Nuit d'épouvante

During the 1940's decade, Universal Pictures attempted to continue making horror films as they did the previous decade but did try to re-invent and package them a bit differently. Their financial success never mirrored that of its earliest successes, but films like The Night Monster showed that they still had the wherewithal to make classic, good horror yarns. This film is different from most Universal horror films for a number of reasons. Yes, Bela Lugois and Lionel Atwill are in the film. Lugosi is yet again wasted playing a butler - a role I sometimes tire of seeing him relegated to for a man of his considerable talents. Atwill does better as a pompous(can he be any other way?) doctor called with two other doctors to the home of the rich man their medicine was not able to save - he was now paralyzed from the waist down. Ralph Morgan plays the crippled man hosting the doctors, another doctor called in by his sister who believes she is crazy, a hypnotist, and a couple of other servants who act and expect better than their positions might suggest. Swirling around this is a series of murders, secretive looks and discussions, and the sighting by several of a monster that comes out at night. The Night Monster is really more of a mystery than a true horror film though the eerie, foggy atmosphere helps convey significant menace. The story isn't really particularly hard to figure out, but all the actors do a very good job playing their roles. Bela is really wasted unfortunately. He certainly could have been better utilized. Atwill as always is very, very smart and clever as he delivers his dialog. Frank Reicher, of King Kong fame, gives a nice turn as a fellow doctor caught in some terrible plot. While maybe not one of Universal's brightest stars, The Night Monster is a good, entertaining film.

Universal made a great hit with this one due to the way the story is put together. This had to be one of the best "spooky house" films. The use of atmosphere in terms of foggy nights, shadows on the wall, creepy facial expressions (this is why "The Ring" was such a hit), creaky doors, puddles of blood, a skeleton materializing in a room, Bela Lugosi looking mysterious, frogs/crickets coming to a sudden silence, sinister residents of "The Towers" and more, make this one of the best shockers of the 1940s.

Ever spook yourself in a darkened room ? (Great fun!) Ever get spooked by inanimate objects in a room based on their shadows on the wall? (I used to have nightmares as a child (about 5 years of age) due to the wood patterns on a dresser that looked like ghoulish figures. My mother told me that I used to run high fevers as a child and this may account for it.) Not being a psychologist, I am not familiar with a lot of the theory underlying why this sort of thing happens, perhaps it is based on subliminal reactions to the unknown, but it is very simple to scare oneself by associating objects,shapes or shadows with some sort of subconscious fear. In any case, this movie does the same thing to an extent by creating an atmosphere of overwhelming dread by tuning to the subconscious anxieties (such as the proverbial "things that go bump in the night" ) which exist in all of us.

I am a great Bela Lugosi fan and even though he plays a red herring butler in this film, through the use of creepy facial expressions, he adds to the nightmare quality of this film. Some fans think he would have been better off in the Angar Singh role (as he played in another great film, "Night of Terror" 1933), but he is fine as the sinister butler this time. Lionel Atwill is also fun to watch. The ladies Fay Helm and Irene Harvey are great eye candy. In the last reel of the film, people are knocked off one by one until the film reaches a ghoulish climax (I won't give the ending away).

The film is similar to "Night of Terror" (1933) (one of my B-movie favorites) which is equally creepy and equally fun. The difference is that in "Night Monster", a supernatural element is added.

10/10.

Dan Basinger

Tho Bela Lugosi and Lionel Atwill are the big name draws here, they are in fact only supporting actors within the story. But don't let that detract from this being the entertaining murder mystery spooky house picture it is. Basically we are at a house in the South in the swamp region. It is the home of Kurt Ingston, a recluse who is wheelchair bound. Here on this evening are a number of doctors invited by Ingston, who start to be killed off one by one. So who is responsible? The butler {Lugosi}, the weird housekeeper, the chauffeur, the mentally ill daughter? Or could it have something to do with the mystical Agor Singh who has been teaching Ingston the fabled art of mind over matter? Either way the mystery holds tight throughout and nothing is ever quite as it seems.

For sure it's a Universal Pictures B movie, but it's the kind of effective creeper that gets in and does its job with the minimum of fuss. High on atmosphere and containing a ream of interesting characters, it's acted professionally and finishes on a high. It may not be "And Then There Were None", and those who wish to solve the mystery before the reveal will not find it hard to do so. But this is a decent entry in a lovely sub-genre of horror, so turn off the lights and listen out for those frogs. 6.5/10

Universal horror with Bela Lugosi playing a butler. He was always random to me, but I think I'm starting to like him. Mysterious murders are happening in a castle, the people get strangled, but there's a pool of blood near them. The big castlehouse is in a swamp. Best mist effect ever, pretty creepy. In the house live: paralyzed rich owner, his daughter who is treated by everyone like she's nuts but she might not be, always suspicious servants, while their guests are the tree doctors who saved and paralyzed the owner, the female psychiatrist invited by the daughter, horror story writer and later on a very charismatic and dryly humorous detective. But the most important guest is a mysterious Indian mystic played by the very handsome and charismatic actor Nils Asther, who can control matter on a cosmic particle level and materialize stuff like that. Supernatural whodunit. One maybe knows toward the end who did it, but not how. Alfred Hitchcock liked this movie a lot supposedly. The actors are all good, the atmosphere is good, never boring, shadow play is sometimes very good, always good and effective. the house interior is cool as it is. Of the actors I especially liked Ralph Morgan as the owner, Don Porter as the writer Dick Baldwin (it's funny because all Baldwins are dicks) i Nils Asther as Agor Singh. The latter is cool as he is, handsome, Porter is not really likable at first hand, but he's charming. Great film to watch at 2 am slightly drunk.

Crippled Kurt Ingston (Ralph Morgan) has no arms or legs despite the fact that three doctors tried to save him (from what is never said). He invites all three of them to his creepy estate and says there are no hard feelings...but then the doctors start getting killed and his house is full of suspicious characters.

I caught this on late night TV when I was a kid and remember being pleasurably spooked by it. It's nice to see it still holds up all these years later. First off don't let the top billing of Bela Lugosi and Lionel Atwill fool you--they're hardly in the movie. Lugosi is totally wasted as a sinister butler and Atwill chews the scenery but is gone halfway through the movie. Most of it deals with Morgan and various supporting characters. The good thing is all the supporting actors are interesting and well-acted especially by Leif Erickson as a lecherous chauffeur and Nils Asther as a sinister yogi. The direction is very good and the movie has a nice dark atmosphere. There's a VERY spooky scene where one of the doctors is approached by the killer. Another nice touch is all the frogs and animals in the swamp surrounding the estate go dead quiet when the killer appears. The sudden dead silence is more than a little unnerving. The final sequence when you find out who the killer is doesn't make a lot of sense but the movie is so good that you let that go. A low-budget horror from Universal that is exceptionally well-done. I give it an 8.