Fingers at the Window

Lew Ayres and Laraine Day star in "Fingers at the Window," a 1942 film which also stars Basil Rathbone.

An ax murderer is killing people in Chicago, and the police don't have any leads. A young actor, Oliver Duffy (Ayres) suspects that a woman, Edwina (Day) is going to be attacked after he notices her being followed.

Oliver attaches himself to her, sees some activity outside of her window, and also notices a problem with her door latch, as if someone was preparing it to break in. He tries to figure out why she has been singled out, but Edwina, being an airhead, can't come up with anything.

Ayres and Day are delightful, having worked together so well in the "Dr. Kildare" series, and Rathbone is terrific as a distinguished doctor.

This was Ayres' last film before the war, during which he served as a conscientious objector (he was a medic on the front lines), something very controversial at that time. MGM washed their hands of him and the "Dr. Kildare" series quickly became the "Dr. Gillespie" series.

One of the first "Dr. Gillespie" films concerned a man who had lost a limb during the war - MGM was making a point. Ayres made one too, by winning an Oscar nomination for "Johnny Belinda" in 1948.

"Fingers at the Window" is a little silly with some plot holes, but the cast makes it work. Despite its macabre subject matter, it's directed by Charles Lederer with a light touch to mine the humor. Enjoyable.

I hesitate to call this film a mystery, because the nature of the murders that are plaguing Chicago is known to the viewer from the very beginning. And although it has some traits common to noir, I found the tone of this film to be too light to firmly place it in that genre.

Lew Ayres (as Oliver Duffy) plays an out of work actor who stumbles into a murder plot aimed at Laraine Day (Edwina Brown). She is rather kooky and he seems unable to string two serious lines together. With his help, they capture the axe murderer who attempts to end Laraine's day.

Ayres develops a theory about the nature of the murders, but the police won't listen. They are buffaloed by the hypothesizing of a psychologist--a common theme in the 40s and 50s when audiences seemed intrigued by the mysteries of the human mind and the simple "explanations" that science seemed to offer. For a superior example of this, see "The Bad Seed" from 1956. Hitchcock liked to dabble in these kinds of stories, as in "Spellbound" in 1945.

But this film does have some appeal. And Basil Rathbone, in his role, provides the intensity that was his hallmark.

This is a swell little mystery thriller that reunites Lew Ayres and Laraine Day, who played Dr. Kildare and Nurse Lamont respectively in the Dr. Kildare series of movies (which were great, by the way). However, the characters they play here are much different. Ayres plays an easygoing actor turned amateur sleuth and Day plays a pretty, sweet airhead of a woman targeted by a killer or killers. Also starring is the legendary Basil Rathbone, who never did a bad job in a film in his career (prove me wrong!).

This film is a great treat, especially for fans of the Dr. Kildare series and fans of Rathbone. The cast is pleasant and have lots of fun. The story is crisp and moves along at a nice pace. Director Charles Lederer smoothly juggles the mystery, humor, and romance. It's a real pleasure to find such underrated treasures as this.

A struggling actor tries to solve a series of murders, which police believe have been committed by a madman, and finds love in the process.

This starts out as a chiller but fails to live up to its early promise. Despite this it's entertaining enough with good performances from Lew Ayres, Laraine Day and Basil Rathbone.

Lew Ayres' career at MGM was destroyed because he was a conscientious objector to WWII. He actually wanted to be admitted into the service as a medic, but because the Army could not guarantee he would not end up a regular soldier, he chose the objector status. Ultimately he was admitted as a medic, but the publicity hurt him and ended his role in the popular Dr. Kildare series of B movies.

MGM decided to try the popular screen team of Ayres and Lorraine Day in an atmospheric murder mystery in completely different roles with Day as dancer Edwina Brown and Ayres as unemployed actor Oliver Duffy.

In Chicago there have been a series of ax murders. In each case the murderer is an insane person and does not know the victim. Police interrogation gets them nowhere. Oliver Duffy sees Edwina walking home late at night and somebody stalking her. At first she thinks Duffy is a masher, but when it is proven she is being followed he escorts her home and stakes out her fire escape. Duffy sees the guy stalking her approach the fire escape but scares him off. The following night he sets a trap and catches the man, with an ax, who like all of the other perpetrators is insane.

The police put Edwina up in a hotel, and as Duffy is saying his goodbyes, notices that an axe used for fires is missing and chases yet another guy with an axe down the stairs. This proves that somebody is deliberately trying to kill Edwina, and that this is no random attack. But the police don't want to listen to Duffy. From the police he learns that all of the attackers have last names that start with the letter B. In the meantime, Edwina seems to be hiding some deep dark secret from Duffy. So what is the motive of whoever it is going to all of this trouble to kill such a seemingly ordinary girl as Edwina by dispatching seemingly random maniacs to kill seemingly random victims? Watch and find out.

This film was extremely well done. I think I would have believed the immediate chemistry between Day and Ayres even if I had not seen any of the Kildare films. It also has some humor in it as Ayres impersonates an insane person to help catch the killer. Unfortunately his rendition is a bit too authentic for one psychiatrist. It's rare to see a film released and made in 1942 not discuss the war at all, yet this one doesn't. It is a pure murder mystery with lots of twists and turns and maybe it stayed out of mentioning the war to help the film since Ayres was out of favor with the public over his draft status.

I highly recommend this one. Not up to the very end do you really understand everything that is going on. What a shame it is not in the Warner Archive so I can buy a copy and see this whenever I want.