Bambi

People frequently say that the death of Bambi's mother is the scene most people cry in. You would have to be to be incredibly shallow and insensitive not to cry. Its a pretty good test of a person and I am so pleased that all these years later I still blubbered like a baby. Bambi looks wonderful and time has treated Walt's favourite film very well.Visually the movie is stunning. All the more remarkable in that it was made in 1942. The scenes of the animals in the meadow enjoying the airy freedom away from the safety of the forest lifts your spirits; it is just beauitiful. The music is brilliant and that rain drop song with the beautiful visuals is a glorious moment in film making. Indeed all the music is wondrous; the score for the fire is rich and exciting. The characters are wonderful. I love the much malinged American skunk, a truly remarkable little creature.I love Flower but Thumper is worthy of the recognition he has got over the years as one of Walt's greatest creations. There are so many wonderful scenes in the film. I love the raindrop scene, the parade and introduction of the stags. Bambi's father is a great creation, almost spiritual. The movie never speaks down to children and the final scene as Bambi's dad disappears is so gracious and beautiful. I love the images in the courting of Bambi and his girl friend. Bambi is a love story and its impossible not to be touched by this magical story. It has always struck me as odd how any one could kill or shoot wild animals and call it sport. Such people are obviously mentally unstable and certainly uncivilised. I dream of a day that recreational hunters get what they deserve. They are the most unworthy people on the planet.Bambi is a lesson in life and its a film that will live for ever as a masterful example of great animation. I really prefer it to the Pixar of today.

From the opening scene where the multiplane camera glides through a quiet forest until the stirring forest fire climax, a viewer has to be aware he is watching one of the all-time great films. So much of the cycle of life is covered that it's hard to realize the film is a mere 69 minutes. In a book called 'The Making of Bambi', Ollie Johnston reveals that originally there was much more footage that Disney eventually trimmed, cutting out whole sequences before the film previewed. Obviously, he made a wide decision.

There is no extraneous scene here, it moves seamlessly through its cycle of life story with the charming animal creatures carrying the story to its logical conclusion. The background music complements all of the drama and comedy. The storm sequence is the most beautiful blend of music and drawings ever achieved by the Disney artists. The naturally drawn deer are the result of months of careful preparation and study, giving the entire film the feel of a nature study as well as giving the audience great entertainment.

The choral work is extremely effective, particularly on songs like 'Love Is A Song' (Oscar nominated), 'I Bring You A Song' and 'Little April Shower'. The impressionistic forest glows with a life of its own and is the real star of the film, thanks to the influence of Japanese artist Tyrus Wong. No wonder this was Disney's favorite film. It will stay fresh and young forever. An awesome achievement!

In conclusion, having done some choral work myself as a glee club singer, I especially appreciated the great contribution made by the mixed chorus (male/female) that does such a wonderful job on all of the choruses that blend so seamlessly with the rich background score. Truly exceptional choral vocals conducted by Charles Henderson.

Bambi (1942) is often sneered at by contemporary film goers my age. In their minds, outside of the death of Bambi's mother, the film is a cutesy little joy ride about a happy little deer and his happy little forest friends frolicking about grassy meadows. They also find it much too slow and lacking in plot for their interests, instead switching on the film's spiritual successor The Lion King (1994), which most of my generation holds up as the greatest animated film of all time.

No offense to The Lion King, but it doesn't even come close to touching the greatness of Bambi. Outside of a few whimsical moments, this is a dark film about the cycle of death and life. It's more of a meditative piece than a traditional narrative, which will not appeal to those who absolutely require a detailed plot. The animation and backgrounds are breathtaking. Like the other early Disney features, there's strong traces of German expressionism in there (ex. the fight between Bambi and a rival deer is mostly shown in silhouette and violent colors, Bambi and Faline's dreamlike run through the meadow, etc.).

The atmosphere is not as cutesy as people recall. There is an undercurrent of dread to the whole thing, a sense of danger. As beautiful and enchanting as the forest can be, it is also dangerous. The way man is handled in the film is surprisingly mature: instead of putting the main characters against a laughable caricature, mankind's presence is unseen and feels more like a natural disaster than a living entity. In fact, Bambi might be one of the most adult films in the Disney animated canon. Ignore its saccharine reputation and give it another look.

Bambi is a remarkable film that captures the innocence and beauty of life, its challenges as we get older and nature being disrupted and damaged by "Man." Bambi is one of the shortest feature films ever but what it lacks in length it makes up for in depth. The animation in this film is extraordinary every setting looks like oil pastels on canvas as we see the wonder of nature with its waterfalls, trees and beauty of animals and plants during the various changes in nature.

