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Ajouter une intrigue dans votre langueA working girl is menaced by her tyrannical employer.A working girl is menaced by her tyrannical employer.A working girl is menaced by her tyrannical employer.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire au total
Frank McGlynn Sr.
- The Editor
- (scènes coupées)
Oscar Apfel
- Board of Directors Member #5
- (non crédité)
Harry C. Bradley
- Employee Who Refuses Paycut
- (non crédité)
Berton Churchill
- Mr. Bradford
- (non crédité)
Jesse De Vorska
- Jewish Football Customer
- (non crédité)
Neal Dodd
- Minister at Wedding
- (non crédité)
Clarence Geldert
- Board of Directors Member
- (non crédité)
Avis à la une
I saw this film recently on Turner Classics. It was a beautiful part of the wonderful past of Hollywood. Warren's great voice still haunts me. It was, as they say "mello as a cello". Real good stuff!! I have become a Warren William fan. I looked up his bio on your WEB. He made a ton of movies with all the top stars of Tinsel Town. He also made some not so good movies, but that's par for the Hollywood story. I have ordered about ten of his movie efforts and look forward with great anticipation in seeing them. Because I was not familial with him till TCM came along and presented some of his work. Sadley he died quite young at 54. Fortunattly we still have him to enjoy with the Hollwood Classics.
This is a remarkable little movie.
It has a bad guy that you actually have to like. Most of the story is spent setting him up as a conventional villain, a ruthless guy who capriciously ruins lives. A hateful, selfish man, arrogant and exploitative.
Along the way, he sleeps with a pretty employee and then when he finds she is married to his protégé he tries to ruin the pair. A man he fired kills himself, and the pretty girl (Loretta Young) tries to. In his manner, he is as brusque and offensive as he can be. He hires a floozy to compromise a fellow executive. He harangues everyone.
And yet by the end you actually like the guy and are surprised at being tricked into doing so. He fights to avoid laying off thousands of employees (because of the depression) in a fight to the death with the bankers. He proves to be honest, if misogynistic.
The two girls are incredibly sexy, as this was made just before the code slammed the shutters on women in film.
Alice White plays the floozy just before a sex scandal ruined her career a second time. She had previous been "helped" by a few directors including Chaplin. We are seeing a real fading flapper here.
Loretta Young, at 20 is as beautifully photographed as she would ever be. How odd to see the pretty girl as one who could be seduced so... twice.
But that's all by the way. The writing of this thing is so competent it rocked me back. I watch a lot of movies and usually have to let my imagination fill in for various deficiencies. Not so here. The writer of this also did the "Kennel Murder Case" of the same year, also excellent.
Excellent again. A good old straight ahead movie that fools you into thinking it is straight ahead and then it turns things a bit upside down.
Ted's Evaluation -- 3 of 3: Worth watching.
It has a bad guy that you actually have to like. Most of the story is spent setting him up as a conventional villain, a ruthless guy who capriciously ruins lives. A hateful, selfish man, arrogant and exploitative.
Along the way, he sleeps with a pretty employee and then when he finds she is married to his protégé he tries to ruin the pair. A man he fired kills himself, and the pretty girl (Loretta Young) tries to. In his manner, he is as brusque and offensive as he can be. He hires a floozy to compromise a fellow executive. He harangues everyone.
And yet by the end you actually like the guy and are surprised at being tricked into doing so. He fights to avoid laying off thousands of employees (because of the depression) in a fight to the death with the bankers. He proves to be honest, if misogynistic.
The two girls are incredibly sexy, as this was made just before the code slammed the shutters on women in film.
Alice White plays the floozy just before a sex scandal ruined her career a second time. She had previous been "helped" by a few directors including Chaplin. We are seeing a real fading flapper here.
Loretta Young, at 20 is as beautifully photographed as she would ever be. How odd to see the pretty girl as one who could be seduced so... twice.
But that's all by the way. The writing of this thing is so competent it rocked me back. I watch a lot of movies and usually have to let my imagination fill in for various deficiencies. Not so here. The writer of this also did the "Kennel Murder Case" of the same year, also excellent.
Excellent again. A good old straight ahead movie that fools you into thinking it is straight ahead and then it turns things a bit upside down.
Ted's Evaluation -- 3 of 3: Worth watching.
A standout performance by Warren William as Anderson, the hard, uncompromising, ruthless and feared-by-most General Manager of a giant department store helps make this a really excellent and interesting film. With climbing profits over the years, the depression has hit the store with a downfall and Anderson is put in complete charge to boost up sales - and he will go so far as to ruin any man who doesn't live up to his high expectations. He likes women, but not for marriage - his motto towards females is "love 'em and leave 'em". He soon meets beautiful Loretta Young who is desperate to get a job at the store, apparently a hard nut to crack (and she, apparently, will do whatever it takes to get it as she spends the night with him at his apartment despite her indication she would like to go home). Anyway - she's hired on as a model even after she said she would like to be hired for her "brain" - okey dokey - and soon has met and married a gung-ho salesman (Wallace Ford) who has been promoted as Anderson's new assistant. Anderson believes that a man should be married to his "job" only - so the marriage is kept a secret, and the workaholic boss expects his assistant to be there by his side pretty much night and day.
Okay, this is a really terrific pre-code film, entertaining through every scene, and featuring one of my thirties favorites, Warren William, who pretty much steals the film. As for the women, though Loretta Young is fine in her part here and looks really gorgeous - it is the scenes with adorable Alice White that are the most fun to watch as she plays Polly, a blonde who takes extra pay from Anderson to do his bidding seducing male employees for various purposes. A very enjoyable film and a treat to see.
