Spooks Run Wild

This was another movie that I had never heard of until working my way through horror movies that were released in 1941. I did find this one interesting due to not only its title, but also that it was another movie I had never seen starring Bela Lugosi. Other than that, I came in blind. The synopsis is the boys are stranded in a small rural town. They hear about a 'monster killer' roaming the countryside. At night, they sneak out. Peewee (David Gorcey) is shot by a gravedigger and they are forced to seek aid at an old mansion.

For this movie, we start in the city. A group of boys led by Muggs McGinnis (Leo Gorcey) get on a bus where they're going to a camp. What I didn't realize and the synopsis makes a bit more sense, the East Side Kids seemed to be a teen comedic group that did quite a few movies. From what I'm gathering, this isn't their first and had a following coming in. Also in this gang is Danny (Bobby Jordan), Glimpy (Huntz Hall), Scruno (Ernest Morrison), Peewee and Skinny (Donald Haines). Taking them out to this camp as a chaperone is Jeff Dixon (Dave O'Brien). Also joining him is his girlfriend of Linda Mason (Dorothy Short). Jeff is studying to a lawyer and she is a nurse. He isn't thrilled about this trip, as he would rather spend time with Linda. She lets out that it is probably more to do with school for not wanting to go.

The bus arrives in a small town and the driver needs to check out the tires. Jeff goes in to get supplies while some of the boys do a bit of exploring on their own. Muggs meets Margie (Rosemary Portia) who works at the local sweet shop. She doesn't like him getting fresh with her though. From there they head out to the camp on the outskirts of town, being almost left behind.

They aren't the only new faces in town. That night Nardo (Bela Lugosi) arrives with his assistant Luigi (Angelo Rossitto). They inquire about the nearby mansion and they're informed that no one lives there. These two make the gas station attendant uneasy. It doesn't help that there are talks over the radio about a 'monster killer'. Another stranger arrives in Dr. Von Grosch (Dennis Moore). The attendant thinks he understands and I'll give the movie credit. Nardo is dressed similar to Dracula and they're playing on this, making Dr. Von Grosch as Dr. Van Helsing.

That night Muggs can't sleep so he decides to walk to town. He doesn't go alone as he's joined by two of his buddies. The rest hear them as they go to leave and it ends up being the whole gang. Also moving about are Nardo and Luigi as they stop at the local cemetery where the caretaker pulls his gun on the. The boys end up there as well and much like the synopsis states, Peewee is shot. They seek refuge in the nearby mansion where the boys meet Nardo along with his companion. It becomes of a night of fear as the boys lose Peewee and try to figure out if Nardo is this killer they've heard about.

This will be where I leave the recap as this is pretty much the first half of the movie. We end up getting a take on the old dark house film here. It is also leaning heavy into the comedy as well. To bring up something again, I didn't realize the East Side Kids were a comedic film group like Abbott and Costello or like The Three Stooges. They are just teens or early adults that use a lot of the wordplay jokes and slapstick comedy. Personally, this didn't really work for me unfortunately.

To circle back to something I've said again is the horror here comes from the old dark house aspects. They don't use a lot of that, but we get enough. No one has been to this mansion before this night so that makes sense. What I will give credit here is that it is leaning into the fact that Lugosi was Dracula. This is movie was made by Monogram films, but it is poking fun at Universal. Nardo is dressed like Dracula. They focus on the eyes like they did in that classic and of course having Dr. Von Grosch. I like this movie playing with these ideas while also doing something different with them. There are also talks of a murderer adding to this as well.

Since there isn't much to the story, I'll go to the acting. I did think that Lugosi was having fun here and he's fine as Nardo. As I was saying, I like them leaning back into his iconic role and the truth of his character makes a lot of sense as well. Leo Gorcey was good as this tough leader of the group. It does appear that David Gorcey was his brother and a member of the crew. I thought the rest of this group worked. There is a bit of racism toward Scruno who is played by the black actor of Morrison. Outside of that, I do think they play well off each other and that works for the comedy. I would also say that O'Brien and Short were fine for what was needed along with Rossitto, who is a little person. The townspeople worked as did Moore. There isn't a lot of screen time for the latter, so it doesn't work as well with the reveal.

The last thing that I want to go over would be the effects and cinematography. For the former, we don't get a lot of them, but it is also not that type of movie. We get some gags playing with a skeleton, a moving suit of armor and some floating objects. The design and the explanation for all of this did make sense. The cinematography didn't add much. It could also be that the version I watched on Amazon Prime wasn't in the greatest shape. I'm not going to hold either against the movie to be honest.

