Tu seras mon mari

You can have all the glamour and pastels of the MGM musical - for sheer fun, give me the Fox musicals, especially this one, Sun Valley Serenade, starring John Payne, Sonja Henie, Glenn Miller, Lynn Bari and Milton Berle.

For publicity, Nifty Allen (Berle), a band publicist, arranges for the band to adopt a refugee. When the refugee shows, she's a grown woman named Karen Benson (Henie) who immediately falls for her guardian, the bandleader, Ted (Payne).

She connives her way into the train that's taking the band to Sun Valley, where she quickly gets in between Ted and the band's singer, Vivian Dawn (Lynn Bari) whose claws come out in full force.

"Sun Valley Serenade" is filled with skiing, Glenn Miller music, and Henje's fabulous skating. By 1941, Henje was starring in her own ice show, and her skating in this film looks less dated technically than it does in earlier films. And there's no one today who can come close to her spin sequences.

I can't remember how it was done, but she skates on mirrored glass, and it looks great. This was an ideal role for Sonja - she gets to smile, skate and does not have to do anything too dramatic. Payne does well and sings pleasantly as her leading man.

One outstanding musical feature, "Chattanooga Choo-Choo," a Miller standard, is performed first by Tex Beneke and the Miller singers and then - brilliantly - by Dorothy Dandrige and the Nicholas Brothers. This alone makes the film worth watching.

Delightful.

Designed to provide some enjoyable light entertainment, "Sun Valley Serenade" does just that. There's plenty of variety, with good comedy, good (sometimes excellent) musical numbers, and some winter outdoors scenes. The story is lightweight, but it's supposed to be, and it is sufficient to tie the rest together.

Sonja Henie brings energy and talent to her role as a war refugee who is taken in by a band member. John Payne is good enough, though he mostly allows Henie to take the spotlight, and plays off her and the situation around him. Milton Berle adds some amusing moments as the band's agent. Glenn Miller's band and the performers in the musical sequences get lots of screen time, making good use of most of it. In particular, the 'Chattanooga Choo Choo' number is quite a show-stopper.

The atmosphere is quite pleasant, the story is enough to keep things moving, and the variety of material fits together well. It's more than enough to make for an hour-and-a-half of worthwhile watching.

What's not to like about the movie? The great soundtrack, featuring then-new now-classic Glen Miller orchestra sounds? The bubbly Sonja Henie in a completely agreeable innocuous script? The same Miss Henie gamely trying to sing a few bars here and there? John Payne (Miracle on 34th Street) crooning in alternation with the song stylings of Lynn Bari? The amazingly young Uncle Miltie Berle playing the second man? Dorothy Dandridge in her prime, singing "Chattanooga Choo Choo" with full orchestral accompaniment, and the Nicholas Brothers doing a dance to boot? The skiing, the skating, the soundstage snow shenanigans?

Answer: nada. One of the lesser known (possibly because of the short running time and limited number of songs, but probably just because it's black and white and incredibly quaint), but absolutely classic movie musicals.

John Payne plays the pianist/arranger for a big band led by Glenn Miller and managed by Milton Berle. They pick up singer Lynn Bari enabling them to get a big contract in Sun Valley, Idaho, at which point, a past publicity stunt comes back to bite them. They offered to sponsor a war refugee, thinking taking care of a baby would be publicity, and now the refugee arrives... in the form a of fully grown-up Sonja Henie. For Henie, it's love at first sight with Payne, and she vows to break up Payne's relationship with Bari. (And we're supposed to sympathize with her!) There's some good scenery of Sun Valley, at least the best they could do in black-and-white, and some absolutely horrid rear-projection. With Glenn Miller around, you know the music is going to be top-notch; the movie introduced the Oscar-nominated "Chattanooga Choo-Choo". That number also offers a scene for a young Dorothy Dandrige and the Nicholas Brothers.

Like is often true in Fox musicals, this one is a split decision The story I give just a 5/10. However, the music, at 10/10, drags the total rating to 7/10 IMHO.

If you're looking for a good Sonja Henie movie, this is the one to see--and hear. It's got Glenn Miller in full swing with some of his big toe-tapping favorites--including 'Chattanooga Choo Choo' danced by Dorothy Dandridge and the Nicholas Brothers, 'I Know Why' and 'In the Mood'. Sonja's skating routines seem tame compared to what's expected of today's skating competitors but she's graceful as ever on ice and not too bad in the acting scenes. Her comic timing had vastly improved by the time she did this one. Her scenes with John Payne where she deliberately has them stranded for an overnight stay in a cabin (due to her fake skiing accident)are good for laughs. Payne actually pulls off a couple of slapstick stunts while attempting to sleep across two chairs--definitely one of his best romantic comedy roles. With all of the skating, skiing and great Miller music, this one can't miss. Once you see it, you'll understand why it was such a huge hit in the early '40s. Glenn Miller fans will be grateful for all the screen time he is given. Lynn Bari plays it straight as the jealous woman trying to keep Sonja away from Payne and her singing is obviously dubbed--but her song, 'I Know Why', is given a great treatment with the Miller band. Enjoyable entertainment is probably Sonja's best film. Fans of the skating star may be interested in the career article I've written due for publication soon in FILMS OF THE GOLDEN AGE.