Ceux qui servent en mer

"In Which We Serve" is more than a story told for propaganda effect about naval heroism and based on Mountbatten's wartime experiences. As the English film critic Barry Norman has put it: "Aboard Coward's fictional HMS Torrin there existed forties British society in microcosm. Here everybody knew his place... The one thing they all had in common was the knowledge that each of them, high or low, was expected to show unswerving loyalty and devotion to duty". The relationships between the men on HMS Torrin and the lives they lead at sea and at home (told through flashbacks) portray a wartime society ordered by class and intentionally defined by the traditional British virtues of duty and sacrifice. It is a society in which understatement and the stiff upper lip reign supreme. Emotions go largely unspoken. They simmer under the surface of the screen in the silences and in the flickering effort of concealment on the faces of the major characters. Personal suffering is borne with quiet forbearance, in the knowledge that it is borne in the service of a higher cause and that to bear it stoically is to set the right example to others. When the ship's chief petty officer is told of the death of his wife and mother in law in the blitz he first congratulates the sailor who brings him the news for becoming a father before going up on deck to bear his grief alone. The clipped style of speech of Captain Kinross played by Coward himself and the slightly shrill upper class accent of his wife played by Celia Johnson heighten the sense of feelings being stripped away from the words. Their conversation is a caricature of communication - the protagonists performing their dialogue in a choreographed ritual. Real communication is only hinted at - the underlying pain understood but never expressed. In "In Which We Serve" the captain and his wife are the models to which other men and women must aspire - in monologues they define the notions of duty and sacrifice to which each sex is bound. Both put duty before the pursuit of personal happiness (a theme David Lean and Coward return to in Brief Encounter). When the Captain talks of the need for a happy ship he is not referring to the right of individuals expressed in the Declaration of Independence. Here happiness is a collective duty in the interests of efficiency.

For the men and women in Coward's vision HMS Torrin is much more than a ship - it is personified as the object of their devotion and jealousy. Above all it is a powerful symbol of the qualities and traditions that unite and must protect their vulnerable island at war. Outdated though this vision may be - part of a world left far behind through post-war socio-economic development and emancipation - it is nevertheless a compelling and entirely consistent vision which ensures the film retains a certain appeal to audiences even today and is a major reason why it can still be so highly rated as a piece of British cinema history.

When "In Which We Serve" was made in 1942, England was in the midst of its finest hour. We see a film of honor, devotion, and loyalty to the realm.

It is basically the story of a boat being torpedoed and the flashbacks of 3 sailors aboard the doomed wreckage.

Noel Coward, a brilliant talent, did not perform well here. His scenes with his children appear awkward and he is unusually cold towards them. While a war is going on, that strong sentiment of a loving friendly tie is missing.

Kudos go to Celia Johnson, as Alix, his wife in the film. She states in a memorable way that in the navy, devotion to the ship comes first. John Mills is also effective as a navy man. In a heart-wrenching scene, he must tell a fellow shipman that his wife and mother-in-law have been killed in the blitz.

The ending is poignantly done. A tear will come to the eye as Coward says goodbye to those who survived the torpedoed ship.

A film of valor and of the human spirit. England was certainly at its finest hour.

Superb and brooding movie , though stiff-upper-lipping at times ; dealing with the brave men on a British fighting ship told through flashback . This "story of a warship", the British destroyer H. M. S. Torrin that is sunk during the battle of Crete , being told in flashbacks by survivors as they cling to a life raft . The greatest picture you've ever seen ! . Noel Coward's Academy Award Winner! . The Greatest Motion Picture Of Our Time! It stands alone - The Greatest Of All Motion Pictures! You'll Never Forget...In Which We Serve . Chosen by the critics as the year's best film ! Dedicated to every woman with a man in service! The year's greatest picture is dedicated to love.. The throbbing emotion of a million wartime romances ! You'll add your name to this list of people who say ¨This is the finest human drama of our time¨.

