Ajouter une intrigue dans votre langueA switched-locale remake of L'Intruse (1935) about a jinxed, hard-luck dame, Vicki Moore (Brenda Marshall), and the men who show her that life is worth living no matter how ponderous and com... Tout lireA switched-locale remake of L'Intruse (1935) about a jinxed, hard-luck dame, Vicki Moore (Brenda Marshall), and the men who show her that life is worth living no matter how ponderous and complicated.A switched-locale remake of L'Intruse (1935) about a jinxed, hard-luck dame, Vicki Moore (Brenda Marshall), and the men who show her that life is worth living no matter how ponderous and complicated.
- Réalisation
- Scénario
- Casting principal
Louise Brien
- Nurse
- (non crédité)
Glen Cavender
- Glen, Mine Foreman
- (non crédité)
Harry Cording
- Crow's Nest Manager
- (non crédité)
Avis à la une
This is one of the love triangle stories that takes place in a faraway exotic land, but it's really the hollywood lot. David ritchie gets caught up in a death at the moore household. Roy bennet is dead, and his widow puts a curse on the moores. Of course, david meets up with vicki moore again in singapore, where he's trying to start up a rubber plant operation. Is the curse still on them? Released in may 1941, even before the united states was involved in the war. It's pretty good. Pretty low budget stuff. Check out the trivia section for connections to the 1940 version of the letter, and the 1935 version of dangerous! Directed by jean negulesco. Worked with some huge stars, made many HUGE familiar films. River of no return, how to marry a millionaire, three coins in the fountain.
Brenda Marshall in the part that Bette Davis got an Oscar for - aw c'mon fellers!
The art department wheel out the tropical foliage they are used to rigging, and the verandah from THE LETTER. However despite occasional bursts of production value like the opening dockside activity, the seedy Crows Nest bar brawl or a dozen extras tin mining, most of the film is Miss Marshal in awful Damon Giffard outfits emoting about the jinx that makes her destroy the lives of the men in the support cast. She gets to smash her mirror reflection with a liquor bottle too.
Negulesco on his first feature is trying but he's got a long way to go to the excellence of JOHNNY BELINDA and HUMORESQUE. Featured players are a drab lot with the good people making fleeting appearances - Tony Warde, Ian Wolfe and (you have to be quick) Alexis Smith.
The art department wheel out the tropical foliage they are used to rigging, and the verandah from THE LETTER. However despite occasional bursts of production value like the opening dockside activity, the seedy Crows Nest bar brawl or a dozen extras tin mining, most of the film is Miss Marshal in awful Damon Giffard outfits emoting about the jinx that makes her destroy the lives of the men in the support cast. She gets to smash her mirror reflection with a liquor bottle too.
Negulesco on his first feature is trying but he's got a long way to go to the excellence of JOHNNY BELINDA and HUMORESQUE. Featured players are a drab lot with the good people making fleeting appearances - Tony Warde, Ian Wolfe and (you have to be quick) Alexis Smith.
Off slumming one night in a dive on the Singapore waterfront, a group of colonials spot a familiar face off in a corner. It's one of their own (Brenda Marshall), come to gin and hard times because of a curse hurled at her by the widow of a suicide supposedly lured to his death because of this rich, spoiled temptress. Having had their cheap thrills, the party moves on, all except David Bruce, who stays behind to play the Good Samaritan.
He whisks her off to his plantation and sobers her up, though she's all but given up on herself. Surprise, surprise, they fall in love. There are a couple of obstacles looming, however: Bruce's bland, blonde fiancee, and Marshall's husband, long presumed dead....
Coming in at just over an hour, Singapore Woman is a quick-and-dirty programmer, a romantic melodrama with all the trappings of its East-of-Suez predecessors from Rain to The Letter: rubber plantations and monsoons, The Raffles Hotel and rickshaws. But Negulesco, who in his early career was largely confined to Big-Band shorts, digs into this exotically seasoned stew with gusto. He makes every minute count and makes the movie look good, too.
Out of Marshall he draws a startlingly strong performance, equally good on the skids and in the frothier scenes of redemption. This actress, born in the Philippines, appeared as a Eurasian or Hispanic beauty in several 40s movies, and starred in Anthony Mann's Strange Impersonation five years after this film; though she lived until 1993, she made the last of her films in 1950 -- a loss to cinema.
There's not a great deal of depth or resonance in Singapore Woman, but it's satisfyingly put together, and gives a preview of the talent Negulesco would later lavish on The Mask of Dimitrios, Humoresque and, his masterpiece, Road House.
