NOTE IMDb
5,9/10
643
MA NOTE
Ajouter une intrigue dans votre langueNew York City street principles get an East Side kid in trouble at a Civilian Conservation Corps camp.New York City street principles get an East Side kid in trouble at a Civilian Conservation Corps camp.New York City street principles get an East Side kid in trouble at a Civilian Conservation Corps camp.
- Réalisation
- Scénario
- Casting principal
Ernest Morrison
- Scruno
- (as Sunshine Sammy Morrison)
Eugene Francis
- Algy
- (non crédité)
Carleton Young
- Norton - Fight Promoter
- (non crédité)
Avis à la une
Plot - Along with the guys, Gorcey gets sent to a forestry camp where he comes to exercise both his pugnacious boxing skills and a better inner self.
Oh my, only one skirt in the whole 60-minutes, and she doesn't show up until minute 35. Nonetheless, it's an entertaining Bowery Boys entry, giving Gorcey a real chance to parade his talents, especially his swagger. The plot's more dramatic than most, probably because there's no Huntz Hall for Gorcey to trade comedic swats with. Nonetheless, the rest of the gang's all there, this time as members of the CCC (Civilian Conservation Corps), a government program meant to employ idled city boys into rural betterment projects.
Here the guys work in para-military fashion on forrest projects, giving them a chance to improve their skills for later employment, that is, if Roosevelt's New Deal programs can revive the larger Depression Era economy. In fact, the movie's first part gives us a flavor of what those camps were like. Importantly, such look-sees provide a lingering advantage for old-movie fans like me.
Anyhow, the entry may be short on BB's usual slap-happy antics, but it still keeps eyes glued, thanks also to director Lewis's fast-moving camera. All in all, the flick shows how Gorcey's many talents have been unfortunately ignored by critics too often absorbed with good looks and bigger productions. Too bad. Then again, I can always hope.
Oh my, only one skirt in the whole 60-minutes, and she doesn't show up until minute 35. Nonetheless, it's an entertaining Bowery Boys entry, giving Gorcey a real chance to parade his talents, especially his swagger. The plot's more dramatic than most, probably because there's no Huntz Hall for Gorcey to trade comedic swats with. Nonetheless, the rest of the gang's all there, this time as members of the CCC (Civilian Conservation Corps), a government program meant to employ idled city boys into rural betterment projects.
Here the guys work in para-military fashion on forrest projects, giving them a chance to improve their skills for later employment, that is, if Roosevelt's New Deal programs can revive the larger Depression Era economy. In fact, the movie's first part gives us a flavor of what those camps were like. Importantly, such look-sees provide a lingering advantage for old-movie fans like me.
Anyhow, the entry may be short on BB's usual slap-happy antics, but it still keeps eyes glued, thanks also to director Lewis's fast-moving camera. All in all, the flick shows how Gorcey's many talents have been unfortunately ignored by critics too often absorbed with good looks and bigger productions. Too bad. Then again, I can always hope.
Joseph H. Lewis, who went on to become one of the leading directors of B movies in the 40s and 50s, here directed Leo Gorcey, Bobby Jordan and the East Side Kids as they head for the country as members of FDR's Civilian Conservation Corps. The story is a pot-boiler about bad-boy Gorcey's reformation, which takes place more in the boxing ring than in the work camp. The boxing scenes are pretty weak, but the rapid editing and a long tracking shot suggest Lewis's later stylishness. Not that much of a movie, but a reasonably diverting way to spend 61 minutes.
The East Side Boys lived in the poor section of Manhattan in the Lower East Side known as the Bowery. Leo Gorcey leads the cast and the gang as Mugs Malone. When somebody tricks him and the gang to sign up for the Civilian Conservation Corps in the country, he is at first arrogant that he is too good for them. But slowly, he manages to come around. He and the gang work all day with food and shelter provided for them. In exchange, they get to send some money home like $22.00 a month to their families which is a lot of money during the end of the Great Depression. Anyway, Mugs Malone is a good friend and will help out a friend in need. When a friend gets into trouble, Mugs comes to the rescue and boxes to help him out without explanation. This film is part of the East Side Boys film series.
It seems that as of late, I've gotten a sick addiction to the Bowery Boys. I'm actually starting to look FORWARD to seeing their movies. Although the movies don't really change from movie to movie (Leo Gorcy always begins tough but softens by the end, Huntz Hall is there to screech at Gorcy, and Bobby Jordan, the best looking one (he's a real hottie actually) is always there to neutralize everything. For some dumbass reason, and maybe I'm not the only one thinking this, I'm starting to detect a rather subtle homoerotic undertone to their movies too. That would be a real cool subject to study.
