La blonde de mes rêves

After swooning for quite some time on his radio show about Madeline Carroll, the actress, enjoying the publicity, approached him about being a guest on his show. Hope suggested that instead, they do a film together. The result is the delightful "My Favorite Blonde" about a British spy, Carroll, trying to deliver a coded message to Los Angeles. Attempting to escape German agents, she barges into a theater dressing room inhabited by Hope, who is performing as straight man to a penguin.

Hope is a riot, with the wisecracks coming quickly throughout the film, and Carroll is a good leading lady for him - classy, serious, and the character she plays is game for anything to reach her goal. Gale Sondergaard has precious little to do - one wonders if her role was cut; Dooley Wilson has an unspoken bit on the train; and Bing Crosby directs Hope to a bus in one scene. Hope starts to walk away from him, stops, takes a beat and says to himself, "No. It couldn't be." There are other in jokes as well - Hope turns the radio to his own show and turns it off, commenting, "I can't stand that guy." As someone who was a young adult in the '60s, it wasn't kosher to like Bob Hope because of his politics, but I've always enjoyed his film performances. "My Favorite Blonde" is one of his best.

My Favorite Blonde is not just one of Hope's very best films, but an excellent introduction for new fans. Hope's usual roles were as a vaudevillian or radio comedian who finds himself having to reluctantly participate in some dangerous intrigue which is way over his head, and this movie shows the formula at its cleanest and most smoothly executed. Madeleine Carroll plays a British agent delivering a coded message who has run afoul of Nazis operating in the U.S., and Hope, a ne'er do well road company performer who does an act with a penguin, meets her on a train and bravely (well, sort of bravely) pitches in to keep her safe. The cloak and dagger nonsense on the train is a deft nod to Carroll's star-making turn in The 39 Steps, and this movie has much of that earlier film's energy. Carroll and Hope banter amusingly as they are chased across half of the U.S. The bright dialogue is the film's best feature and Hope's reluctant hero persona, introduced in The Cat and The Canary and Ghost Breakers, is a fully polished comic gem at the the film's center. The look of the film is very 'film noir' with looming shadows and danger on staircases and other now-familiar devices, but it still comes off as fresh entertainment even now. This one movie alone was enough to convince me that Hope is one of the great comic actors in all of movie history and this is an excellent showcase of what he could do. Also a must see for fans of the deliciously sinister Gale Sondergaard, here at something near her best.

Larry Haines is a vaudeville entertainer who's act involves a roller skating penguin. He becomes entangled in a war time plot when British agent Karen Bentley is forced to use him as cover to help her get American bomber plans into the right hands and keep it safe from the Nazis.

It's a shame that this film has eluded me until the great man himself has actually died, but it was to mark his passing that this film got screened on television recently. The plot is largely meaningless but is good natured and involving enough to keep the film moving along as a thriller of sorts. However it is really no more than a nail from which to hang a series of quips, one liners and wise cracks from Bob Hope. These are scripted well and the film manages to be very funny even more than half a century later.

Hope is at his best here as the cowardly, self-depreciating performer who is sucked into the plot with his trademark unwillingness. His lines are still sharp and his delivery here is as good as some of his best work. Madeline Carroll was never going to be able to share the limelight with Hope given that she has to carry the plot side of the film, however she does really well and has some laughs herself. The nazis fail to make a significant mark in the film and I struggle to remember them other than stooges even a short time after watching the film.

Regardless of this, the film should and will be enjoyed for it's main selling point – the wise cracking comedy of Bob Hope. This film seems to be forgotten against some of his other works but it is a fine example of the wisecracks, jokes and delivery that made Bob Hope famous years after he left show business and will keep him famous for many more years yet.

Pleasant comedy about a guy (Bob Hope) who has a vaudeville act with a penguin getting mixed up with a British secret agent (Madeleine Carroll). It's not the funniest comedy you ever saw but darned if it isn't one of the most likable. Hope and Carroll have nice chemistry and their banter is great. Lots of snappy lines. The villains are played by George Zucco and Gale Sondergaard. It's pretty much impossible to have a bad movie that features both Zucco and Sondergaard. Nice cameo from Bing Crosby. Very funny bit about halfway through between Edward Gargan and James Burke over who is really Mulrooney (watch and you'll see). It's a good comedy with a fun spy plot and a great cast.

This early wartime Bob Hope comedy is one of his best, and is from a time in the comedian's career when his movies hadn't become routine, and when his was a bit less buffoonish and incompetent than in his later efforts. Aided by the lovely Madeline Carroll, Bob is up to his neck in Nazi spies in this satire of Hitchcock-type thrillers, and the "straight" scenes are menacing enough to give the story real bite. The supporting cast is lively and eclectic, and includes George Zucco and Dooley Wilson. Gale Sondergaard is on hand, and as was so often the case in the forties she seems to be doing a send-up of Judith Anderson's malevolent Mrs. Danvers from Rebecca. She does it very well, but one wonders why this beautiful woman was never cast as a female lead. My Favorite Blonde is fast-paced and has some good lines from Hope regulars Frank Butler and Don Hartman. Watching this movie always makes me wonder why Hope's later films, which also tend to be spoofs, are so sloppy, since he is so much funnier and more effective in early vehicles like this one, which are played at least half-straight, and far better for it.