Okay, this is a really terrific pre-code film, entertaining through every scene, and featuring one of my thirties favorites, Warren William, who pretty much steals the film. As for the women, though Loretta Young is fine in her part here and looks really gorgeous - it is the scenes with adorable Alice White that are the most fun to watch as she plays Polly, a blonde who takes extra pay from Anderson to do his bidding seducing male employees for various purposes. A very enjoyable film and a treat to see.
I ran across this movie by chance and then ran to IMBD to learn more about it. I was amazed by how the film enlightened me on the era and actually how similar corporations and people in them still behave today.. William Warren is excellent in the role of the tyrannical boss with the hots for the married sales girl (Loretta Young). I was surprised by the the openness of the film (for the time), but apparently after reading some of the other comments, this is typical of the pre-code era of films. Too bad things had to change. You can pick up a lot of social history from this kind of film despite it being a bit one dimensional.
... Warren William appears to be the whole show. Sure, you have a great supporting cast, but Warren William's character, tyrannical department store manager Kurt Anderson, is the center of the universe. You dislike his character when you first meet him, but as the film goes along, you begin to understand him and almost pity him by the end of the film. What a brilliant piece of acting.
It's one of several films made in the 20s and 30s centered around those giant department stores of New York City with that special brand of humor and pathos that was so unique to Warner Brothers at the time. Kurt Anderson's curse, besides being completely aware that he would be old and "through" someday just like all of the people that he fired, is to not actually control his empire. He is technically just an employee. He works for the board, for the banks, and the actual owner who seems only good for writing pronouncements for special occasions from his yacht in the Mediterranean.
Loretta Young plays a girl, Madelene, that sleeps with Anderson in order to get a job there - she is starving at the time. Later she develops a romance with Martin West (Wallace Ford), who becomes like a son to Anderson, somebody he is grooming to take over for him someday. The complication is that Martin and Madelene secretly marry because Anderson doesn't like the idea of married executives - they spend too much time at home. This means that Anderson thinks Madelene is still available, and although Anderson is not the marrying kind, he still finds Madelene desirable. Complications ensue.
Albert Gran didn't have too many talking film roles, and in fact this film was released six months after he died. But he is hilarious here as a rather useless executive who Anderson has to keep around because he is related to the actual invisible store owner. Alice White probably has better comic timing here than in any role I've seen her as Anderson's gold digging on-again-off-again mercenary mistress. She is much better as the cherry on top rather than the whole pie.
The running gag for me? The actual owner of the store - you never see him - always starts his letters by saying he is descended from both James Monroe and Benjamin Franklin. As far as I know there is no such person.
It's one of several films made in the 20s and 30s centered around those giant department stores of New York City with that special brand of humor and pathos that was so unique to Warner Brothers at the time. Kurt Anderson's curse, besides being completely aware that he would be old and "through" someday just like all of the people that he fired, is to not actually control his empire. He is technically just an employee. He works for the board, for the banks, and the actual owner who seems only good for writing pronouncements for special occasions from his yacht in the Mediterranean.
Loretta Young plays a girl, Madelene, that sleeps with Anderson in order to get a job there - she is starving at the time. Later she develops a romance with Martin West (Wallace Ford), who becomes like a son to Anderson, somebody he is grooming to take over for him someday. The complication is that Martin and Madelene secretly marry because Anderson doesn't like the idea of married executives - they spend too much time at home. This means that Anderson thinks Madelene is still available, and although Anderson is not the marrying kind, he still finds Madelene desirable. Complications ensue.
Albert Gran didn't have too many talking film roles, and in fact this film was released six months after he died. But he is hilarious here as a rather useless executive who Anderson has to keep around because he is related to the actual invisible store owner. Alice White probably has better comic timing here than in any role I've seen her as Anderson's gold digging on-again-off-again mercenary mistress. She is much better as the cherry on top rather than the whole pie.
The running gag for me? The actual owner of the store - you never see him - always starts his letters by saying he is descended from both James Monroe and Benjamin Franklin. As far as I know there is no such person.
Le saviez-vous
- AnecdotesThis was silent-picture star Albert Gran's last film; he died in an auto accident after the film was finished, but before it was released. Ironically, in the film's final sequence he and Warren William are racing through the streets of Manhattan in a taxicab to a Board of Directors meeting, but they arrive safely and without incident.
- GaffesHale Hamilton's character Monroe is said to be a descendant of James Monroe and Benjamin Franklin. James Monroe had two daughters and no sons. Descendants, if any, would not have the surname Monroe.
- Citations
Kurt Anderson: When did YOU develop principles?
Polly Dale: Oh, I saved a couple out of the crash.
- ConnexionsFeatured in Thou Shalt Not: Sex, Sin and Censorship in Pre-Code Hollywood (2008)
- Bandes originalesI Found a Million Dollar Baby (In a Five and Ten Cent Store)
(1931) (uncredited)
Music by Harry Warren
Played as background music in scenes with Alice White
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- How long is Employees' Entrance?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Employees' Entrance
- Lieux de tournage
- May Co Department Store, 801 S Broadway, Los Angeles, Californie, États-Unis(opening scenes, department store)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 188 000 $US (estimé)
- Durée1 heure 15 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.37 : 1
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By what name was Entrée des employés (1933) officially released in India in English?
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