Crimes sans châtiment

Henry Bellamann's account of small town life at the turn of the twentieth century, with its central themes of incest, suicide, religious fanaticism, homosexuality, euthanasia and sadism (among other less controversial topics), assured its best seller status when the book was first published in 1940. When Warner Brothers released its film version two years later, much of the story's sensational content was altered or eliminated entirely and yet the movie remained surprisingly compelling. The first part of the film concerns itself primarily with Parris Mitchell (Robert Cummings), the sensitive and idealistic doctor-in-training, and his volatile relationship with his childhood sweetheart, Cassie (played by Betty Field), and it's less successful because of the films inability to deal honestly with the demons that haunt Cassie. (The revelation that Cassie is being molested by her father is jettisoned completely and the movie, instead, settles for the explanation that Cassie is mentally ill. The frantic and desperate interludes that Parris and Cassie share, however, fevered by a kind of histrionic intensity, don't make much sense within this context and the viewer is left feeling somewhat bewildered by it all). The second part of the film, which focuses on the other major love story, that of Parris' best friend Drake (Ronald Reagan) and Randy (Ann Sheridan), the poor girl from the wrong side of the tracks, is more faithful to Bellamann's novel and altogether more satisfying. There is also a fascinating subplot, involving Drake's abandoned sweetheart, Louise (Nancy Coleman), that helps to sustain the film and propel the movie to its dynamic conclusion. Though Cummings, as Parris, is bland and overly-sincere, the movie contains what is considered to be Ronald Reagan's finest screen performance (not that the competition had been that keen) and Ann Sheridan is an immensely warm and lovely presence. The film belongs, however, to it's amazing supporting cast, comprised of some of Hollywood's finest character players: Betty Field, touching as the frightened and disturbed Cassie; the wonderful Claude Rains, beautifully underplaying as Cassie's sad, troubled father; Maria Ouspenskaya, characteristically cast as Parris' wise and loving grandmother; and, in particular, Nancy Coleman as the hysterical Louise, the sexually repressed daughter of religious fanatics (Charles Coburn and Judith Anderson). The memorable score, by Erich Wolfgang Korngold, adds immeasurably to the mood.

Kings Row in my opinion is one of the greatest motion pictures ever made. Why it wasn't it on the American Film Institutes 100 films of all time is beyond me and another weird thing why wasn't its star the beautiful and talented Ann Sheridan among their greatest stars of all time is another crime. Ronald Reagan gives the performance of his entire career. The rest of the cast is first-rate as well. Robert Cummings is good but is the weakest character for me. Betty Field is very good in her small part. The supporting cast which includes Charles Coburn, Claude Rains, Maria Ouspenkaya and Kaaren Verne are all sensational. The music and the cinematography are incredible. Sam Wood directed a truly Gothic melodrama. The black and white photography is so gloriously rich. I am waiting anxiously for this to come out on DVD. In 1942 this film should have gotten a lot of nominations and won some. Best picture, actor, actress, director, supporting actor, supporting actress and screenplay and also cinematography and musical score. I think it did actually get a best picture nomination come to think of it. If you never saw this film, you must look out for it and Ann Sheridan in her finest hour.

Sometimes melodramatic but otherwise engaging adaptation of popular novel tracks the lives of a group of friends in a small town from childhood to adulthood, as they cope with life's challenges. There are good performances from Cummings as an earnest fellow who wants to become a doctor, Field as a mysterious young woman he loves, Rains as her domineering father, Reagan, in his finest role, as Cummings' best friend, and the radiant Sheridan as the former tomboy from the wrong side of the tracks who loves Reagan. Well directed by Wood, helped by the top-notch cinematography (Howe) and score (Korngold). It beautifully captures the feel of a small town around the turn of the 20th century.

The absolute best picture that Ronald Reagan ever made. Why wasn't he given better film roles after his impressive performance as Drake McHugh? Ditto for Bob Cummings. So sad to realize seeing both of them in the scenes of this picture, young and charming. Unfortunately, both fell victim to Alzheimer's Disease.

The picture is first rate. 1942 seemed to be a big year that Hollywood spoke about mental illness. Claude Rains also starred in "Now, Voyager" that dealt with Bette Davis's breakdown following a regimented life with a tormenting mother.

"Kings Row" deals with schizophrenia. Betty Field did an outstanding job as the doomed Cassie.

The film also deals with a sadistic surgeon played by Charles Coburn, in a terrific brief dramatic performance. As his wife, Judith Anderson was at her usual eerie self.

There are so many themes in this film. We see the class differences among Drake, Dr. Mitchell (Cummings) and in a terrific performance, Ann Sheridan as a girl from the wrong side of the tracks that shows her devotion to Drake when he has a series of unbelievable misfortunes befall him.

Drake's line "Where's the rest of me," when he awakes to find that his legs have been amputated is unforgettable.

"Kings Row" was nominated for best picture in 1942. It would take a classic such as "Mrs. Miniver" to have beaten it out.

Besides providing Ronald Reagan with his career role and the title of his pre-presidential autobiography, Kings Row is a finely crafted piece of film making by director Sam Wood. The film got Oscar nominations for Best Picture, Best Director and Best black and white Cinematography for James Wong Howe.

Incredibly though, the rich musical score that Erich Wolfgang Korngold did was overlooked by the Academy. That's the thing you will take away from watching the film, even more so than Ronald Reagan's anguished cry of 'where's the rest of me'.

The story takes place at the turn of the last century with an interlude of ten years from 1890 to 1900 where we see the leads as children first and then as adults. Despite Ronald Reagan getting all the notice here, he's actually third billed in the cast. Above him are Ann Sheridan and Robert Cummings and it's really the Cummings character whom the film is centered around.

King's Row is the town these folks inhabit, purportedly based on Fulton Missouri, the hometown of author Henry Bellamann. This may be set in Missouri, but don't expect no Tom Sawyer like story. If in fact the novel is based on Bellamann's experiences growing up, he must have had one Gothic childhood.

Sam Wood assembled an incredible cast of supporting players, like Claude Rains, Judith Anderson, Charles Coburn, Harry Davenport, Minor Watson, Nancy Coleman, and Kaaren Verne. Coburn and Anderson are the parents of Coleman and they don't like the fact she's keeping company with Reagan who's playing the entire Kings Row field. In addition Coburn is a doctor who is also a sadist, he does things like perform operations without use of anesthetic. I'm sure he had heard of Dr. Morton and his successful use of ether by this time.

The best in the cast though is Claude Rains, something he usually was in a lot of films. He's another doctor, totally different from Coburn. He's a famous medical practitioner who has chosen to hide himself away in this small and obscure town. He's got a wife who never comes out and a daughter who grows up to be Betty Field who is suddenly and abruptly taken out of school as a child. It's with him who Robert Cummings studies medicine with to pass the examination and go to school in Europe to become a doctor.

Rains's tragic story is what sets in motion the rest of the story that climaxes with Reagan's anguished cry. Rains creates such a mysterious and sad air about him that you think about him more than anyone else in the movie.

Kings Row begs comparison to Our Town which is partly set in the generation where the Cummings, Field, Reagan, and Sheridan characters all grow up. Grover's Corners has its share of tragedies as well as happy times.

Kings Row and Our Town should be run back to back in order to see what I'm referring to. It's not a bad double bill, in fact quite a literate one.