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IMDbPro

Le Témoin disparu

Titre original : Just Off Broadway
  • 1942
  • Approved
  • 1h 5min
NOTE IMDb
6,1/10
363
MA NOTE
Lloyd Nolan and Marjorie Weaver in Le Témoin disparu (1942)
ActionComédieCriminalitéDrameMystèreRomanceThriller

Ajouter une intrigue dans votre languePrivate detective Michael Shayne is serving on jury trying Lillian Hubbard for the murder of Harley Forsythe. A witness is killed, Shayne investigates, leading to nightclub singer Rita Darli... Tout lirePrivate detective Michael Shayne is serving on jury trying Lillian Hubbard for the murder of Harley Forsythe. A witness is killed, Shayne investigates, leading to nightclub singer Rita Darling and club owner George Dolphin as suspects.Private detective Michael Shayne is serving on jury trying Lillian Hubbard for the murder of Harley Forsythe. A witness is killed, Shayne investigates, leading to nightclub singer Rita Darling and club owner George Dolphin as suspects.

  • Réalisation
    • Herbert I. Leeds
  • Scénario
    • Brett Halliday
    • Arnaud d'Usseau
    • Jo Eisinger
  • Casting principal
    • Lloyd Nolan
    • Marjorie Weaver
    • Phil Silvers
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,1/10
    363
    MA NOTE
    • Réalisation
      • Herbert I. Leeds
    • Scénario
      • Brett Halliday
      • Arnaud d'Usseau
      • Jo Eisinger
    • Casting principal
      • Lloyd Nolan
      • Marjorie Weaver
      • Phil Silvers
    • 13avis d'utilisateurs
    • 8avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos2

    Voir l'affiche
    Voir l'affiche

    Rôles principaux61

    Modifier
    Lloyd Nolan
    Lloyd Nolan
    • Michael Shayne
    Marjorie Weaver
    Marjorie Weaver
    • Judy Taylor
    Phil Silvers
    Phil Silvers
    • Roy Higgins
    Janis Carter
    Janis Carter
    • Lillian Hubbard
    Richard Derr
    Richard Derr
    • John Logan
    Joan Valerie
    Joan Valerie
    • Rita Darling
    Don Costello
    Don Costello
    • George Dolphin
    Chester Clute
    Chester Clute
    • Sperty
    Francis Pierlot
    Francis Pierlot
    • Sidney Arno
    Grant Richards
    Grant Richards
    • John F. McGonagle - Asst. District Attorney
    George M. Carleton
    George M. Carleton
    • Judge Robert Walters
    Alexander Lockwood
    • Edmond Telmachio
    William Haade
    William Haade
    • Warehouse Watchman
    Leyland Hodgson
    Leyland Hodgson
    • Henry Randolph
    Oscar O'Shea
    Oscar O'Shea
    • Pop
    Ernie Alexander
    • Newsboy
    • (non crédité)
    Jack Baker
    • Newsboy
    • (non crédité)
    Brandon Beach
    • Reporter
    • (non crédité)
    • Réalisation
      • Herbert I. Leeds
    • Scénario
      • Brett Halliday
      • Arnaud d'Usseau
      • Jo Eisinger
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs13

    6,1363
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    Avis à la une

    dougdoepke

    Okay Entry, but Stay Away from the Flying Knives

    Okay entry in Michael Shayne series. Mike works to clear innocent woman Hubbard (Carter) from a murder charge. And catch that sudden knife toss across a packed courtroom. The victim could have cleared Hubbard, but no longer. Now Mike's got to really dig, with the help (sort of) of spunky girl reporter Taylor (Weaver). Adding real spark is the inimitable Phil Silvers in an early role as a big personality photographer. Seems to me that Nolan's more subdued than usual, but he's always a strong presence anyway.

    The storyline is pretty packed so you may need a scorecard to keep up with dolphin pins and custom made knives. Speaking of sharp edges, how did production finesse Telmachio's knife throwing act. I can't see them really letting a girl's live edges serve as the thrower's target. Oh well, it is well done, however they did it. Still, I had trouble telling Weaver and Carter apart since they're almost look-alikes —was that intentional, I wonder. Also, take a look at the huge windowless walls of the supposed warehouse that appears about halfway through. From their looks I'll bet they're outside walls of TCF soundstages. If so, the cast didn't have far to go. All in all, the 60- minutes remains an average entry in the often delightful Shayne series. And should you happen to miss a favorite Perry Mason, then give this courtroom drama a look-see.
    6blanche-2

    an entry into the Michael Shayne series

    A woman (Janis Carter) is on trial for murder. A witness is killed by a knife flung at him in court; detective Michael Shayne (Lloyd Nolan) is on the jury and jumps into the fray. Crawling on the floor, he grabs the knife from under a table and drives it under the top.

    Shayne knows the defendant is innocent and is determined to prove it. After drugging his fellow juror roommate, he takes off down the fire escape and goes back to court to retrieve the knife. A reporter (Marjorie Weaver) beats him to it and wants in on the story.

