La femme aux deux visages

Screen icon Greta Garbo was nearing the age of 36 when she began filming "Two-Faced Woman," a comedy also starring Melvyn Douglas, Constance Bennett, Roland Young, and Ruth Gordon. The world was changing, and it was time for her to come off of her queenly throne, get out of those huge Adrian costumes, and join the land of the common people. Back in those days, when an actress hit the 30-35 range, she was considered over the hill. Crawford was shown the door by Louis B., Norma Shearer smartly retired, and Garbo's costar in this movie, Constance Bennett, at 37 was playing supporting roles after years of stardom.

So in fact, Garbo's days at MGM were probably numbered as the studio sought to find her a new image. Unfortunately, her new image - in a light, fluffy comedy - coincided with the entrance of the U.S. into World War II. Everyone was too distracted to care, including Garbo, who wanted to go home to Sweden.

I come at this film with a slightly different perspective, having transcribed hundreds of hours of Garbo's phone conversations with art dealer Sam Greene for the book "Garbo" by Barry Paris. Any exposure to Garbo the woman is enough to realize that she was a remarkable artist. Though a neurotic, passive, and frightened woman, her beauty and vivid imagination, born of isolation, made her a tremendous star and a great, expressive actress.

In "Two-Faced Woman," Garbo plays a dual role, that of a nature-loving ski instructor, Karin, who marries a guest (Melvyn Douglas) at the lodge where she works, and the twin sister whose existence she fakes, the globe-trotting party girl Katherine. Katherine is invented when Karin comes to New York and sees her new husband with his former girlfriend (Bennett).

"Two-Faced Woman" isn't a great movie - it's pleasant enough, and the cast is terrific, but it suffers from bad timing and the fact that this was such a departure for Garbo. Many people didn't feel it was a particularly successful one. She actually is quite good, particularly in the nightclub scene when she dances the chica-choca, a dance Katherine makes up when her shoe catches in the hem of her dress. In real life, whenever the dance instructor arrived at Garbo's house to give her lessons, the curtains were drawn. Knocking at the door, he would hear Garbo yell, "Go away, rumba! Go away!" Nevertheless, she acquits herself delightfully throughout the scene, culminating with the dance. The other thing that is marvelous in the film is the wild skiing scene at the end - absolutely tremendous, and I'm surprised it didn't kill the stunt double.

The film was controversial because the character of Larry seduces a woman he thinks is his sister-in-law, so the script was changed to be more acceptable. A scene was inserted where Larry calls the ski lodge and learns that Karin is out of town. Realizing Katherine is Karin, he plays along, turning the tables on her. It seems like a silly change now.

"Two-Faced Woman" was not the flop the years have built it up to be; in fact, it made back 5 times its budget. And it's highly unlikely it ended Greta Garbo's career. Had things worked out, she would have returned to films after the war - in fact, she almost did. But when the funding for the proposed film fell through, she was embarrassed, humiliated, and being the kind of woman she was, never took a chance to be put in such a position again. Garbo was part of a world that ended when the bombs started dropping, and she didn't find her place in the one that emerged.

Two Faced Woman became the unexpected swan song for screen legend Greta Garbo. Though her reasons for retirement had to do with the umbrage she took at getting less than stellar reviews for this comedy, still I've always respected that she made her retirement stick for 49 years and kept her legend and image intact.

Garbo's a Swedish ski instructor who lands magazine executive Melvyn Douglas on a skiing vacation. But away from the winter wonderland, Garbo's not being quite the wife Douglas expected.

Catching Douglas in a compromising position with former flame Constance Bennett, sends Greta on the warpath. She concocts a plan to masquerade as her twin sister, her more glamorous and sexy twin. Suffice it to say, she confuses the rest of the cast for almost the rest of the film.

Garbo's playing a role better suited to such comedy veterans as Myrna Loy or Irene Dunne. Still she gets a few laughs in, getting plastered and doing a mean rumba. And she certainly puts Constance Bennett down quite nicely.

Still Greta was miscast and the film gets less than stellar reviews from the critics at the time and from me. But the legend lives on.

While this film is hardly the classic that Ninotchka is, it can be hardly faulted for it, as even Garbo could hardly be expected to top her stellar performance in that great comedy! I was actually quite surprised how good this film is, especially given the volume of negative press it has received through the years. Garbo, even in a slightly lesser effort, is still leagues ahead of most actresses of her day (I find Joan Crawford to be especially overrated!). Besides her forever enigmatic image, she was, perhaps surprisingly, quite adept at comedy. This film actually did very well in its day.

