Riposte à Narvik

Horse race tipster and journalist Metcalfe is picked for the job of foreign correspondent in Norway when Hitler invades Poland. On the way to Norway his boat is attacked by a German U-Boat, however when he tells the navy about it they disbelief him and, to make matters worse, he is removed from his job. When German forces invade Norway, Metcalfe returns determined to uncover what is going on and stop the Germans in their tracks.

1940's British cinema is understandably packed with wartime propaganda pieces. This film doesn't stand out from the pack but it is still worth a watch. The basic plot is interesting and provides tense drama towards the end, even if it gets all confused at times in the middle and some of it didn't quite hang together for me. The action is a little stilted at times and the film never misses a chance to show how very selfish and foolish the German officers are. This is a little heavy handed but what did you expect from a propaganda film? However it is badly done at times and seems heavy handed.

The cast are mainly good. Williams is typical of the stiff upper lip English heroes of this type of film. Again it seems a little stiff but it's the usual sort of English gentleman that we wanted to see at the time – especially when compared to the slimly cowardly Germans shown here. The support cast are OK despite the very, very iffy Norwegian accents, but this doesn't matter too much.

Overall this film is typical British wartime propaganda. The Brits save the day, the Germans are cowardly, sacrifice is made but the greater good is served. As a Brit this is a solid bit of entertainment for a rainy Saturday afternoon, but probably not much more capable than that.

British wartime propaganda film in which Hugh Williams plays a British foreign correspondent investigating German U-boat activities in Norway. The disparate elements of the film however, in terms of location, narrative and character, do not seem to have been successfully combined into a cohesive whole. Apart from the Hugh Williams character there is a lack of focus, and the film comes across as episodic and disjointed. Ralph Richardson, for example, is for the most part wasted in a role which despite popping up briefly all over the place, seems to have very little relevance to either plot or theme. Finlay Currie, always worth watching, does well by his part and has the most convincing accent of the piece, but Deborah Kerr sounds as Norwegian as praties. Francis L Sullivan trots out another of his well worn villains.

Called the day will dawn in europe, but the avengers in canada and the united states. It's a brit film. Reporter colin metcalfe (hugh williams) is assigned to the european beat, after hitler moves into poland. When the germans sink his boat on the way to norway, no one seems to believe him. But he does fall for kari (young deborah kerr, in an early role), the captain's daughter. And as the german ships come into the harbor, pretending to be merchant ships, colin is abducted and held prisoner by the germans. Will metcalfe ever get to tell what he knows? Will his stories make a difference? The script is peppered with patriotic messages. A call to take action, avoiding neutrality, as hitler moves into more euro countries. Acc to imdb, this was released in the united kingdom in june 1942, so both britain and the united states were already actively in the war by then. This seems to start the story from earlier, before britain was involved in action. Directed by harold french. According to wikipedia dot org, french lost his own wife in a bombing raid in 1941. Produced by general films, and distributed in the united states by paramount. It's a little disjointed, but does show the chronology of events in europe.

This early Deborah Kerr role steals the film, The Day Will Dawn, an early WW2 film about the invasion and occupation of Norway, a topic seldom seen in Hollywood films. English films tended to explore topics that Hollywood films avoided. In Hollywood, intellectual exploration was considered box office poison. This movie, despite the hilarious nazi scene of a nazi officer killing a Norweigen traitor by shooting at the wall, is very effective for most of the film, and highlights Kerr's acting talents. The rest of the cast, particularly Kerr's father, do a very good job in the film. Some portrayals of the nazis border on cartoonish, but that is to be expected, considering the time period. A good WW actioner.

Hugh Williams plays a reporter dropped into Norway to find a U-boat dock that is sending out convoys to destroy British ships. His job is to find it and report back so that our navy can destroy it. He meets and falls in love with beautiful twenty one year old Deborah Kerr, a Norwegian.

Various other well known faces from that era of British film making crop up including Finlay Currie as Kerr's father, Francis L. Sullivan as a brutal Nazi officer, Griffith Jones as a German police chief, the great Ralph Richardson as another reporter, Roland Culver as a British navy bigwig, even Bernard Miles in a small role towards the end.

Much of the film is shot in the dark, which can be a bit boring as I couldn't see a lot of what was going on, but maybe that was to cover up some of the cheap sets used. I don't think much money was spent on this production so probably best to think of it as a play rather than a film.

Our hero, Hugh Williams is stiff as a board but fortunately he's completely out acted by our leading lady and it is not hard to see why Kerr became one of the great star actresses of the cinema.

One gripe is that I would have given a higher rating had the actor's accents been more consistent. Some like Kerr and other Norwegians, at least speak in broken English, which I think gives an impression of being foreign but for some annoying reason, Francis L. Sullivan, who is fine otherwise as the nasty German officer, speaks in perfect English with no attempt to disguise his voice at all. That rather spoilt the film for me as other Germans also just spoke in English with no accent.

One scene towards the end is particularly harrowing so still worth a watch, and to see Deborah Kerr of course near the start of her brilliant career.