The Smiling Ghost

I saw this film 58 years ago so don't expect any vivid detail but as I saw it with a group of my contemporaries i recall the atmosphere of the occasion with great clarity. It was a "B" feature(something that has disappeared from the cinema now)a filler before the main film and it was an example of a genre very dear to our hearts at the time-the comedy thriller.Very much in the mould of The Cat and the Canary(I refer to the Bob Hope version of course) it was chock full of one-liners,sliding panels and eccentric characters not the least of whom was the wonderful Willie Best.Even after all these years I can still remember his words when he catches sight of the eponymous apparition.Overtaking a galloping horse he wails "Move over horse.Make way for someone who can really run".It gave us all a lot of fun then and some recollected pleasure now for me anyway.

I remember with fond 'scariness' this definitive film of the early 40s. It had the unseen murderer, the witless hero, the beguiling heroine and the bulging eyes of the hero's assistant.

It still remains a film that may be viewed with pleasure. It has all the elements of the 'scary' - darkened night - sliding panels - a gauche hero - humour and wit. It may lack the suspense of the Spiral Staircase, but it still remains a film worthy to be seen.

A surprisingly snappy little mystery comedy with Wayne Morris in his juvenile days sporting a patented brand of big guy innocence that he was very good with. Shortly afterward he went off to be a Navy flier and war hero, only to return to a Hollywood that had turned cold. Brenda Marshall plays a spunky, sassy reporter and is sexier than Alexis Smith which is no mean achievement. Willie Best shows why the prevailing racial attitudes kept a major talent from blossoming. He was truly a great comedian underneath the necessary character feature of a low I.Q. that all black actors of the day had to assume.Here, he's not quite so dumb and gets to use his formidable physical skills. I would urge to pull the curtain back a bit if you can and realize what a waste of talent it all was. No reason to go into the plot, its a farce with many funny lines and a very eccentric family which is a mainstay of many comedies of the 30s and 40s. Crisp, silly and warming.

This is a light hearted, get away movie from the early 40s. Black and white "B" fare that lets your mind relax for awhile. A beautiful Heiress(Alexis Smith) has trouble getting married, because her husbands-to-be seem to never make it to the altar. A bumbling rube(Wayne Morris) is hired to be a decoy groom to bring the identity of the villain to light.

Also in the cast are Alan Hale, Brenda Marshall and Willie Best.

Wayne Morris, known from 1950 on for his Westerns, here plays Alex "Lucky" Downing, a man with more than a few odd dilemmas, each one causing the next. First, he is a chemical engineer at the time right before America entered WWII during the biggest industrial build-up of the last century who oddly enough cannot find a job of any kind and therefore is literally under siege by creditors. This causes him to put an ad in the paper making himself available for work - any kind of work. The job he gets is to pretend to be the fiancé of an heiress he has never seen for the sum of one thousand dollars, which is a princely sum in 1941. Fortunately the girl turns out to be very attractive (Alexis Smith as Elinor Bentley). His next dilemma, unknown to him at first, is that he is being used as bait by the Bentley family to try to draw "The Smiling Ghost" out into the open. The Smiling Ghost is a name given to whoever or whatever it is who has killed or maimed each and every one of Elinor's fiancés, three so far. Downing's final dilemma is that he has two girls competing for his affection - first the heiress Elinor is beginning to fall for him. Secondly there is a female reporter interested in the story of the smiling ghost (Brenda Marshall as Lil Barstow) who is also attracted to our hero.

This film has plenty of comedy, with Alan Hale as a detective under cover as a butler who from the first time you see him doesn't act or speak like a butler, not to mention Wayne Morris' likable every-man style. It also has plenty of atmosphere with the spooky dark Bentley mansion, fog in the graveyard at night, and a rather strange member of the Bentley family whose hobby includes collecting shrunken heads.

The only real negative in the film is the use of racial stereotypes as humor in the person of Clarence (Willie Best), Alex' assistant and friend. Clarence is portrayed as being superstitious and cowardly comic relief, and it's sad but not the least bit atypical for movies made at this time to put African Americans into such roles. At any rate, I hope Mr. Best laughed all of the way to the bank.

Besides that one negative, I'd rate it as one of the better B comedy/thrillers made in the 40's, especially when you realize that it was made at Warner Brothers, which wasn't a studio particularly well known for that genre.