Ajouter une intrigue dans votre langueA man fleeing from a divorce and alimony payments gets a job as a tour guide for five wealthy young women, one of whom is looking to bag a Latin singer she believes is in love with.A man fleeing from a divorce and alimony payments gets a job as a tour guide for five wealthy young women, one of whom is looking to bag a Latin singer she believes is in love with.A man fleeing from a divorce and alimony payments gets a job as a tour guide for five wealthy young women, one of whom is looking to bag a Latin singer she believes is in love with.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 2 Oscars
- 2 nominations au total
Dorothy Kelly
- Mary
- (as Dorothy O'Kelly)
John Albright
- Club Patron
- (non crédité)
Paul Bradley
- Bartender
- (non crédité)
George Calliga
- Club Patron
- (non crédité)
Jack Chefe
- Club Patron
- (non crédité)
Oliver Cross
- Club Patron
- (non crédité)
Eduardo Durant
- Orchestra Leader
- (non crédité)
Sam Finn
- Club Patron
- (non crédité)
Byron Foulger
- Horace Willpott
- (non crédité)
Avis à la une
Hal Roach's musical streamliners were given plenty of production (FIESTA was even filmed in Technicolor) but were often sorely lacking in the scenario department. There's usually a comedy team of sorts - in this case it's big Ed Gargan and diminutive Jerry Bergen. Marjorie Woodworth is invariably the ingenue in these 5-reelers. I guess Roach must have seen SOMETHING in her. Oh well. The protagonist is George Givot, a longtime vaudevillian who specialized in Greek dialect. Here is plays it straight with the exception of a detour as a blackface mammy with composer Edward Ward matching his dialect on the soundtrack. Little Billy Roy apparently made a hit as a native boy in ALOMA OF THE SOUTH SEAS and he repeats the role singing the Oscar-nominated "Pennies For Peppino". This picture was directed by RKO's early turgedian George Archainbaud and all I can say is, where was Gordon Douglas when we needed him! Very few of the gags work and, in one of the strangest affronts to comedy, hilarious dialectician Benny Rubin - playing a French maitre d - had his voice looped! It's nice to see Norma Varden in an early role and there are plenty of familiar dress extras, including the ubiquitous Ellinor Vanderveer. I'm giving this a rating of 5 because it's only 5 reels. If it had been a longer picture I would have been much more severe in my critique. But it's 47 minutes of amiable entertainment. No harm done.
When I noticed that EDWARD WARD was responsible for the musical score, I had an additional reason for wanting to view FLYING WITH MUSIC, which I understood was a low-budget musical from the Hal Roach studios--without any well-known stars. Another factor was the Oscar-nominated song: "Pennies for Peppino." (Ward wrote the background scores for films like Universal's PHANTOM OF THE OPERA ('43) and THE CLIMAX ('44)).
Well, I was disappointed on both counts. The score is not that impressive and the song was unworthy of an Oscar nomination in a year when "White Christmas" and "Love Is A Song" (from BAMBI) were the front-runners.
Despite obvious drawbacks, FLYING WITH MUSIC is a better than average programmer that is like a time capsule of the '40s-era pop music scene with a Latin beat. The only charmer among the songs is the "Pennies for Peppino" number, nicely rendered by a bunch of native kids.
Other than that, the weak plot is a real hindrance. GEORGE GIVOT is a man on the lam who poses as a tour guide in Florida. He takes a group of young women on an island tour which leaves time for a few nightclub songs and some badly executed comedy routines. MARJORIE WOODWORTH is just passable in the leading femme role but is certainly photogenic.
NORMA VARDEN has a brief role as the chaperone for the girls and there's a very inept performance from handsome WILLIAM MARSHALL which shows why he never made it into star territory.
It's one of those harmless trifles that's entirely forgettable with Ward's music only occasionally making some noteworthy sounds. "Song of the Lagoon" at least gets a production number with a Caribbean touch and a pleasing, languid melody.
But the whole film is strictly small-time stuff and not diverting enough to call for any special attention. GEORGE GIVOT overdoes the mugging routines in the central role and EDWARD GARGAN does his standard schtick as a tax collector.
Summing up: A more ambitious than usual production from a Povery Row studio like Hal Roach.
Well, I was disappointed on both counts. The score is not that impressive and the song was unworthy of an Oscar nomination in a year when "White Christmas" and "Love Is A Song" (from BAMBI) were the front-runners.
Despite obvious drawbacks, FLYING WITH MUSIC is a better than average programmer that is like a time capsule of the '40s-era pop music scene with a Latin beat. The only charmer among the songs is the "Pennies for Peppino" number, nicely rendered by a bunch of native kids.
Other than that, the weak plot is a real hindrance. GEORGE GIVOT is a man on the lam who poses as a tour guide in Florida. He takes a group of young women on an island tour which leaves time for a few nightclub songs and some badly executed comedy routines. MARJORIE WOODWORTH is just passable in the leading femme role but is certainly photogenic.
