NOTE IMDb
7,4/10
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MA NOTE
Ajouter une intrigue dans votre langueTom hears a ghost story on the radio and is spooked by it; Jerry notices this and takes advantage of it, using a variety of tricks to scare Tom.Tom hears a ghost story on the radio and is spooked by it; Jerry notices this and takes advantage of it, using a variety of tricks to scare Tom.Tom hears a ghost story on the radio and is spooked by it; Jerry notices this and takes advantage of it, using a variety of tricks to scare Tom.
- Réalisation
- Scénario
- Casting principal
Sara Berner
- Operator
- (non crédité)
William Hanna
- Tom's and Jerry's vocal effects
- (voix)
- (non crédité)
Harry Lang
- Tom
- (non crédité)
Lillian Randolph
- Mammy Two-Shoes
- (voix)
- (non crédité)
Kent Rogers
- Vocals
- (non crédité)
Jack Sabel
- Jerry (speaking)
- (non crédité)
Martha Wentworth
- Witching Hour Radio Announcer
- (voix)
- (non crédité)
Avis à la une
After a more pleasant last outing, 'Fraidy Cat (1942)' reestablishes the iconic duo's entirely antagonistic relationship by having Jerry fall directly into his role as initial aggressor (as he would so often be in later films). Here, he decides to terrify Tom when he sees the cat shaking in his fur while listening to a spooky radio broadcast. Using an old nightgown and a vacuum cleaner, the mischievous mouse sets about pranking his unsuspecting prey. Of course, Tom eventually gets wind of the wind-up and fixes to do more than just scare his opponent to death. The flick has some funny sight gags and its animation is as scrumptious as you'd hope from these earlier shorts in which Tom is more cat-like and raggedy. It's a well-animated outing that's lively and has a lot of spirit to it. However, it just feels fairly standard overall. The premise isn't particularly clever and the piece lacks a satisfying ending to tie things together. It also features some off-screen animal abuse (which sounds to be more than the typical feline-on-rodent slapstick we all know and love) which leaves a bad taste in the mouth. Having said all that, it's still an entertaining effort overall. It isn't one of the pair's best outings, but it's definitely not one of their worst.
Fraidy Cat (1942)
*** 1/2 (out of 4)
Highly entertaining short has Tom listening to a scary radio program so Jerry decides to have some fun with this by making it appear that the house is haunted. This is the fourth film in the series and certainly the best up to this point as there are a great number of laughs to be had. The highlight is certainly the look on Tom's face when he believes he's seeing a ghost for the first time. Another great moment happens when Tom's "nine lives" are scared out of him. This was a very creative sequence and one with plenty of great laughs. The animation was also extremely good throughout and there's never a down moment as the action and laughs keep coming one after another.
*** 1/2 (out of 4)
Highly entertaining short has Tom listening to a scary radio program so Jerry decides to have some fun with this by making it appear that the house is haunted. This is the fourth film in the series and certainly the best up to this point as there are a great number of laughs to be had. The highlight is certainly the look on Tom's face when he believes he's seeing a ghost for the first time. Another great moment happens when Tom's "nine lives" are scared out of him. This was a very creative sequence and one with plenty of great laughs. The animation was also extremely good throughout and there's never a down moment as the action and laughs keep coming one after another.
Tom is listening to a spook story on the radio (a form of entertainment I wish was still around) and is so wound up by the possibility of ghosts, that he jumps in fright at every sound. Taking advantage of this for his own personal fun, Jerry tries to freak Tom out by playing pranks on him, the main one being sticking a white sheet on a vacuum cleaner and pretending it's a ghosts. Obviously Tom becomes aware of Jerry's cruel tricks in the end.
It's very mildly funny though nothing really spectacular happens. I can really only recommend this to very young children as there is no real intelligence or wit to entertain an adult. Tom still looks a little rough, as he did in the early stages of his characters animation. Mammy-two-shoes shows up, but on the version I saw she was dubbed to make her sound more PC, as was common with Tom and Jerry cartoon manipulation in the early 90s.
It's very mildly funny though nothing really spectacular happens. I can really only recommend this to very young children as there is no real intelligence or wit to entertain an adult. Tom still looks a little rough, as he did in the early stages of his characters animation. Mammy-two-shoes shows up, but on the version I saw she was dubbed to make her sound more PC, as was common with Tom and Jerry cartoon manipulation in the early 90s.
Now I liked Fraidy Cat in general, though it is quite slow even for a Tom and Jerry cartoon- usually Tom and Jerry goes at a breakneck pace- and there are times when the animation isn't always that great as Tom looks a little odd here. Plus Fraidy Cat could have done with being a minute shorter. Criticisms aside, what I do like about Fraidy Cat is that it is different. The story isn't humorous, but it is a macabre and effective one, and the music is really good. Even the sound effects are very effective, they added to the atmosphere almost flawlessly. Plus there are some good gags, despite the fact the cartoon isn't very funny. The nine lives gag was clever, and the ending with Mammy Two Shoes was a nice, fun surprise. Overall, decent but not great cartoon from our favourite cat and mouse. 7/10 Bethany Cox
Disclaimer: Unfortunately, the Tom & Jerry episodes I specifically talk about in this review aren't listed under one single title here, so the best I can do is just leave it under one of my favorite episodes of the era I had in mind typing out this rambling.