The reasons of Two Faced Woman ultimately being Greta Garbo's last film are a bit complicated and multi-faceted. A big reason why she didn't make any films after this one was the especially strong European Box Office returns that her films enjoyed during the 20's and 30's were, with few exceptions stopped dead in their tracks by the coming of the Second World War in 1939. No doubt, the U.S. entry near the end of 1941 also impacted in a number of ways, effectively keeping Greta out of films during the remaining war years.

Garbo was actually coming out of retirement in 1949 to do a film for MGM. Sadly, the project got cancelled, and Greta was apparently humiliated by the experience, and didn't wish to be in that position ever again.

There are likely other details that I have missed. Suffice it to say, the film itself had nothing to do with Garbo's permanent retirement from film! If you haven't seen Two Faced Woman and get the chance to do so, check it out!

Rarely seen and oft-maligned, Greta Garbo's final film, "Two-Faced Woman," is an unexpected delight. Re-teamed with "Ninotchka" co-star Melvyn Douglas, Garbo plays a ski-instructor who literally overnight marries magazine publisher Douglas, only to wake up and discover some stark differences in their approach to life. Don't ask why or how, but the frothy, often quite funny, plot finds Garbo impersonating a fictitious twin sister to test Douglas's fidelity. While the role may have been better suited for Irene Dunne, Garbo nevertheless throws herself into the part and again proves her versatility. While Karin, her ski-instructor personality, has shades of Ninotchka, Katherine, the flirtatious gold digger twin, allows Garbo to shamelessly vamp, saucily dance, and bitchily spar with a hilarious Constance Bennett.

Although Garbo as Katherine rivets viewers' attention, Bennett shines and more than holds her own in the few scenes they share. Douglas is excellent as always, and the Garbo-Douglas duo should have made more films. Ruth Gordon underplays a small role, but both Roland Young and Robert Sterling have fun as Katherine's admirers. George Cukor's direction is fine, and the screwball-like screenplay, based on a play by Ludwig Fulda, may not hold up under scrutiny, but has enough hilarious moments to cover any gaps in logic.

The reasons behind Garbo's exit from the screen are many; but neither the quality of her final film nor her final delicious performance could be among them. Watching "Two-Faced Woman," one can only wistfully reflect on what film history lost by her departure. Garbo as Mrs. Paradine in "The Paradine Case" or as Mama in "I Remember Mama" would have been memorable, and, although Gloria Swanson was magnificent, Garbo as Norma Desmond in "Sunset Boulevard" would have been sublime. Unfortunately, Garbo turned down all three roles. While Karin/Katherine may not rank among the screen goddess's greatest roles or the movie among her greatest films, any Garbo film is a treasure, and, despite an undeservedly poor reputation, "Two-Faced Woman" is not just for Garbo devotees. Fine direction and humorous script, excellent supporting performances, particularly from Bennett, and a flamboyant star turn by Garbo deserve a much wider audience than the film has had.

... and that is what both Greta Garbo and Constance Bennett are doing here - playing against type. I actually liked this one when I expected to dislike it. I don't think this one was an attempt to turn Garbo into a pin-up sweater girl as much as it was the Americanization of an old soul, and an old soul that people had become accustomed to seeing in a certain type of role for the previous 16 years.

It was great fun to see Greta's character improvising a woman of the world with no real knowledge of exactly what that meant, and it was also great fun to see Constance Bennett's Griselda, a rival for the affection of Larry (Melvyn Douglas), doing what I thought she should have done in all of those precodes where she was so mistreated and yet suffered in such silence - going off in private when things weren't going her way and yelling, throwing things, and having a bit of a temper tantrum, then readjusting her clothes and hair, regaining her poise, and walking right back into the thick of things as though nothing ever happened.

The thing that struck me as odd in this film even in the production code era - Karin (Greta Garbo) and Larry have just married after a whirlwind courtship. It is their wedding night. Both just put on their pajamas, and Larry promptly announces he is tired and lies down to go to sleep like they've been married for ten years and just returned from Black Friday shopping???? And this isn't what bothers Karin at all - it's that he admits being swept up in the moment about saying he wanted to live a simple life, and he now wants to go back to New York and his job as magazine publisher. Otherwise she would have laid down and gone to sleep too??? If this was close to realistic it would be the end of the human race.

But that's the point. The whole thing is a farce from beginning to end and a delightful surprise at that. Highly recommended for the fun of it all.