NORMA VARDEN has a brief role as the chaperone for the girls and there's a very inept performance from handsome WILLIAM MARSHALL which shows why he never made it into star territory.
It's one of those harmless trifles that's entirely forgettable with Ward's music only occasionally making some noteworthy sounds. "Song of the Lagoon" at least gets a production number with a Caribbean touch and a pleasing, languid melody.
But the whole film is strictly small-time stuff and not diverting enough to call for any special attention. GEORGE GIVOT overdoes the mugging routines in the central role and EDWARD GARGAN does his standard schtick as a tax collector.
Summing up: A more ambitious than usual production from a Povery Row studio like Hal Roach.
I viewed the film on TCM and wrote the lyrics to "Pennies for Peppino" down. I also figured out the music in 5 minutes (not too difficult). I could not understand the line toward the end that goes with the number 4. They were counting. Is it "A coin for the nice Chiquita"? I collect all Oscar nominated songs and this was the only one I did not have. "Cry Freedom" is also sketchy. I met the composers Chet Forrest and Bob Wright many years ago in Miami and they did not have "Pennies for Peppino" but they did have the certificate from the Academy to prove it was nominated. They also had the Tony Award on the wall for composing "Kismet". I was thrilled to finally hear the song - it was 20 years in the search for it.
This is a typically wacky fast-paced Hal Roach comedy padded with some laughably ridiculous musical numbers.
It has everything - coochie dancers, pan-American travelog, Latin crooners, jungle romance, buxom blondes, blackface mammies, mediums, even a midget. The only furnishing it lacks is a suitably funny leading man. George Givot's performance as the obnoxious boob running from alimony payments wont leave you begging for more. Despite the occasional cramp he puts in the fun, the rest of the cast sail through the gags effortlessly.
I hope it shows up as an extra in a DVD package in the future - a true delight.
It has everything - coochie dancers, pan-American travelog, Latin crooners, jungle romance, buxom blondes, blackface mammies, mediums, even a midget. The only furnishing it lacks is a suitably funny leading man. George Givot's performance as the obnoxious boob running from alimony payments wont leave you begging for more. Despite the occasional cramp he puts in the fun, the rest of the cast sail through the gags effortlessly.
I hope it shows up as an extra in a DVD package in the future - a true delight.
"Flying with Music" is a film with an overall rating of 4.0. However, despite this a couple reviewers gave this one 10s...which I just don't understand...especially since 4.0 seems, if anything, a bit generous.
There is not a whole lot of plot in the film...mostly because it is a musical and clocks in at only 46 minutes. The scant plot finds Don running to Latin America from authorities for back alimony payments. Simply paying the money would have ended it...but instead he poses as a nerdy tour guide for some hot to trot young ladies and their fun-hating chaperone. Along the way is a bit of romance and MANY forgettable musical numbers and a particularly bad male singer. It also sports a tacky black-face portion...which just made me cringe.
Because of the silly and thin plot and the overabundance of musical numbers, I actually found this film pretty dull. It's also one of the lowest rated 'Streamliners' from Hal Roach Studios...ultra-short B-movies that they made in the early 1940s. Worth seeing if you love these sorts of movies, but if you must watch some Streamliners, try the military films with William Tracy and Joe Sawyer or the taxi films with William Bendix and, again, Joe Sawyer...all quite enjoyable and with a few laughs.
There is not a whole lot of plot in the film...mostly because it is a musical and clocks in at only 46 minutes. The scant plot finds Don running to Latin America from authorities for back alimony payments. Simply paying the money would have ended it...but instead he poses as a nerdy tour guide for some hot to trot young ladies and their fun-hating chaperone. Along the way is a bit of romance and MANY forgettable musical numbers and a particularly bad male singer. It also sports a tacky black-face portion...which just made me cringe.
Because of the silly and thin plot and the overabundance of musical numbers, I actually found this film pretty dull. It's also one of the lowest rated 'Streamliners' from Hal Roach Studios...ultra-short B-movies that they made in the early 1940s. Worth seeing if you love these sorts of movies, but if you must watch some Streamliners, try the military films with William Tracy and Joe Sawyer or the taxi films with William Bendix and, again, Joe Sawyer...all quite enjoyable and with a few laughs.
Le saviez-vous
- AnecdotesThis film was first telecast in New York City Saturday 3 July 1948 on WPIX (Channel 11), in Los Angeles Tuesday 21 December 1948 on KTLA (Channel 5), in Chicago Sunday 16 January 1949 on WBKB (Channel 4), and in Philadelphia Sunday 24 July 1949 on WCAU (Channel 10), as part of their newly acquired series of three dozen Hal Roach feature film productions, originally theatrically released between 1931 and 1943, and now being syndicated for television broadcast by Regal Television Pictures.
- Bandes originalesIf It's Love
Written by Edward Ward, Chet Forrest and Bob Wright
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Détails
- Durée46 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
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By what name was Flying with Music (1942) officially released in Canada in English?
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