Ajouter une intrigue dans votre langueThe ignored wife of an industrialist hatches a plot to make him pay more attention to her.The ignored wife of an industrialist hatches a plot to make him pay more attention to her.The ignored wife of an industrialist hatches a plot to make him pay more attention to her.
- Réalisation
- Scénario
- Casting principal
William Hartnell
- Joseph
- (as Bill Hartnell)
Wallace Bosco
- Charles Mortimer's Butler
- (non crédité)
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Teri Mortimer (Anne Crawford) is tired of being neglected by her rich businessman husband Charlie (Donald Stewart). She feigns interest in the expensive Peterville Diamond, but he just writes a big check to keep her quiet. A jewel thief duo comes into the store and robs the place. Of course, they steal the Peterville Diamond. The diamond passes from one hand to another. Teri enjoyed her time with the suave thief Baron Redburn (Oliver Wakefield) and the attention of Charlie's new jealousy.
This is set up for a fun love triangle. It's a fun meet-cute with Teri and the thief. The constant double-dealing tries to be screwball fun, but it just muddies the waters. I want more time for Teri to banter with Redburn. I don't know if they could ever stay together especially considering the times. Maybe if Charlie is only a boyfriend.
This is set up for a fun love triangle. It's a fun meet-cute with Teri and the thief. The constant double-dealing tries to be screwball fun, but it just muddies the waters. I want more time for Teri to banter with Redburn. I don't know if they could ever stay together especially considering the times. Maybe if Charlie is only a boyfriend.
I rather enjoyed this movie. At first I balked at watching it because my screen guide described it as being "lackluster". Lackluster my nose! Nothing could be further from the truth. It's not lackluster at all. It's full of charm and wit and wacky moments. Some people complain that it's not very funny. Well, it's not supposed to be the Marx Brothers, folks. It's a caper movie with comedic elements mixed in along the way. And as such it's quite good.
I have to mention how beautifully lighted this movie is. It's delicious to look at. It was clearly lighted by an expert.
I'm not going to go over the plot, I detest doing that in my reviews. Impressions are what I like to give. And my overall impression of this movie was quite good. I might even add it into my collection. I might indeed.
I have to mention how beautifully lighted this movie is. It's delicious to look at. It was clearly lighted by an expert.
I'm not going to go over the plot, I detest doing that in my reviews. Impressions are what I like to give. And my overall impression of this movie was quite good. I might even add it into my collection. I might indeed.
Kudos to writers Gordon Wellesley and Brock Williams for supplying director Walter Forde with an unusually good comic screenplay. Yes, that's right -- I liked it. It reminded me of the Mozartean comic operas that go round and round in circles like a dog chasing its tail. After awhile you simply can't keep up with the implications of each of the plot's many twists and turns. But that's the verdict of the lazy spoon-fed audiences of today. The sharper audiences of Mozart's time had no trouble keeping up. What a refreshing bit of fun it was! The suave robber (in this case played scintillatingly by Oliver Wakefield) may be the cliché of clichés, but it's always a good time. The married woman (Anne Crawford) who gets caught up in the intrigue and displays second thoughts about her husband (the character goes back at least as far as Mrs. Ford in Shakespeare's "Merry Wives of Windsor") is here bestowed a decently delicious amount of ambiguity. Only the husband (Donald Stewart) seems a bit wooden. And the second tier characters are also as masterfully drawn as many in Shakespeare.
There are more famous Hollywood comedies of this type that get far more attention and aren't half as good as this little gem. My humble suggestion: Sit back and enjoy it!
There are more famous Hollywood comedies of this type that get far more attention and aren't half as good as this little gem. My humble suggestion: Sit back and enjoy it!
TCM is currently showing a slew of "forgotten" Teddington Studios films (which repeat next Monday), and this one is a template for any intrigue comedy. Black and white never look better in such low-budget parameters.
Who will hook up with whom? Who will be arrested? What will become of the diamonds and other stones (they call them "rocks" for Americanism)?
One note: the absurdly large corsages worn by the women at the lapel is a trend I should like to see reappear.
Jewel thieves and a laconic damsel entwine. The film is never dull, and very fast paced. O, that films today would learn from such minor gems! I am enjoying this feature and look forward to other Teddington productions via Warner Bros.
Who will hook up with whom? Who will be arrested? What will become of the diamonds and other stones (they call them "rocks" for Americanism)?
One note: the absurdly large corsages worn by the women at the lapel is a trend I should like to see reappear.
Jewel thieves and a laconic damsel entwine. The film is never dull, and very fast paced. O, that films today would learn from such minor gems! I am enjoying this feature and look forward to other Teddington productions via Warner Bros.
Aside from Felix Aylmer's appearance as the President of his South American country, I hadn't really heard of many of the cast of jobbing British actors drafted in for this amiable crime caper. High-roller "Mortimer" (Donald Stewart) is determined to close a big deal but is neglecting his increasingly bored wife "Teri" (Anne Crawford). Intent on getting his attention, she goes to an high-end jewellers where she has discovered the eponymous diamond is being sold. Now one of her husband's underlings has alerted his boss to her visit and once they are both there, things start to hot up! A robbery is afoot, and with the help of some rather potent perfume she is relieved of her new jewel and the police are soon on the case. Later that evening they attend a state dinner with the aforementioned president and it's there that they realise that their charming and debonaire robber is also in attendance - in the guise of an influential businessman. Can they retrieve the stone - and the state jewels that have also been pilfered - before this character makes good their escape? At times this borders on the farce, but it is pretty well executed with good timing and just a little more sophistication to keep the pot boiling. Certainly, it's twenty minutes too long and the ending stretches out the theme a bit too far, but for the most part it's an enjoyable outing for Crawford and for Charles Helsop as long-suffering aide "Dilfallow" that moves along with a bit of style and a decent pace.
Le saviez-vous
- AnecdotesThis film is a remake of the 1932 film, Jewel Robbery (1932) starring William Powell and Kay Francis.
- GaffesLady Margaret writes a note on her napkin and passes it to Teri, but the handwriting on the note that Teri reads is completely different from what Margaret wrote.
- Citations
Lady Margaret: Don't you realize Charles is only buying you this ring because he loves you?
Teri Mortimer: He's buying it because writing a check is less of a nuisance than making love.
- ConnexionsRemake of Jewel Robbery (1932)
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- El diamante de Peterville
- Lieux de tournage
- Warner Brothers First National Studios, Teddington Studios, Teddington, Middlesex, Angleterre, Royaume-Uni(Studio, owned by Warner Bros. 1931-43)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 25 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
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By what name was The Peterville Diamond (1943) officially released in Canada in English?
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