Bambi is born in Spring a time of rebirth and beauty as leaves come return, flowers bloom and the world awakens from winter's cold grip. We see Bambi struggle to walk as he always falls down and as he tries to talk which are extremely humorous and give him the characteristics of a baby. We see his friends Thumper and Flower interact and have fun w/ Bambi and their innocence also builds up their happiness and bliss as their like young kids wandering around in the beauty of spring and the forest around them which protects them from harm. The dynamic Bambi and his mother share are poignant also as we see her nurture and instruct her son on how to act, walk and be around other animals and the love they exude for each other is also a shining staple of maternal love which again gives us a genuine attachment to this story .

However, as Bambi grows his mother takes him to the meadow where we 1st observe the threat of "man." His mom warns him not to rush onto the meadow and soon we 1st hear "Man" coming as the colors in the scene suddenly shift from light to dark as the forest are suddenly being overwhelmed by fear and chaos. Man's theme is a haunting piece of music that can only be matched with its power and intensity by Bernard Herrman's extraordinary score in Psycho and Carpenter's Halloween. Both movies capture horror because we don't know who is behind the actions in the film and why they're happening. By not showing "man" the viewer is terrified cause man's identity is unknown and they kill and torture animals for no apparent reason.

As we move to Winter, the animation is gorgeous particularly the scene of Bambi and Thumper on ice. The wonder of this scene is the use of snow which is striking much like the thunderstorm sequence in how nature can be so beautiful and dangerous at the same time at different times. It's also ironic that in winter, as Bambi and his mother are out grazing at grass that man's theme comes and as his mother realizes what's going on she orders Bambi to the thicket. He makes it but as we discover she doesn't murdered by "man".

While this scene is tragic and sad, it's a bit over-hyped as the "most tragic moment in film." The fact that this was the 1st time Disney showed us a realistic moment in life when someone dies and nothing can alter this and that it occurred just as winter was ending perhaps gives this scene the tragic feel and notoriety it's gotten over the years. The fact that Bambi's mom ran behind him intentionally so to shield her son from harm is the true heartbreak of this scene : Sacrificing your own life so your child can have a future.

As Spring comes again, we see Bambi ,Thumper and Flower as adults terrified of falling into "twitterpating" or love as owl describes it. Sure enough they all do and in Bambi's case its with faline the doe he met in the meadow as a child. We soon see the spring breeze of petals and song cascade as Bambi and Faline fall in love and Spring again gives birth to something love and beauty. But as the warmth continues, Man appears again with their campfire and Bambi is warned by the prince of the forest that man is back in greater numbers. Here man's theme becomes so unnerving as the sound grows louder and louder as the animals flee into the forest and it's as though we hear the footsteps of man creeping in to kill anything in their path.

The gunshots come and once more the color scheme changes as nature is being killed and hurt by "man. The fire which may have been intentionally set by man wipes out the forest and nearly Bambi and his father who barely escape along with other animals in the forest. At the end, Spring returns and bliss and happiness return as leaves and trees are growing back, and a new generation is coming to see Faline give birth to 2 new fawns .

Bambi isn't a perfect film and its flaws are somewhat stark especially how Bambi becomes and adult full of bliss only months after his mom dies. This simply makes no sense and for me damaged my connection to these characters and kills the film, until it picks up when man returns to the woods. Also the scene where Bambi and the other deer fight over Faline while dramatic, is odd because we have no background to who he is(Bambi 2 explains this.) Also after her death, Bambi's mom is never mentioned again which is odd cause Bambi seems to have no issues dealing with her demise. It's a shame cause up to the death of his mom, Bambi is a perfect film and these flaws make this a very good, but not GREAT film.

However, this is a shockingly simple moving and poignant film of human innocence, growing up, sacrifice and the horror of people who'll murder and destroy nature and humanity out of greed or sport. If someone ever asked me to see a film that captured the fear of how "man" is corrupting the world around us, Bambi would be my unanimous choice.

Walt Disney didn't make another full-length animated film until 1950, by which time his golden age had well and truly passed. Was `Bambi' a quiet, gentle farewell, then? If you haven't seen it you could be forgiven for thinking so; and the slightly over-sugared opening scenes might confirm this view. But prepare to be jolted out of your seat. The forest contains darkness as well as light. The gunshots that ring out across the silences are truly alarming (and there are many ways Disney and Hand make them more alarming: consider the scene where a flock of birds are cowering in the grass, until one decides to fly into the air and risk death rather than put up with the suspense). Also worth noting about `Bambi' is its use of psychological colour. In at least three key scenes, the colour scheme shifts wildly, not because the sun has set or anything of that kind, but in order to illustrate Bambi's psychological state. Particularly fine is the scene where he is running away from the clearing in fear and the world turns into just a few pale and dirty shades of yellow.

The greatest thing is the way Disney manages to convince us that there is nothing else in the world, outside the forest. Not once do we see a horizon. Nor do we sense one. By some standards not much happens in the forest - a few deaths, a few births, what else is new? But when the forest is the whole world they matter a good deal.