Espionne aux enchères

I loved this film. It's hard to get and/or see on TV these days, as many 40s films are. It stars, once again, the unbeatable combination of two of Paramount's top comedy stars, Ray Milland and Paulette Goddard. Goddard the gorgeous, I call her. She wears very luscious clothes and looks fantastic in them. The plot is mistaken identity and Paulette is the one who is being sought. She supposedly has plans of some sort of government secret tattooed in invisible ink on her back. The fun of the film is in all those villains attempting to get Goddard unrobed and catch a gander at the plans, as though that were what the audience was casting their eyes on. As in all screwball comedies, this has a happy ending with our hero and heroine swearing their love for each other in of all places, a turkish bath house.

Paulette Goddard is being posted to Lisbon, to assist ace newsman Ray Milland. Meanwhile, a gang of crooks have stolen some secret plans, and decided the best way to hide them is to tattoo them in invisible ink on Margaret Hayes' back. They also come up with the fiendish plan to convince everyone that Miss Hayes is Miss Goddard. This fails, so when Paulette gets to Lisbon, everyone thinks she is Miss Hayes, including spy masters Albert Dekker, Roland Young(!) and Cecil Kellaway(?).

Miss Goddard gets off a few wise cracks. Mr. Milland slugs Miss Hayes and the whole thing looks like someone wanted to make Sidney Lanfield eat crow, and so assigned him to this. I understand Buddy De Sylva was busy at this point trying to bring Preston Sturges to heel. He might have spent his time better on this production.

When the film begins, a lady is having top secret plans drawn onto her back using invisible ink. She is NOT tattooed despite what the summary says...trust me on this! The plan is to have this lady travel to neutral Lisbon in order to sell it to the highest bidder-- be it the Allies or the Nazis! As a cover, the plan is to have this evil woman pretend to be Sidney Royce, a news correspondent. To do this, they arrange to have the real Ms. Royce waylaid. However, this part of the plan is messed up when their agent is captured by American customs officials...and the real Royce (Paulette Goddard) ends up in Lisbon BEFORE the fake one arrives. Immediately, she is shocked--she's given a suite in the hotel and it's paid for AND soon agents approach her and start making seemingly unseemly remakes to her--telling her to take off her clothes and show them her back!! She thinks the British and Nazi officials are just dirty old men-- not realizing that they think she has these plans on her back! There's much, much more to the story and a bit of a romance with a handsome correspondent (Ray Milland). How will all this craziness end? See the film.

This movie is an interesting and enjoyable blend of comedy, suspense and romance. Unusual to say the least and the plot does work despite the crazy story idea about invisible ink on a woman's back! Well worth seeing. Excellent acting and just fun to watch.

Cub reporter Paulette Goddard is sent to Lisbon, where she is assigned to work under a fiery news service editor who has a reputation for scaring off one reporter after another. It's not too surprising when we see that said editor is Ray Milland; he is indeed a bit of a grump but—again not too surprising—before long he and his new reporter are working together fine.

The "plans" in the movie's title have been etched in invisible ink across the back of a spy whose original scheme called for her to usurp Goddard's place in the Lisbon hotel and then sell the plans to the highest bidder. Roland Young is lots of fun as a British agent dispatched to the hotel to acquire the plans; his counterpart is Albert Dekker, leading a gang of Nazis who must have the plans themselves. Of course, Goddard is confused and annoyed when her hotel neighbors immediately start asking to take a look at her back.

The plot is clever if nothing spectacular—it moves along fast and builds to a rather exciting climax involving a daring escape and a phone booth.

Also of note, I thought—this picture was made right toward the end of that two year period during which Europe was at war but the U.S. wasn't in it yet. Our heroes' sympathies are certainly with the Brits here, but the American patriotism isn't over the top; starting right about the time this movie hit the theaters—January of 1942— Hollywood movies took on a much more aggressive part in the war effort. The Nazis portrayed here are bad guys, but they're not quite as purely evil as they soon would be.

Overall, it's pleasant rather than profound. Milland and Goddard make a good team, and they both look great too.

This is a rather weird spy thriller comedy with a lot of confusion into it, and not until towards the end the actions begin to make some sense and be interesting. Ray Milland and Paulette Goddard are always good and reliable as actors, they seldom disappointed any audience, and without them the film would have been nothing. Roland Young adds to the comedy, he is always an amusing success, but for the story, it is far-fetched and nonsensical and as far from any hint at realism as any constructed fiction yarn about spying could be. The finale is great, but before that there are just a tremendous lot of confusing loose ends of intrigue that stink of being just constructed to make some entertainment.