Inspiring and expertly-scripted jingoist-war drama capturing faithfully the spirit of the British Navy during WWII . A splendid picture with an emphasis on realism that was unusual in other patriotic , flagwaver films . At the time considered to be the greatest human drama of war filmed in which Noel Coward directed and Lean watched and assisted the finished movie together . Unlike several WW2 this unforgettable picture doesn't date one bit , and remaining , nowadays , its deep sentiment and agreeable message . The first Brit movie to depict a naval war in all its grim reality , it proved the country's top moneymaker in the year its premiere . Noel Coward himself gives his best screen acting in the lead , likewise it revived the career of the young John Mills by casting him as a sympathetic and sensitive sailor . Adding other great English actors , such as : Michael Wilding , Kay Walsh , Bernard Miles, James Donald , Philip Friend, Walter Fitzgerald and as narrator : Leslie Howard . As well as film debuts of Richard Attenborough , Celia Johnson , Daniel Massey and John Mills' daughter : infant Juliet Mills .

This masterpiece motion picture was compellingly written , co-directed and scored by co-star Noel Coward who was given a special Academy Award for his outstanding production achievement and being Lean's first directing credit . Of course , In Which We Serve (1942) got a big hit in the year its release in England and all around the world . With the onset of World War II Noel Coward and David Lean redefined the spirit of the country in films such as "This Happy Breed" (1944), "In Which We Serve" (1942), Blithe Spirit (1945) and, perhaps most memorably, "Brief encounter" (1945). Rating : 7/10 . Well worth watching . Essential and indispensable seeing for British classic films enthusiasts.

In Which We Serve (1942)

A curiously different and really moving film about World War II, directed by two top British talents, Noel Coward and David Lean. It's filmed in the thick of the actual naval war and so might be unofficially called a propaganda film. (Though not made by the government, there was a lot of influence and assistance.). It clearly has a sense of presenting the British war effort at its best. But it's also complicated, filled with sadness alongside heroism and, perhaps most of all, selflessness. Both by soldiers and by their women left behind. The war in 1942 was not looking great for the Brits.

Coward co-directs but also is the leading man, and he's an established actor from both film and stage at this point. Lean, whose huge career as a director is all ahead of him, is in charge of the action sequences and this is his first attempt at directing--for which he won awards. If there is a sentimental side to some of the Coward directed scenes it's partly because of when it was shot. Try to imagine the audience suffering from bombings and having their loved ones in battle. We see it now with very different eyes.

In fact, it is hard to imagine how a wife or mother could watch this at all. The basic structure is that the ship goes out to sea with a bunch of men and then disaster strikes, and the rest of the movie is a series of flashbacks to the home lives of the men, and to the women who are dreading seeing their men go off to sea. It's actually about the very sadness of the people sitting in the audience.

The filming is rather different between the two directors. Coward understands a traditional kind of culture well, with conversation and interpersonal nuance. Lean captures a more direct emotional energy, and lots of vivid action. Normally two directors means problems, but here it's divided naturally.

Eventually the movie wears its formula, back and forth with flashbacks, pretty hard. But it's so well done you don't much mind. An emotional, finely seen movie, and surprisingly valid even now.

A flag waver for the British navy (‘the story of a ship') in which we meet rough representatives of the three classes (upper, middle, working) brought together by circumstance and service.

The working classes are represented by John Mills and Kay Walsh, who marry quietly during a leave and go to their honeymoon on a train. Mills plays a good sort, reliable, the usual depiction of the honest working Joe. Slightly above them in class (with a garden and refined accents) are Bernard Miles and Joyce Carey, both very fine performances. The top of the scale is naturally Noel Coward (who wrote, co-directed, and produced this) and Celia Johnson, with their luncheon parties and their two affected children (one is the actor Daniel Massey, then a little child).

By weaving the stories of all three together we do go some way to understanding the (fictional) mind-set of the man at war, his worries, his triumphs and preoccupations. And as a morale-booster for our chaps at sea it must have done its job very well - it remains fairly touching all these years on.