.

    Judged in hindsight Prelude packs vast amounts of information in its engrossing less than an hour running time about threats to the American way, soberly and effectively narrated by Walter Huston. Filled with charts and graphs it divides the planet in two ( the world of light and the world of darkness) as the iconic symbols of the axis powers advance across territories in black, inter cutting documentary footage of atrocity.

    Over 60 years after it was made this documentary about world wide life and death struggle remains compelling viewing as the universe still wrestles with massive conflict today. I can only imagine the massive emotional weight this film must have had on an American film audience as the conflagration still raged in 1943. To sit in a darkened theater suddenly illuminated by blast and explosion viewing visions of civilian slaughter in city streets like ours must have shaken audiences to the core. Frank Capra made some classic films in his day but he never made more important ones than the Why We Fight series.
    7a35362

    I enjoyed it

    I found this short film fascinating. It very clearly lays out to the "common man" the argument in favor of getting involved in WW II. Yes, the animation is crude by today's standards and the voice-over is melodramatic, but considering most people of fifty-odd years ago never got anywhere near a college campus and their lives stopped at the city limits of their hometowns, this film does a good job of spelling out what was going on around the world and what was at stake. The earnestness with which it is presented may be seen as campy today, but just imagine what it must have been like, trying to understand it all and trying to guess what it would mean to you and your family.

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    Centres d’intérêt connexes

    Dziga Vertov in L'Homme à la caméra (1929)
    Documentaire
    Frères d'armes (2001)
    Guerre

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      This film is in the public domain. As a work by Federal Government employees on behalf of the Federal Government, the film is by law ineligible for copyright protection and was released into the public domain at its creation.
    • Gaffes
      During the (silent) footage of Ethiopians shouting, the angry voices are actually shouting in Kiswahili: "Kwenda!" ("go:), etc. The principal language of Ethiopia is Amharic. Kiswahili (commonly known as "Swahili") is the main language of Kenya, Tanzania and Uganda.
    • Citations

      Narrator: [Last line] For this is what we are fighting: Freedom's oldest enemy, the passion of the few to rule the many. This isn't just a war. This is the common man's life and death struggle against those who would put him back into slavery. We lose it, and we lose everything. Our homes; the jobs we want to go back to; the books we read; the very food we eat. The hopes we have for our kids; the kids themselves. They won't be ours anymore. That's what's at stake. It's us or them! The chips are down. Two worlds stand against each other. One must die, one must live. One hundred seventy years of freedom decrees our answer.

      [Legend - not spoken]

      Narrator: "... victory of the democracies can only be complete with the utter defeat of the war machines of Germany and Japan." G.C. Marshall, Chief of Staff

    • Connexions
      Edited into The Road to War: Japan (1989)
    • Bandes originales
      The Star Spangled Banner
      (1814) (uncredited)

      Music by John Stafford Smith (1777)

      Played often in the score

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    FAQ15

    • How long is Why We Fight?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 27 mai 1942 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Langues
      • Anglais
      • Allemand
      • Italien
      • Japonais
      • Amharique
      • Russe
    • Aussi connu sous le nom de
      • Why We Fight
    • Sociétés de production
      • U.S. War Department
      • Academy of Motion Picture Arts and Sciences (AMPAS)
      • U.S. Army Special Service Division
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 52min
    • Couleur
      • Black and White
    • Mixage
      • Mono
    • Rapport de forme
      • 1.37 : 1

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