He whisks her off to his plantation and sobers her up, though she's all but given up on herself. Surprise, surprise, they fall in love. There are a couple of obstacles looming, however: Bruce's bland, blonde fiancee, and Marshall's husband, long presumed dead....
Coming in at just over an hour, Singapore Woman is a quick-and-dirty programmer, a romantic melodrama with all the trappings of its East-of-Suez predecessors from Rain to The Letter: rubber plantations and monsoons, The Raffles Hotel and rickshaws. But Negulesco, who in his early career was largely confined to Big-Band shorts, digs into this exotically seasoned stew with gusto. He makes every minute count and makes the movie look good, too.
Out of Marshall he draws a startlingly strong performance, equally good on the skids and in the frothier scenes of redemption. This actress, born in the Philippines, appeared as a Eurasian or Hispanic beauty in several 40s movies, and starred in Anthony Mann's Strange Impersonation five years after this film; though she lived until 1993, she made the last of her films in 1950 -- a loss to cinema.
There's not a great deal of depth or resonance in Singapore Woman, but it's satisfyingly put together, and gives a preview of the talent Negulesco would later lavish on The Mask of Dimitrios, Humoresque and, his masterpiece, Road House.
It's 1941 Singapore. Rubber plantation owner David Ritchie (David Bruce) and his western friends walk into a bar on the bad side of town. The gals want to experience some exotic thrills. David notices a familiar drunk gal in the corner. She is Vicki Moore (Brenda Marshall), a rich girl from Hong Kong. He recounts their last encounter which ended with her first of many tragedies. She has been brought low and considers herself jinxed. David is engaged to Claire Weston (Virginia Field).
I watched this movie and kept waiting for it to end with the Japanese invasion. I thought that would be her final jinx. It's almost to the end when I realized that the Japanese don't invade until 1942. It's a whole different movie if this has another year. I'm not sure if I am convinced of their chemistry. To be fair, he has no chemistry with Claire either.
I watched this movie and kept waiting for it to end with the Japanese invasion. I thought that would be her final jinx. It's almost to the end when I realized that the Japanese don't invade until 1942. It's a whole different movie if this has another year. I'm not sure if I am convinced of their chemistry. To be fair, he has no chemistry with Claire either.
Singapore Woman stars Brenda Marshall in the eponymous role, from 1941, directed by Jean Negulesco.
Said woman is Vicki Moore, who considers herself a jinx, with good reason. Her father's tin mines were flooded and rendered useless, her husband was lost at sea, and a suitor kills himself.
On night an associate (David Ritchie) of her father discovers her soaking up gin in a cheap waterfront bar. He decides to help her get her life back.
The dark, exotically beautiful Marshall was Mrs. William Holden for 30 years. She's not really photographed to her best advantage in parts of this film. Nor is she surrounded by top Warner stars.
Nevertheless, it's a kind of Singapore riff on Dangerous, and she's interesting to watch.
Said woman is Vicki Moore, who considers herself a jinx, with good reason. Her father's tin mines were flooded and rendered useless, her husband was lost at sea, and a suitor kills himself.
On night an associate (David Ritchie) of her father discovers her soaking up gin in a cheap waterfront bar. He decides to help her get her life back.
The dark, exotically beautiful Marshall was Mrs. William Holden for 30 years. She's not really photographed to her best advantage in parts of this film. Nor is she surrounded by top Warner stars.
Nevertheless, it's a kind of Singapore riff on Dangerous, and she's interesting to watch.
Le saviez-vous
- AnecdotesSingapore Woman (1941) is an American romantic drama directed by Jean Negulesco and starring Brenda Marshall, David Bruce and Virginia Field. The Warner Bros. B picture is a remake of L'Intruse (1935) using leftover sets from La Lettre (1940). The story was based on Laird Doyle's story "Hard Luck Dame". At one point, both Ida Lupino and Jeffrey Lynn were attached to the project but the latter was suspended by the studio after refusing to play in the film. Although Negulesco was the sole credited director, he left the production and the film was completed by producer Harlan Thompson.
- ConnexionsReferences La Lettre (1940)
- Bandes originalesOchi Tchornya (Dark Eyes)
(uncredited)
Traditional Russian ballad
Sung by an unidentified woman at the Crow's Nest, with a piano accompaniment
Reprised by them at the Crow's Nest near the end
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- La mujer de Singapur
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée
- 1h 4min(64 min)
- Couleur
- Rapport de forme
- 1.37 : 1
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