I will always have a soft spot for the Tom & Jerry circa 1967. I know that technically it includes three different eras: 1) The Classic MGM Theatrical Era (also known as The Golden Era) (1940-1958) created by the legendary William Hanna & Joseph Barbera. These two names will forever be imprinted in my brain. If I could, I would personally thank them for enriching my childhood with the most genuine laugh I've ever had. Every time I saw their names in the opening titles I knew the next 10 minutes will be GOLDEN.
2) The experimental period of the Gene Deitch Era (1961-1962). Thankfully, it only lasted for 13 episodes, but it wasn't as bad as some might percieve it to be. That being said, even as a kid I could see that something was off about these episodes and I wasn't a big fan of them - the animation was too jarring and dark for my taste, but I never skipped them on my bootleg DVD either - I was patiently watching them in eager anticipation of what I knew was coming next on this Tom & Jerry anthology disc of mine. No hard feelings towards Gene Deitch, though. This man had to produce all these episodes on his own from his little studio in Czechoslovakia.
3) And what was coming next was the Chuck Jones "Bronze" Era. It was almost as good as the episodes produced by William Hanna & Joseph Barbera.
Only when I revisited some of the episodes in my adulthood I realized what made Tom & Jerry so captivating - the music and sound effects. I can't think of any other piece of visual media that so heavily relied on the auditory aspect in its creation process - every frame is accompanied by the perfect selection of notes and sounds. I could argue that Tom & Jerry is actually more about what you hear than what you see, which is a crazy thing to say about a cartoon with barely any lines in it.
P. S. The reason I picked this episode is because out of over one hundred episodes of Tom & Jerry I've seen, this one stuck in my memory the most, especially the gag where a vacuum cleaner sucks all nine lives in the form of souls out of Tom. For some reason, this moment engraved in my memory like no other in the franchise - probably it's just that it perfectly encapsulates the very essence and absurdity of Tom & Jerry's humor.
P. P. S. Of course it's a shame what the franchise has turned into over the years, but that's beyond the scope of this little review and isn't reflected in the rating.
I will always have a soft spot for the Tom & Jerry circa 1967. I know that technically it includes three different eras: 1) The Classic MGM Theatrical Era (also known as The Golden Era) (1940-1958) created by the legendary William Hanna & Joseph Barbera. These two names will forever be imprinted in my brain. If I could, I would personally thank them for enriching my childhood with the most genuine laugh I've ever had. Every time I saw their names in the opening titles I knew the next 10 minutes will be GOLDEN.
2) The experimental period of the Gene Deitch Era (1961-1962). Thankfully, it only lasted for 13 episodes, but it wasn't as bad as some might percieve it to be. That being said, even as a kid I could see that something was off about these episodes and I wasn't a big fan of them - the animation was too jarring and dark for my taste, but I never skipped them on my bootleg DVD either - I was patiently watching them in eager anticipation of what I knew was coming next on this Tom & Jerry anthology disc of mine. No hard feelings towards Gene Deitch, though. This man had to produce all these episodes on his own from his little studio in Czechoslovakia.
3) And what was coming next was the Chuck Jones "Bronze" Era. It was almost as good as the episodes produced by William Hanna & Joseph Barbera.
Only when I revisited some of the episodes in my adulthood I realized what made Tom & Jerry so captivating - the music and sound effects. I can't think of any other piece of visual media that so heavily relied on the auditory aspect in its creation process - every frame is accompanied by the perfect selection of notes and sounds. I could argue that Tom & Jerry is actually more about what you hear than what you see, which is a crazy thing to say about a cartoon with barely any lines in it.
P. S. The reason I picked this episode is because out of over one hundred episodes of Tom & Jerry I've seen, this one stuck in my memory the most, especially the gag where a vacuum cleaner sucks all nine lives in the form of souls out of Tom. For some reason, this moment engraved in my memory like no other in the franchise - probably it's just that it perfectly encapsulates the very essence and absurdity of Tom & Jerry's humor.
P. P. S. Of course it's a shame what the franchise has turned into over the years, but that's beyond the scope of this little review and isn't reflected in the rating.
Le saviez-vous
- AnecdotesThe scary radio show that Tom is listening to at the beginning of this short - "The Witching Hour" - was an actual 1940's radio show. The voice that Tom hears on the radio was provided by Martha Wentworth, who hosted "The Witching Hour" as Old Nancy, the Witch of Salem.
- ConnexionsFeatured in Så er der tegnefilm: Épisode #2.16 (1980)
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Cours... il y a un fantôme dans la farine
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée8 minutes
- Rapport de forme
- 1.37 : 1
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By what name was Fraidy Cat (1942) officially released in Canada in English?
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