San Antonio Rose

Hope (Jane Frazee) and Gabby (Eve Arden) hitch their way to the "Plantation", a venue owned by Nick Ferris (Luis Alberni) where they are hoping for an audition. However, the owner of a rival venue sends a couple of thugs - Jigsaw (Lon Chaney Jr) and Benny (Shemp Howard) - to the "Plantation" and Ferris ends up closing down his nightclub within half an hour as a result. Hope and Gabby end up locked inside the club and spend the night there. The next day, the Merry Macs arrive as they have been booked to perform. With no-one around, Hope, Gabby and the Merry Macs take management of the club into their own hands. They spread the word and people start to flock to their venue. An attempt is made to sabotage their plan as Jigsaw and Benny turn up again, posing as a couple of waiters with a mission to drive everyone away.

The story is largely irrelevant as this film is basically an excuse to churn out several music numbers that are nice but forgettable. There are some amusing segments that come from Eve Arden and her wisecracks and Lon Chaney Jr when he is being rude to everyone who arrives at the restaurant section of the club - "what do you want?". He is pure class as he throws the menus onto the table for the guests. That's it, I'm afraid, on the comedy front. Lon Chaney Jr is also involved in the more tedious sections of the film which involve a sort of mock Abbott and Costello routine between him and Shemp Howard, whereby he keeps slapping Howard and it's just not ever funny. Just like Abbott and Costello are never funny. Shemp Howard is really irritating in this film - he's sort of an American Norman Wisdom - really unfunny. Based on his performance here, I have no intention of ever watching anything by 'The Three Stooges'. Ever.

Despite some good songs - all of them are quite catchy and performed in that group swing-style a la Andrews Sisters - it's just not enough to warrant keeping onto the film to watch again. There is also a half-hearted attempt at romance chucked in that is very unconvincing and pointless. A final mention must go to the ruling by the Hayes Code that did not allow married couples to share a bed. Well, in this film, Jigsaw and Benny share a bed together so it seems that poofery is OK by the powers that be but not straight relationships. It's a crazy world we live in.

Despite the title and movie poster, this isn't a western but a musical comedy. Heavy on the music. Nothing wrong with the quality of the songs but the quantity might test your patience. The better parts of the film are Eve Arden's constant wisecracks and the dimwitted duo played by Shemp Howard and Lon Chaney, Jr. No great shakes but watchable.

I saw the website rating for "San Antonio Rose" and thought it would be a good one to buy. I really enjoy musicals, especially if the music is good, and I thought the cast was intriguing and with some interesting possibilities. So it was a big letdown to watch and wait for something better.

I didn't mind that the story was half-baked, because most often with musicals you wait for the songs anyway - and this one was half-baked. But with a musical comedy the comedy is often funny, but not here. It's too late now, but Lon Chaney cannot do comedy. He and Shemp Howard are a slapstick team of bumbling crooks and it was painful to watch Chaney slap Howard around - not like in the 3 Stooges shorts. And Eve Arden, one of my favorites, tried her best but was given some wisecracks which were unfunny and lacked the acerbic bite she was famous for.

The music, however, was a mixed bag. Saving grace here was The Merry Macs, who were a treat to watch and hear. Having said that, they can't carry a movie by themselves but were just about the best part of the picture. They sang "The Hut-Sut Song", which I thought was the best number in the picture. Most of the rest of the score was forgettable, but as I said, this was a 'B' musical. If it comes on TV it is worth watching as it is a mercifully short 63 minutes.

1941's "San Antonio Rose" is a delightful musicomedy 'B' from Universal's busy wartime era, an early credit for future horror star Lon Chaney, just a few months before "The Wolf Man" (which became the first film to drop the 'Jr.' from his name). Playing the bullying hoodlum Jigsaw Kennedy, Chaney gets teamed with former (and future) Stooge Shemp Howard, delivering a number of slaps just like Moe, or perhaps Bud Abbott. Working on behalf of a crooked nightclub owner, the two try to disrupt business for a rival club across town, but fail to reckon with the awesome Eve Arden ("take your gat and git!"). Much like Joan Davis in Abbott and Costello's "Hold That Ghost," the 29 year old Eve proves to be an expert scene stealer, and easy on the eyes as well (only singing a duet with Jane Frazee). The Merry Macs, better known for appearing with Ella Fitzgerald in another Abbott and Costello, "Ride 'Em Cowboy" (which began shooting just weeks after this film wrapped) enjoy their finest showcase here, introducing the popular "Hut Sut Song," which as kids we all heard in the concurrent Warner Brothers cartoon "Horton Hatches the Egg" (many will no doubt recognize "Hi Neighbor"). Charles Lamont would become one of Abbott and Costello's most prolific directors, and a good time was had by all, great fun for Chaney fans.

If "San Antonio Rose" is remembered today at all, it's for the spectacle of turning Lon Chaney Jr. And Shemp Howard into an ersatz Abbott and Costello. Maybe it was planned for A&C until their first starring film, "Buck Privates," became such a smash, and this would have been a step back. What it appears to be is a studio exercise in trying to figure out how to use a raft of new contractees. Chaney was new to Universal and was months away from scoring as its new horror star, which meant he was put in everything from comedies to Westerns to serials. Shemp was under contract as well, and stuck wherever he was needed. Robert Paige, another contractee, was a road company Dick Powell, and used as a signing leading man when needed. Then there's "The Merry Macs," three singing brothers named McMichael who were kind of a male Andrews Sisters. This film is something of a vehicle for them. The supporting cast features some comedy veterans in bit roles, including Three Stooges foil Vernon Dent; Bobby Barber, an underrated funnyman who would become Lou Costello's assistant and court jester; Charlie Hall, whose best work was with Laurel and Hardy; and acrobatic comic Frank Mitchell. As for Chaney and Howard, they come off more like a reversed George-and-Lennie duo, with huge Chaney the sharp one and diminutive Shemp acting like he's developmentally challenged. Chaney actually gets more laughs on his own. Bottom line: if you must watch the film, watch it for Eve Arden, who walks away with it through her trademark sass and timing.