That is about the extent of what I wanted to go over so in conclusion here, this movie is an interesting comedic horror film. This is really a vehicle to get customers in the seats with the likes of Lugosi and the East Side Kids who I'm assuming had their own followers. I think the acting here is fine. The story was lacking a bit as they wanted the comedy to carry it. Playing with Lugosi's former role and the troupes with it were good though. The movie had issues keeping my attention though and I just wanted a bit more. The last thing to say would be the soundtrack didn't really stick out or hurt the movie. I would rate this as just average to me. I can't really recommend it if I'm going to be honest, unless you're out to see all of the Lugosi films or a fan of the East Side Kids' comedies.

Would anyone have believed that an Academy Award would be in the future for one of the participants in Spooks Run Wild back in 1941? I think one would have been told to get a cranial examination. Yet Carl Foreman who wrote the screenplay would be getting one eleven years later for High Noon. Unfortunately blacklist was also in his future.

Academy Award winners didn't usually work at Monogram Pictures, but one starts to learn the trade somewhere in the film business. In this case it's with The Bowery Boys. They've been sent in the charge of Dave O'Brien and Dorothy Short to a summer camp. The boys go wandering off and come upon a haunted house occupied by Bela Lugosi.

The usual Bowery Boy monkeyshines are present throughout. When the boys go wandering off however, we're informed that a serial killer is also loose in the area.

It's from Monogram so don't expect all that much. Still it's interesting to see the genesis of High Noon?

As another reviewer has noted, SPOOKS RUN WILD is a film which perfectly captures the spirit of Halloween, American-style: that is, a night in which kids can be scared by dressed-up ghouls and ghosts and the macabre is celebrated. This film's one in the long-running series of East End Kids movies, in which a group of overage twentysomethings play a gang of feral youths who are always getting into trouble with both the law and various criminals.

This time around, things take a decidedly macabre turn with the police hunt for a serial killer, played to the hilt by a cameoing Bela Lugosi. All of the kids and Lugosi himself end up in a creepy old mansion, where lots of jokes and ghoulish gags arise. Lugosi doesn't have much screen time but is fun when he does show up, and there's a nice role for Angelo Rossitto (FREAKS) as his henchman.

Other than Lugosi, this film is pretty good for being a programmer from poverty-row studio Monogram Pictures. The cast are lively and give dedicated performances and the jokes come thick and fast. Yes, this is dated, but in a fun way, and I still prefer it to 90% of modern American comedy. Sunshine Sammy Morrison, playing the token black comic relief guy (a character trope that turns out to have existed since forever) steals the show with his likable, scaredy-cat humour.

In my opinion, one of the better Bowery Boys movies. As with other of their films, the comedy is simple and transparent. The boys play the roles of "spooked" kids very well, and the role played by Bela Lugosi adds much to the storyline. The settings are eerie enough to make the movie a good Halloween movie for both adults and kids. While it isn't spectacular, it is good entertainment if not taken too seriously. If you like old haunted house movies, it's worth a look.

Bowery Boys meet Bela Lugosi for the first (of two) collaborative efforts. In this standard entry in the comedy horror genre (in which the stereotypically evil character proves to be a good guy), the Boys – this time including Leo Gorcey and brother David, Huntz Hall and good old `Sunshine' Sammy (Ernest) Morrison – are shipped off to summer camp for the needy. On the way, they hear radio reports of a serial murder in the area, by which the boys pretend not to be affected. The camp escorts, played in an excessively understated manner by Dave O'Brien and Dorothy Short, are. When the Boys (who seem to be the only attendees of the camp) try to sneak into town for a collective hot date, they attempt a shortcut through the cemetery only to find a riled up graveyard attendant who grants the younger Gorcey a leg full of buckshot. They seek help at the ominous house on the hill, currently housing Lugosi and his dwarf assistant Angelo Rossitto. The Boys are scared shirtless (although they try to play it cool) as they wander through the haunted house, get lost and find secret passages etc etc etc. Somehow O'Brien emerges as the hero after he saves our mostly absent heroine and everything's okay, presumably for the rest of the disadvantaged summer. Veteran director Phil Rosen could claim scores of credits to his name, although this low-budget entry in a long-running series leaves little room for any cinematic flair he may have picked up over the years. Gorcey and Hall put in standard yet enjoyable performances, but Morrison, cast in a typically racist role but doing a good job of it, steals the show.