    The Michael Shayne films from 20th Century Fox were a series of Bs starring Lloyd Nolan. They're short, light, quick-moving, and fun, with a good performances by Nolan and Weaver in the usual relationship between detective and competitive female reporter we see so often.

    This is a very 40s film, with talk of ration cards and killing the Japanese.
    6utgard14

    "Say what's the idea of the fifth column work?"

    Michael Shayne is serving on a jury when a key witness is murdered in front of everybody by a mysterious knife thrower. Despite the jurors being sequestered in a hotel, Shayne manages to sneak out to investigate. A decent B detective movie with a nice mystery and healthy dose of comedy. Lloyd Nolan is perfect in the role of Shayne and always a treat to watch. A trio of lovely starlets in this one: Janis Carter, Marjorie Weaver, and Joan Valerie. All three are pretty but Weaver has the best part as the reporter helping Shayne investigate. Good chemistry between her and Nolan. The rest of the cast includes Phil Silvers, Don Costello, and Richard Derr. Not one of the best of the series but a fine time-passer.
    3scsu1975

    Jury malpractice

    Misfire, with Lloyd Nolan as the Michael Shayne character. In this entry, Nolan is serving on a jury in a murder trial. A witness is knifed while testifying, so Nolan immediately jumps out of the jury box and hides the knife under a table. I'm no legal expert, but I think this qualifies as either suppressing evidence or obstruction of justice.

    It gets worse. Nolan figures out who killed the witness ... some professional knife-thrower guy named "Shiverino," or something similar. Nolan tracks down the guy to a warehouse, and breaks in (I think that is also illegal). Then the guy turns up dead. In trying to escape, Nolan slugs a security guard (sounds like assault and battery to me). In the courtroom finale, Nolan, still acting as a juror, is allowed to call and question witnesses. Then he sums up the case, Charlie Chan-style, but you need a scorecard to figure out who did what to whom and where. Justice is served, somewhat, as Nolan gets a short jail term for contempt of court. The screenwriters should have gotten the electric chair.

    This film is not even amusing. Nolan comes off as irritating, which is too bad, since I like him. Marjorie Weaver, who plays a reporter, aids and abets Nolan. Phil Silvers is barely funny as a newspaper photographer. Janis Carter, a lovely B-movie gal, is completely wasted as the defendant. She has little screen time, and only has a few lines near the end of the film. The fight and chase scenes are shown at high speed, in an early attempt at Cinema de Benny Hill.

    Joan Valerie sings (or lip-syncs) "It Happened, It's Over, Let's Forget It." Sound advice.
    5bkoganbing

    Murder in the court

    Just Off Broadway an entry in the Michael Shayne film series has Lloyd Nolan sitting on a jury in a murder case where the beautiful Janis Carter is on trial for killing her fiance. How given his line of work he got on a jury is beyond me, but there he is.

    Things really get interesting when a witness tesitfying is killed with a thrown knife from the rear of the courtroom. Why the cops also can't come to the conclusion that only an expert could have made such a throw is also beyond me.

    Not particularly happy with how the defense is going Nolan when sequestered for the evening sneaks out and with Lois Lane like reporter Marjorie Weaver and in a few hours he gathers what evidence he needs to unmask the real killer.

    In terms of the criminal justice system this is all patent nonsense. But Nolan and the rest of the cast keep the nonsense moving along quite nicely with some snappy dialog. You won't believe who the real killer is.

    Phil Silvers abrasive comic style is put to good use as a nosy news photographer Nolan and Weaver have to keep dodging.

    In the end no good deed goes unpunished for Michael Shayne. Watch and see what I mean.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The $150 that the paper offers Higgins(Phil Silvers) for the photo he takes of Michael Shayne would be $2,885 in 2024,
    • Gaffes
      In this film everything seems to be open through the night and everybody is fully dressed in business attire at all hours. The jeweler is one such person. He is fully dressed, coat and tie, after 1 am (the viewer knows this as in the preceding scene Higgins tells Morrison his photo of Shayne was taken at 1 am). Apparently in this world no one disrobes and goes to bed at night, not even late at night. In an earlier scene there is even a tour of Chinatown at what must have been close to midnight.
    • Connexions
      Followed by Time to Kill (1942)
    • Bandes originales
      It Happened, It's Over, Let's Forget It
      (uncredited)

      Music by Ralph Rainger

      Lyrics by Leo Robin

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    Détails

    Modifier
    • Date de sortie
      • 25 septembre 1942 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Site officiel
      • Streaming on "videoGR8" YouTube Channel
    • Langues
      • Français
      • Anglais
    • Aussi connu sous le nom de
      • Just Off Broadway
    • Lieux de tournage
      • 20th Century Fox Studios - 10201 Pico Blvd., Century City, Los Angeles, Californie, États-Unis(Studio)
    • Société de production
      • Twentieth Century Fox
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 5min(65 min)
    • Couleur
      • Black and White
    • Rapport de forme
      • 1.37 : 1

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