The Man Who Wouldn't Die

Lloyd Nolan is Michael Shayne, private detective in "The Man Who Wouldn't Die," a 1942 entry into this short series from Twentieth Century Fox.

A friend of Mike's, Catherine (Marjorie Weaver) gets him to pose as her husband while investigating a shooting at her family home. Her father (Paul Harvey) is in government and under investigation by the Senate, and one night, Anna is shot at. Mike finds plenty to investigate. He also has plenty to explain when Catherine's real husband shows up unexpectedly.

There's lots of humor and "dark stormy night" atmosphere in this neat programmer, which also features Henry Wilcoxon and Helen Reynolds as Anna, Catherine's stepmother.

Nolan is a delight as a singing, happy but very clever Shayne. I'm surprised that Marjorie Weaver didn't get further in her career, though by all accounts, she loved the career she had - she's very pretty and vivacious.

Very enjoyable.

I ended up catching this on the Movies!network-the digital TV channel broad-casted by a lot of fox affiliates. I thought it was a fun movie. Lloyd Nolan was great. I knew him more from his character bits on TV in the 1970s. I really enjoyed him in the McCloud episode of the western cowboys that rob an armored car. This movie had a nice mix between comedy and a nice if not ground breaking mystery story. Great chemistry between Nolan and his costar. I had not seen others in this series but would not mind checking it out. The style reminds a little of the Thin Man series or some of the better written Abbott and Costello movies (I always liked their two mystery type movies Who Done It and Meet The Killer Boris Karloff).

Detective Shayne helps out an old girlfriend, following some mysterious happenings at her family mansion.

That Gothic opening is a real grabber. So what's going on with guys that are digging a nighttime grave in the middle of a storm with a sinister mansion in the background. It takes the rest of the 60-minutes to find out. Speaking of spooky effects, there're also the two glowing eyes in the dark looming over an hysterical Cathy (Weaver). No wonder she screams bloody murder.

But these creepy effects, along with the ever-reliable Lloyd Nolan as Shayne are probably the best parts of a sometimes murky narrative. The whodunit part is treated rather casually; at the same time, maybe you can figure out the solution-- I got lost. But that's okay, because the Shayne series depended more on characters than mystery. Here, Nolan and Weaver spark the proceedings with some lively dialog, including some surprisingly suggestive bedroom banter. Include Olin Howland as the addled hayseed sheriff, plus an ambulatory corpse, and it all adds up to an entertaining, if unexceptional, series entry.

What a great old film. I am lucky enough to have found over the years a mint 16mm sound print an a very good vhs copy (Captain Bejoiu). The story starts out with a very mysterious burial scene on a cold windy nite. There is the "Old Forboding Mansion" and the usual cast of 20th Century stock players including Paul Harvey who is great as Dudly Wolfe. But as usual, Lloyd Nolan steals the show as Shayne with his whimsical irish humor and dapper acting. Marge Reynolds is great as his wife? With the reoccuring thunder storm as a backdrop and the "undead" body with glowing eyes trying to kill any and everyone in the house, it makes for a spine-tingling murder mystery that is as good as most of the sad new ones w/o the sex and overdone violence. 1942 appears to be one of the best years for movies in Hollywood. So many great features with outstanding character actors of the time. LeRoy Mason is great as the "undead" killer who stocks the remaining frightened guests and family at the Wolfe Mansion. If it shows up on Fox Movie Channel, do yourself a favor and watch it!

Any movie from the Michael Shayne Detective series can be counted on to deliver an enjoyable mystery story. In this film Lloyd Nolan once again delivers a good performance as he works to solve a murder which took place at the estate of a wealthy US Senator. Everything wraps-up neatly in about 65 minutes which means that there is no wasted time with boring sub plots or long talky scenes ala todays' crop of over hyped and over long releases. A good supporting cast helps Nolan turn this into a fine stylish film. Olin Howlin does a great job and provides just the right amount of restrained comic relief as the police chief. Enjoy