Anyways, on to the movie! In Pride Of The Bowery, for some odd reason, Huntz Hall is missing, not for the plot of the movie, just nada, he's not in the movie at all. It's just Gorcy and Jordan, plus a bunch of kids I didn't recognize. Anyways, Gorcy is training to be a boxer. And the gang decide the way to make some money is to go to a work camp. (smart move). Of course Gorcy is butting heads almost immediately with authority figures in the camp, and of course the obligatory boxing match between Gorcy and one of the authority figures there (who, coincidentally, is quite good looking) doesn't solve anything. But soon, yes, Gorcy's heart melts for a down-in-his-luck bunkmate's tale of woe about his Mom and how she needs money for something. So Gorcy agrees to fight for cash down at the stadium, and soon there's a goyle that wanders into the picture too.
So once again, hyper male-dominated situations, curious shirtless scenes (nearly all the Bowery Boys films has them) and suggestive dialogue.
Yeah, something is not quite right in Bowreyville
Anyways, on to the movie! In Pride Of The Bowery, for some odd reason, Huntz Hall is missing, not for the plot of the movie, just nada, he's not in the movie at all. It's just Gorcy and Jordan, plus a bunch of kids I didn't recognize. Anyways, Gorcy is training to be a boxer. And the gang decide the way to make some money is to go to a work camp. (smart move). Of course Gorcy is butting heads almost immediately with authority figures in the camp, and of course the obligatory boxing match between Gorcy and one of the authority figures there (who, coincidentally, is quite good looking) doesn't solve anything. But soon, yes, Gorcy's heart melts for a down-in-his-luck bunkmate's tale of woe about his Mom and how she needs money for something. So Gorcy agrees to fight for cash down at the stadium, and soon there's a goyle that wanders into the picture too.
So once again, hyper male-dominated situations, curious shirtless scenes (nearly all the Bowery Boys films has them) and suggestive dialogue.
Yeah, something is not quite right in Bowreyville
This East Side Kids Drama celebrates the Civilian Conservation Corps one of the best programs of FDR's New Deal of the Thirties. In fact when I wrote the review for Wild Boys Of The Road, I mentioned that the CCC was the New Deal answer to the homeless young men of America wandering the country looking for work.
In Pride Of The Bowery Leo Gorcey is a budding prizefighter of one of lighter weight classes and Bobby Jordan is his manager. Because Gorcey needs to train and doesn't, too many distractions in the big city, Jordan tricks him and friends into signing up for the CCC where he'll get plenty of exercise in dealing with the preservation of America's wilderness.
With the usual Leo Gorcey attitude he doesn't make too many friends in the camp other than the ones he brought with him from the Lower East Side of Manhattan. Later on true to the street code Gorcey gets himself jammed up when he's accused of stealing and he won't rat out the guy who did.
Pride Of The Bowery is one of the better East Side Kids features awash with sentimentality, but still entertaining after over 70 years.
In Pride Of The Bowery Leo Gorcey is a budding prizefighter of one of lighter weight classes and Bobby Jordan is his manager. Because Gorcey needs to train and doesn't, too many distractions in the big city, Jordan tricks him and friends into signing up for the CCC where he'll get plenty of exercise in dealing with the preservation of America's wilderness.
With the usual Leo Gorcey attitude he doesn't make too many friends in the camp other than the ones he brought with him from the Lower East Side of Manhattan. Later on true to the street code Gorcey gets himself jammed up when he's accused of stealing and he won't rat out the guy who did.
Pride Of The Bowery is one of the better East Side Kids features awash with sentimentality, but still entertaining after over 70 years.
Le saviez-vous
- AnecdotesWhen Mugs (Leo Gorcey) and the gang first arrive to the camp, a camp member lifts up the back gate of the truck they are riding in and accidentally hits Gorcey in the face with it. Gorcey is stunned for a moment and looks at the offender, but then continues on with the scene.
- Citations
Muggs Maloney: This is really a nice spot! A beautiful layout, I calls it. Where's the gymnasium, boys?
- ConnexionsFeatured in American Experience: Civilian Conservation Corps (2009)
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Détails
- Durée1 heure 1 minute
- Couleur
- Rapport de forme
- 1.37 : 1
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By what name was Un loup dans la bergerie (1940) officially released in Canada in English?
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